Category Archives: Fine Craft

Yarn from Latvia!

All the yarn from Latvia arrived over a week ago, on Friday, January 20, but I’ve been remiss to photograph it and talk about it!  Here they are:

Three hanks Aade Long 8/2 artistic, in "Red," "Pink/White," and "Brown/Pink"

 

These yarns shipped from Riga, Latvia on Jan. 10, from two different vendors.  Actually,I did not order the “pink/white” colorway, and it was accidentally shipped from the vendor on ebay the previous day, Jan. 9 (it arrived on the 19th).  She wrote me immediately to say that she was sorry and the correct colorway “Brown/Pink” would ship the next day.  Both the “Brown/Pink” which was from the ebay vendor and the “Red” which was from an individual on Ravelry arrived together on Jan. 20th. Ten days door to door from Latvia to New Jersey is quite good, I think!  Aren’t they lovely?

The Red colorway is smallest hank, and it is exactly the yardage for the Revontuuli shawl.  The other two colorways are larger hanks and should have enough left over for gloves or socks.  I’m interested in seeing how the long the color runs will look on a pair of socks.  If I knit socks I must remember not to carelessly throw them in the dryer since all my socks are superwash wool.  That would be tragic!  I don’t usually dry my handknit socks, even if they are superwash, because I prefer how crisp they look when air dried on sock blockers.

Naturally, I’d love to start knitting the Revontuuli right this minute!….but there are other things I really should finish before starting another project.  Let’s see if I can be responsible…. hmmm….

Our house went on the market Wednesday of last week and got a full price offer on Thursday.  On the one hand it’s a great relief that all our work has paid off so quickly and I don’t have to make my bed by 7 am, or hide the laundry; on the other hand now it’s time to really get serious about packing and finding a new home.  Out of the frying pan and into the fire, as they say…  These days there is always something to keep me from weaving….sigh….

Meanwhile, the first bud on my Camellia has opened….there are four more to come!

Rhinebeck Souvenirs

I’m quite late posting about Rhinebeck.  The internet abounds with images of what a beautiful weekend it was up in the Hudson Valley with the color just starting to turn and lots of promise for the weeks ahead.  I love the one on Ravelry’s Homepage!

The drive was terrible!  One hour, 30 minutes to the Kingston exit on the NYState Thruway, then another hour and a half to get across the Rhinecliff Bridge and crawl to the fairground!  I’m not sure I can do this again next year….

Meanwhile, here are my treasures:

Alpaca/Wool/Mohair from Brooks Farm (Lancaster, TX) and buttons from Gita Maria

The Brooks Farm booth is always impossibly crowded, but I had an idea for a gift for a friend: a skein of luscious alpaca/wool/mohair with fund buttons from Gita Maria.  The pattern is from Spin Off Magazine, Summer 2009.

 

 

 

And for me….

Rhinebeck Treasures

Eureka!  I found buttons for my Einstein coat!  …also from Gita Maria.  She had baskets full of buttons, and they were all so pretty that I just dug through the lot until I found six that matched!  I added to my Signature needles stash (usually one a year when I see them at a show so I can avoid shipping!).  And I couldn’t resist the fun double pointed needles from knitpicks.

Handpainted 54s Corriedale Wool Top resting on a bed of Suri Alpaca/Silk

 

And although I am drowning in fiber, I cannot go to a wool festival without getting a little something…. look at that beautiful braid of handpainted Corriedale from “into the whirled”….sigh….resting on top of  a cloud soft cushion of Suri Alpaca/Silk from Biltmore Wool Barn in Brewster, Mass…. bigger sigh….

3rd Annual Local Fiber Festival!

 

 

Who doesn’t love a fiber festival?  I look forward to the NY State Sheep and Wool Festival in Rhinebeck each October….and the Maryland Sheep and Wool Festival each May!  Three years ago a group of  fiber loving women decided to try a small festival in Ridgewood, NJ, and it’s it’s been a success!

There were vendors with great stuff for sale; demonstrations by local guilds that include spinning, weaving, lace making, quilting, embroidery; and classes in knitting, crochet, rug hooking, felting, and natural dyeing.  In hindsight,  I wish I’d signed up for the workshop on rug hooking.  The design for this class was a small sheep, and the beautifully dyed, lightly fulled, wool fabric was lovely.  The little sheep was adorable!  Although I couldn’t take the workshop (because I was too busy demonstrating for my weaving guild) I am ordering the kit from Foxview Needlepoing and Rug Hooking,and hope to figure it out on my own! This is another design that tempted me (well, the sheep anyway!).

Three Of Us

It was great to spend the weekend with other local people who love the things I love!

 

Wednesday Group Project

Pairs of Pears….

Archie enjoys looking at pears and drawing pears.  He says they have such personality.  A pair of pears appears to be in conversation… some of us began calling the project ‘Talking Pears.’

For a workshop quite some time ago we all brought in pears and drew them for the morning.  In the afternoon we took colored paper and began tearing and cutting to make very simplified pear arrangements.  I wrote about it way back then….

Yesterday I cut my long finished pears off the loom!  I need that loom for our next group project.  They have languished on the loom for about a year, so I no longer remember how we are supposed to mount them in order to hang them together.  Some of the group did a dozen pairs of pears!  I did only two.  Here they are:

Two Pairs of Pears

Talking pears 1

Talking Pears 2

Now I can warp up for the next group project….and perhaps for one of several small ideas I’ve had over the summer….

A Nip in the Air

It’s August 21 and for several days now I’ve been wearing sweaters as well as knitted wool socks. This aint Kansas! (or NJ!)….this is Maine.  The fog has rolled in and out for days; when it rolls in the temperature drops quickly.We’re in Southwest Harbor, and sadly I have discovered that Lilac Lily is no longer in business.

Sailor Sweater from Debbie Bliss's "EcoBaby"

The Debbie Bliss sailor sweater is finished!  I just haven’t been able to post it since we’ve been out of internet service for almost a week! My own concocted sweater made with Tess Designer ribbon yarn is waiting to be sewn together….not my favorite part of sweater making!  So instead of tackling that I cast one for another sweater.  This is a top down design by”Knitting Pure and Simple.” I’m holding two strands together, a 16/2 linen in a muted purple and a linen/cotton/rayon mix, also in purple. I left a good portion of this yarn in the car, thinking I’d never get started on this sweater.  I knitted down to the underarms just beyond the point where the sleeves get put on holders, and now I’m out of yarn.  I have several projects that I brought from home (the Interweave Knits “Beach House pullover,”  Sally Melville’s Einstein coat,  Marianne Kinzel’s lace curtains, and the Manos del Uruguay “Serena” that will become a shawl) so I’m not wanting for more knitting!

Some photos from the past week…

Lush undergrowth on Long Island

Heading up Penobscot Bay to Belfast under N C Wyeth clouds....now I understand where he got his skies!

 

 

 

 

 

 

 

 

finding Lichen at Holbrook Island Sanctuary

 

 

 

 

 

 

 

 

 

 

I found some treasures during a walk on Holdbrook Island Sanctuary: two kinds of lichen that I have not gathered before. I only take lichen that has fallen on the ground. I’m looking for the species that contains orchil and therefore will make a purple dye. Until I find it I’m only taking a small bit to test for color. Once I find the purple producing lichen I hope to gather more on future forages! …not tons as lichen grows so slowly….just enough to dye an ounce of precious handspun or so…. Also, I had to have the little green urchin….so pretty!

 

Thuya Gardens in Northeast Harbor on Mt. Desert

 

This is an unbelievable garden!  In August there are still some flowers on the rhodies, and there are foxglove blooming along with the later summer flowers of rudbeckia, fall anemones and monk’s hood!  It’s quite a steep walk up to this hidden gem from the dock, but those who visit Mt. Desert by car can drive up!

 

Fog Banks come and go!

 

 

 

Fog banks roll in without warning and lift just as quickly!

 

 

 

 

Moss and Lichen grow everywhere!

 

Look how much moss and lichen is growing on this building built on a dock at Islesford on Cranberry Island! This is the entrance to a lovely restaurant that draws people from Mt. Desert to visit by ferry just to enjoy a meal here!  There is a gallery and a potter’s shop on this dock, and the owners told us that every winter the storms throw up all kinds of weather that raises the floor boards and sending seaweed and debris into their shops!  Every spring they clean up and nail the floor boards down again!

 

 

 

Pottery studio on the dock at Islesford on Cranberry Island

 

Truly wonderful wares in this shop!  Lucky for me that Kaitlyn Duggan has a website and Etsy shop so I can consider getting some of her whimsical, lovely dishes without coming all the way back here!

 

 

Button Bracelet by Kaitlyn Duggan

 

 

I couldn’t resist this fun bracelet from the pottery studio….

 

 

 

 

Bob has just returned from visiting a boat on the docks that is a floating veterinary clinic.  Dr. Barbara Shively visits various islands throughout the midcoast to take care of dogs and cats, horses, cows, sheep.  While she examines dogs right out on deck at the back of her trawler, she always examines the kitties down below in a closed room!  What an interesting life!

Maniacal Knitting

Can there be such a thing?  I don’t feel driven, but I will surely finish two sweaters this week (I am so close!), and that will make four sweaters in six weeks.  Three of the these sweaters are for me….how decadent!  The fourth sweater is an adorable Debbie Bliss design from her pattern book EcoBaby.

The  yarn is luscious to knit with….soft and almost as bouncy as knitting with wool.  It makes a heavenly knitted fabric.

This is the sweater I’m working on.  It is for my niece who is 18 months old.  I’d love to make some linen pants to go with the sweater.  I’m ready to knit the collar, and I realize now that the collar ends  wrong side out in the pattern which you can see in the photo!  Yuk!  I thought it would be a simple change to pick up stitches for the collar and just knit it with the right side facing in so it would be right side out when folded back.  But it won’t be that simple!  The collar is knitted as your finish the front the of the sweater so it is all one piece. I need to keep the shoulder area right side out while the collar part switches to right side in. I’ve got one idea on how to transition into having the right side switch, but I think I will check on Ravelry and see what others may have done to improve this design.

Aside from that glitch, I do love Debbie Bliss’s designs!  I met her a couple of years ago when she had a trunk show at Creative Knitworks when they were in Hillsdale, NJ (they have since moved to a larger space in Westwood, NJ….now isn’t that a great situation for a LYS!). At that time I got to handle and even try on a number of Debbie’s sweaters.  I saw first hand how many differently shaped women looked attractive in her designs and how well one size could fit a rather broad range of shapes!  Kudos to her!

And we are still sailing the coast of Maine and the islands of Penobscot Bay.  Yesterday was our first rainy day in six weeks of being here….amazing. Previous to that we have only had rain during the night!  Pretty perfect! I spent the day down below knitting the sailor sweater until I ran into the collar dilemma.  We ate hot comfort food all day, our favorite way of passing rainy days on board, and I also made a second beaded bracelet and did some reading.

Debbie Bliss's sailor sweater in Ecobaby cotton

 

Restaurant in Stonington, Maine....I want awnings like at home!

This was a lovely spot for lunch in Stonington, which has always been a busy harbor, initially for the schooners picking up granite and now for lobster fishing.  Last weekend we ate out at the very end of this dock overlooking the water!

 

 

 

 

A magical spot in Stonington

Isn’t this stunning?  I envision myself having coffee in the morning, wine in the evening, knitting, reading, star gazing…. in other words, living in this magical garden on the water!

 

 

Tila Herringbone Bracelet by Robin Tanenbaum

I bought this bracelet pattern as a download from I Dream of Beading in Poughkeepsie, NY.  I am not a beader by any stretch, and I had no experience with either herringbone or tila beads, so if I can follow the directions they must be superb!  I love wearing my new gem!

There is more news, but I’ll save it for another post….

Fodder for tapestry

 

Blue Heron at Seal Cove
Taking flight (startled by our approach)

In this cove the shallows are full of the shells of sea life eaten by the various birds fishing these waters.  We found a huge scallop shell, several large quohog shells and a razor clam shell, and endless mussel shells. Mussel shells are so beautiful with their range of iridescent  blues and purples! Looking through the water at the shells made me think this would be a wonderful tapestry, having some of the shells in sharp focus as seen through clear water, and others obscured by light reflected on water. Now, how to actually depict that!  I took several photos with a polaroid filter, but they all came out perfectly clear, as if there were no water at all!….

Then I happened to read Kathy Spoering’s post about taking the time to osbserve the natural world, to really look….through an artist’s eyes.   I definitely need more looking…

Inspiration in Maine

Typically Maine, the weather changed every couple of hours yesterday, and the sights made me think about trying to capture the essence of a place in imagery…..which made me think of Joan Baxter’s tapestries. She has mastered conveying a sense of place for Scotland, with tapestries that are full of mists and myth and mystery. After 15 summers in Maine maybe I am getting a sense of this place….also a place of mists as well as brilliant sun and sharply focused views.

As we sailed out of the Basin and Cundy’s Harbor yesterday, the sky behind us grew very dark, and shortly into our trip we were overtaken by a squall.  Twenty minutes later the shoreline and islands glowed in the fresh new light and sparkled from the rain. We were headed to Snow Island, and just as we approached we saw an eagle soaring overhead!  He (she?) landed on a rock right nearby to dry his wings.

Eagle on Snow Island

In the trees just to the left in this photo was another eagle!  We could not get the two birds together in one photo!

After anchoring another quadrant of the sky darkened, and another squall passed through.  The quality of light is decidedly Maine to me, and something I’d like to capture in a future tapestry.

Approaching Squall

Can you see the eagle in the lone tree just right of center in the photograph?  All in all, we saw three eagles at Snow Island.

Before heading to Snow Island I spent a good part of the day working on another sweater…. Deborah Newton’s “Greenhouse Tank” which is in the current issue of Interweave Knits.

Deborah Newton's Greenhouse tank

Deborah Newton is one of my favorite knitting designers.  Her designs are lovely and fit beautifully!  I am really hoping this will be more flattering than my Plymouth “Kudo” sweater!

I am working this sweater in raw silk from Tess Designer Yarns in a colorway called Bahama Bay.

 

 

Deborah Newton’s “Greenhouse Tank” knitted in Tess Designer Yarns “Bahama Bay” raw silk

More about this sweater in another post…..

Handwoven Home

…or home away from home.  My husband and I spend some weeks every summer sailing on board our sailboat Pandora.  This year, just weeks before we moved on board I spent a week at Becky’s Vavstuga taking her Vavstuga Basics class.  This is an absolute prerequisite for any of her other classes, her way of making sure that students have the same basic training before moving on to her more specific classes. This session’s basic class had five projects: a false damask small table square, a small (30″ x 30″) tablecloth, a dishtowel, a bathmat, and a blanket.  I decided that all these projects, except the bathmat, would be used on Pandora!

one of the small tablecloths

one of two dishtowel warps

second dish towel with blue blanket in background

 

 

 

 

 

Student Susan sleying reed for Blue blanket

Ilona working on the green blanket

 

The block weave project

The bathmat project

Andi and Patti working together

Andi and Patti working together

Becky Ashenden’s lovely studio and student residence is furnished entirely in Swedish style (mostly from IKEA) with her handwovens adorning every horizontal surface as well as all the windows!  The whole place could be a scene from a Carl Larsson painting. In our bedrooms we each had a handwoven coverlet for our bed and handwoven curtains.  In the main sitting room/dining room/kitchenette, there were wool blankets on the backs of the comfy chairs, a tablecloth on the side table in the sitting area, and curtains on the windows.  All the curtains had handwoven tapes as tie-backs.  We had breakfast each morning up in the residence dining room.  Breakfast was made and delivered by Susan (Becky’s business partner), who brought up a different tablecloth each morning, while wearing a matching apron.  I have a new appreciation for aprons!

 

Breakfast with one of many handwoven tablecloths!

Class started each morning at 9am after breakfast at 8.  Monday we made color wrappings for dishtowels and chose the two designs we liked best.  Then we began warping for them and also making the warps for the other projects.  By the afternoon we were putting the warps on the looms.  I will put details of Becky’s Swedish warping techniques on the weaving page.  At 11am each day we gathered at a large table in the studio for drafting exercises.  All of us except one student were experienced weavers.  Some of us had been weaving for decades, and one student had even spent a year at a Swedish handcraft school just like the one where Becky herself had studied.  Still, making drafts by hand on graph paper was a useful exercise for all of us!

The studio lights went off promptly at noon signalling lunch.  There was one hour to enjoy an amazing lunch with lots of choices served smorgasbord-style.  The class information stated that while Becky could not accommodate specific diets, most people on restricted diets could still get plenty to eat.  It was true!  Each lunch included a platter of raw vegetables, like radish and cucumber, a green salad, a cheese tray, a basket of crackers, a basket of Susan’s still-warm homemade bread, a plate of sliced deli meats and various dishes that were freshly made for that day’s lunch.  These main courses included shrimp/fennel salad one day, a wheat berry salad with vegetable and dried fruit another day.  It was a feast!

 

The dining room table set for lunch

Dinner always included the same assortment of platters holding cheeses, raw veggies, sliced meats, etc.  And there would also be a hot main course.  There was another loaf of Susan’s delicious bread.  We loved it so much that we demanded a photo of her with bread before she sliced it!  Becky made a fresh dessert each day to serve after dinner.

 

Susan with her homemade bread, wearing a handwoven apron

The studio re-opened at 1pm each day, so after lunch there was time for a short walk or for perusing the extensive library of weaving books….or shopping in the retail section of Vavstuga!  We re-gathered at the table at 3pm each afternoon for another session of instruction which included looking at innumerable handwoven items.  I have never seen so many handwoven items in one location. It was exhilarating!

 

Afternoon class examining some of Becky's handwoven tablecloths

Dinner was at 6pm each evening, and again the studio lights were turned off to bring us all to the table together. The studio re-opened from 7.30 -9 pm for evening weaving.

Gathering at the table

Our days had a definite rhythm because of Becky and Susan’s hard work and organization.  After working together to warp four of the five projects, we were all weaving by Wednesday morning. We warped each project in groups of two which made beaming, threading and sleying a breeze.  It is really quite enjoyable to warp with another person (and I’m someone who loves the warping process and looks forward to that time alone!).  I want to see if I can institute a warping group when I return home in late summer.

 

Warping mill with view of the Deerfield River

Each day Becky wore a handwoven dress, and we all enjoyed hearing the plans for her summer solstice wedding, including her handwoven fabric design for her wedding dress.  She was to be married just a week after our class ended, and I hope there will be photos on her site when she returns!  While we did not get to see the dress, we saw the fabric leftovers after the pattern pieces were cut….stunning!

Becky’s studio sits at the entrance to the Bridge of Flowers which is an incredible place in mid-June.

 

Bridge of Flowers

 

Students' work on Friday afternoon

The class with our finished projects!

Susan and Becky

So…..back to Pandora and my handwoven home on the water…..

 

False Damask table square on cockpit table
Handwoven tablecloth and blanket from my week at Vavstuga

Ooops! I think I left the hand towel at home, and the bathmat was made for our upstairs guest bathroom.

 

 

 

Starting a Nantucket-Style Basket on a Mold

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Nantucket Basket Procedures

It certainly is daunting to consider making one of these baskets so I thought I’d record the process as a resource for my future attempts.  If anyone should stumble here and find help all the better!

My basket teacher is Judy Flanders, a member of the Westchester Basket Guild (NY) and a proficient basket maker and thorough, careful, patient teacher.  If not for her I would still be starting at the DELS website trying to figure out what I need!

Determining the Number of Staves:

1. Measure the rim circumference of the basket mold in millimeters. If you only have access to measurements in inches multiply inches by 25.4 to find mm’s.

2. Measure the width of the staves you have chosen to use (also in mm). To this number add 1.5mm for the space between the staves.

3. Divide the answer from #1 by the answer from#2.

Example: the circumference of my round basket is 800 mm. The staves I have are 6mm wide. Adding 1.5mm to my stave width of 6mm gives a total of 7.5mm.

800 / 7.5 = 106 or 107

This is just an estimate, but it gives me an idea of how many staves to shape.  I will add at least 10% to this number, so I will be shaping about 116 – 120 staves.

10″ round Nantucket mold with two shaped staves

Preparing the mold:  The hardwood on the base of the mold becomes the base of a Nantucket basket, with all the staves firmly attached into a groove.  This base needs to be protected during the basket making process.  I have removed the screw holding the base to the mold and inserted layers of cardboard that were cut to the same circumference as the base.  I have two layers of cardboard between the base and the mold, and one layer of cardboard on the outside of the base to protect it while I’m weaving.  I put the screw through all these layers and re-attached everything to the mold. Ready for inserting staves!

Shaping the Staves: the staves are tapered until they reach the shoulder, or curve, of the mold.  From that point to the rim of the basket they keep their full width.  The length of each stave is about 1″ longer than the edge of the mold.  For a round basket all the staves will have the same shaping; an oval basket would require different shaped staves for different areas of the curve of an oval. I am using two kinds of staves on this basket, and there is an example of each in the photo. Both have been tapered.  There will be eight walnut staves set at equal distance around the mold creating a dark stripe that matches the walnut base and rim of the basket. These positions correspond to the fine dark lines on the mold in the photo above. The rest of the staves in between these stripes will be maple.  I think this will be a striking basket design.

After tapering the ends of the staves that will be inserted into the base, each stave needs to be lightly sanded for smoothness as well as sanded down to a finer dimension in the tapered area.  I want to sand only enough to allow the stave to fit snugly into the groove of the base.  If the stave goes into this groove too easily and is loose it may come out at some point during the basket’s life which would be a hard repair to attempt.  If the stave is too tight it might not fit all the way into the groove which might also cause it to come out at some future point.

I taper the staves using a small hand plane.  I learned that the proper technique is to hold the plane stationary and move the stave against the blade.

I can sand the staves using a small sanding stand or using sandpaper on a drill press. I’m using flat staves in this basket (contrast that to the round staves I am using in my Nantucket purse) so I have to sand off just a bit of the sharp sides so that the staves won’t break my weavers as I pull on them during the weaving.

Sanding the tip of stave before inserting in basket base

June 9, 2011

Steam-bending the staves: Last night I began shaping the maple staves that will go between the walnut staves around the mold.  I’m making 14 maples staves to go in each of the eight sections of the basket.  I presume that will give me a couple extra in each section in case of breakage.

This evening I steamed the walnut staves and placed them around the mold.  Steam-bending involves boiling a pot of water (not a food pot!  I use a small dye pot) and adding the shaped staves to boil for 10 minutes.   After 10 minutes have passed I still leave the pot on the heat as I take out one stave at a time and place into the rim on the bottom of the mold, then quickly but carefully bend the stave to the contour of the mold.  After a couple of seconds I pull the rubber bands out around the stave to hold it against the mold.  Then I proceed to pull the next stave from the pot of boiling water…

NOTE TO SELF: Never boil maple staves in the same water as walnut staves.  Like its nutshells, walnut wood has a lot of tannin and will dye the maple staves the color of walnut!

Thank heaven for these large rubber bands.  I wonder what the sailors used traditionally.

Adding the maple staves

Next, I added one section of maple staves.  The contrast between the walnut and maple will be greater when the staves dry.

one section of maple staves completed

Time to check in with my teacher!  I only got 11 maple staves between the walnut staves, and I should have gotten 12 or 13.  I won’t proceed until I know if this is acceptable!

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