Category Archives: travel

The Work of My Hands

It’s early Sunday morning, and I am sitting in my favorite chair unraveling the sleeve on my most recent sweater. It’s a design by Kate Davies which has serendipitously turned out with quite a different silhouette than the images on her website. My sweater is significantly bigger than I expected, and I love it this way. A very nice surprise. As I was knitting the 2nd sleeve mid-last week, I realized if I just sped up my knitting I would finish the sweater that day and be able to wear it to my holiday guild meeting the next day.

The temptation to finish was great, which is what made me ignore what I know for a fact about knitting speed, at least for myself and Meg Swanson: the faster I knit the looser I knit. So, this sleeve looks considerably looser than the first sleeve, and also looks rather flimsy and messy compared to the rest of the sweater. Haste does indeed make waste. Time to rip and re-knit. Sometimes the work of our hands is creative and sometimes it needs to be a chore, like re-knitting a sleeve. I’m trying to not think of this as drudgery since it’s a quiet, pre-dawn morning, and there is coffee brewing.

It has become a time of mending since I have just finished re-sewing the side seam of a sweater I wanted to enlarge. Last winter I planned to add a gusset to the side seams of my old “Hild” sweater by Elsbeth Lavold, but I tried it on yesterday and felt the gussets are now unnecessary. That was good news for me! Since I’d only managed to knit one partial gusset before putting it aside, I unraveled the gusset on the first side and re-sewed that seam this morning. I will wear it tomorrow to another group meeting of weavers.

Doing these chores, which barely seem tedious in the quiet pre-dawn of a winter morning, has me thinking about all the kinds of work we do with our hands. I tend to focus on creating, but sometimes I have to take a step back, undo something to either fix it or make it more useful to me. I have not worn the “Hild” sweater in at least 5 years, so I’m thrilled to have it back. I probably knit it shortly after this book was released in 2006. I’m still smitten with it!

It’s now early in the following week. I have worn both sweaters! What a trill to have a new sweater and also to wear one that I made so long ago — that hasn’t fit me for years.

In Italy, while staying at the art school La Romita in Umbria, I indulged in some new work for my hands. The workshop was 10 days of tapestry weaving and natural dyeing, as you may have seen in an earlier post. I have barely done any natural dyeing, and this workshop has piqued my interest in doing more. When you see the photos of the colors we produced, you may go down this rabbit hole with me!

Two of the students took charge of this part of the workshop. They are Yonat Michaelov and Kris Nardello, both from California. Their expertise was just what we needed to get over 50 colors in only 10 days, with very limited equipment for dyeing. There was only one umbrella swift, and we had 10 lbs of local merino to wind into skeins suitable for dyeing. Chairs to the rescue.

While the skeins were scoured and mordanted in alum, I dabbled with making watercolor paints from the ingredients that our leader, Shelley Sokolofsky brought for us to try. Jody Brewer took this photo.

I now have an exciting set of colors to try, in spite of knowing nothing about water color. Another rabbit hole for me.

Here are the first dye colors from only about 3 days of work. Yonat and Kris were amazing in their organizational skills, having only two pots on two burners, with a few buckets to save some colors for overdyeing. I can’t believe what they accomplished. I was so lucky to be their assistant.

And here, Yonat explains the process and dye for each color we got so far, which was mostly the traditional dyes used throughout history, which Shelley brought from the US from Botanical Colors.

The workshop description stated that we would also use local plants from Umbria for dyes. That required some of us to get up early and go foraging. It wasn’t added to our itinerary, so Yonat and Kris foraged almost every morning to bring us more plant material to try. They found olive leaves and branches, a variety of bright orange mushroom called omphalotus, abundant local flowers called Dittrichia viscosa, over ripe pomegranates, fig leaves, prunus leaves, and oak galls. We had a treasure trove of material to try.

Jody Brewer took the next few photos of the local plant colors we dyed.

The entire range of colors we got from the local plants.

Colors from Olive leaves and branches

Oak galls.

The lovely and abundant flowers of Dittrichia viscosa.

Lastly, here is Yonat holding the color card displaying all of hers and Kris’ hard work!

Once home I find myself wanting to dye more than do the work needed for the holidays! I have a small olive tree that we prune every fall in order to keep it small enough to put inside during the winter months. I don’t cut too much so there was only 58 grams of leaves and branches. With that small amount I only tried 25 grams of the Italian merino in the dye bath.

My color falls right in the range that we got from olives in Umbria, but I wish I’d gotten a more saturated hue. I’ve saved the dye solution because it’s definitely not exhausted. For this batch I simmered the yarn for 1 1/2 hrs and then let the yarn sit in the bath overnight. I repeated this process for three days. Now the leaves are probably decomposing a bit in the bath that is sitting in my chilly garage. I want to try at least one more day of simmering and cooling to see if I can darken the color. Jody and I plan to spend a couple of days working with a sucrose indigo vat which we will make together and some madder powder. I got both those from Botanical Colors. I hope the work of hands produces some exciting results.

Jacquard Weaving in Perugia

Here I sit in English Harbour, Antigua, thinking about my recent return from Umbria, Italy, and the highlight of my time there: a visit to a jacquard weaving museum and atelier in Perugia that is housed in a 13th c. Franciscan church.

Perugia became a walled city in the Middle Ages, prior to the building of this church in 1212. It was originally a simple hermitage that was founded by St. Francis of Assisi when he and his followers stayed here together. By 1252 the monastery was ceded to Benedictine nuns and given the name San Francesco delle Donne. St. Francis of the women—for the women? It was abandoned numerous times through the centuries, and I don’t know those stories. Our host at La Romita, the art school where we were taking a workshop on tapestry weaving and natural dyeing, mentioned that Perugia defended itself many times over the centuries. Most of the conflicts had to do with the vying city states and their status in the Catholic Church, and throughout the Middle Ages Perugia was an impoverished place, in spite of their reputation for excellent craftsmanship in pottery and textiles, and probably other fine crafts that I haven’t found in my searches. There is some great information on the Giuditta Brozzetti website.

The Brozzetti family started the weaving museum and atelier in 1912, but not in its current location. The museum is named in honor of the current owner’s great grandmother, Giuditta Brozzetti. Giuditta started an atelier to bring back the historic handwovens of Perugia, especially the “Perugian tablecloths” that were often used as altar cloths in churches, as well as being tablecloths in the homes of the very wealthy. Textiles were far more valuable throughout history than they are today and were always listed in the inventories of wealthy families. The atelier and museum moved to this magnificent site in the church in 1996. I believe it took a lot of work to bring the church into state we see it today. It is magnificent!

Here is an excerpt from an interview with Marta Cucchia, the great granddaughter of the founder and current owner:

My studio is one of the last weaving ateliers in Italy – and the only one that reproduces medieval Perugian Tableclothes using Jacquard looms from nineteenth century. Furthermore, with the pedal looms, typical of the Umbrian countryside, we create fabrics using millenary techniques passed down orally from generation to generation. My great-grandmother, Giuditta Brozzetti, founded this Laboratory in 1921. From then on, the passion for hand-weaving was passed down from mother to daughter, each woman bringing her own experience according to her personality and studies.”

Marta has four women who assist her in the studio, and they have all come out of textile schools to make this field their livelihood. What an exciting place to work!

Some of the projects that Marta oversees are replicas of actual textiles in paintings from the Middle Ages and the Renaissance. During our visit Marta showed us a couple of impressive replicas. She had high resolution images taken of Leonardo da Vinci’s “Last Supper,” and she had small areas enlarged so she could study the tablecloth. In hind sight, why didn’t I think to ask her if she thought that cloth had been woven in Perugia?

Even in this low resolution image of the fresco, taken from the intenet, you can see that the tablecloth is highly figured at each end, but also there is a hint that the white on white areas also have interesting weave structures.

Detail of a similar fabric from a different painting:

Here Marta is showing us some of the images she used to design the tablecloth. Clearly I am scratching my head in amazement!

Photo by Jody Brewer

And here is the finished cloth, woven at the Giuditta Brozzetti Atelier:

The jacquard looms in this studio are all from the 19th c except one that is older from the 18 c. These are hand manipulated looms, where the process of weaving involves attaching every thread in the warp to a jacquard attachment that has a series of cards that control the patterns. The weaver stands at the front of the loom and depresses the one treadle (a heavy one that sits rather high off the ground!) with her right foot —yes, they are all women at this atelier. Depressing the treadle opens the shed, and the weaver pushes a lever that is above the beater that engages one of the jacquard cards, then she pulls a cord that sends the fly shuttle through the shed of the open warp. Here is a video of the process, although at this point the weaver is weaving some plain weave between the designs, rather than the more interesting pattern.

Here is Marta showing us one of the many charts of jacquard designs in her collection. These graphed charts are used to make the cards which will control the weaving patten on the looms.

And here is my best attempt at getting a shot of the entire loom. The warp on the loom will be obvious to most of you. The yellow cords anre atracked to each warp thread and are running vertically to a loft area where you just see a bit of the roll of cards used to weave the design. There are other ‘chains’ of cards being stored on the railing of the loft.

I neglected to count how many jacquard looms are in this large studio, but here’s a photo of the long row of them in the museum.

Many traditional Perugian designs can be woven on regular shaft looms with floor treadles. Marta demonstrated this on what looks like an equally old loom to the jacquard looms.

Here is particularly stunning tablecloth woven on a shaft loom in a traditional woven structure with luscious colors. I tentatively asked if it was for sale (and the price) and learned that Marta wove this tablecloth for her wedding. What a treasure…

During the time when Marta’s mother led this studio they produced some designs for clothing. During Marta’s tenure she has also had commissions from Italian haut couture houses.

Photo by Jody Brewer

These dresses were designed and woven here, and I’m guessing this occurred in a past decade, perhaps the 1960s? 1970s?

There are other modern designs available here. This is quite a striking pattern that was for sale as a shawl or a cushion.

While we were there one of the weavers brought out this tiny gem woven in the same structure. They are not yet available, but as soon as they are I need one! I’m sure they will be popular. When I posted a photo of this Facebook some of my friends immediately asked how to get one.

This is my prize purchase from the day, a gem that gives me a little shiver of thrill whenever I take it with me somewhere. It is equally beautiful on the inside, lined in a fine silk fabric from Fendi.

Marta and I also discussed some of the fine finishing that goes into many of the pieces they make. In particular, Marta’s mother adds a beautiful bullion edge to some of the table runners. I must give this a try on some of my handwoven projects. I bought a small runner that I cannot show you because it is at home, and I am writing this in Antigua. Mine is off white on white, with jacquard designs at each end, and the point twill design in the middle. This one is far more elaborate, but I want you see the bullion stitch edges.

Each one of the pieces woven here are exceptional examples of textile skill. In many parts of the US, textiles are no longer valued as they deserve. I hope we can bring some of that respect and awe back into our lives. My house is full of my own handwovens, and sometimes I marvel that many of my guests don’t realize that. I’m not sure people even see textiles anymore, beyond noticing someone in a beautiful dress. There is so much to marvel at in the world of handmade cloth. The Giuditta Brozzetti Museum and Atelier has to be one of the best places to go and relish the beauty of handwoven goods. Get there if you can! If not, there are beautiful images and descriptions on the website.

Back At It!–in Umbria, Italy

This is quite a thrill for me to access my website and write a new post. This site has been ‘sick’ for about six months, and I have not been able to access it.

It would be quite an epic if I tried to cover all the things that I’ve thought about, done, and struggled with over the past six months, so I think my best option is to just tackle a few vignettes, starting with my trip to Italy in October.

I went to Italy for a natural dyeing and tapestry weaving workshop at La Romita, which is in Umbria. I asked some of my students if they’d be interested in joining me, and my weaving friend Jody decided to go. The two of us quickly made friends with two experienced natural dyers, Yonat and Kris, from California. Part of the workshop description was that we would meet local dyers and weavers, but there were no dyers on our list of day trips. We decided to skip one of the trips and rent a car together to drive north to visit the workshop of Elena Villa in Castiglione del Lagos, a walled medieval town on the shore of Lake Trasimeno, where she sells her hand-dyed yarns and various finished items, like knitwear and dyed scarves.

We’d been warned that we’d probably have to take a car with manual transmission, and since I was the one who’d most recently driven standard cars, the driving fell to me. It had been about two years since I’d done that, although I’ve driven standard transmission cars for most of my driving life, so I was a bit nervous. A strange car with a standard transmission in a foreign country–but as luck would have it, we got a big American car with an automatic transmission. I have a sense that it was because Valerio, who took us to the Avis agency in Terni, pleaded our case with the staff there.

The trip was a cinch with Google maps, and we all had a terrific day. I think we were the biggest car on the road–not my first choice!

And here we are! Elena opened her shop for us that day although she is normally closed on Thursdays. Lucky for us.

Elena is in the foreground, with Kris (R) and Yonat (L) looking through yarns. Can you imagine how much we were swooning over all these wonderful items in such stunning natural colors?

Elena’s husband took a wonderful memento photo with the lake behind us. It was such an exciting experience to meet her and to see her work. Elena recommended we go to a certain restaurant before heading back to La Romita.

We left feeling inspired and ready to create things with the yarns that have such lovely blended gradations of color, as only natural dyes give. I found a whole shelf of merino yarn fine enough to use in tapestry.

The colors are:

  1. Solidago (golden rod) a bright gold on the merino yarn and softer yellows on the three scarves
  2. Solidago with “Robbia” (madder), the salmon/orange
  3. Solidago with “Cipolla (onion), the orange/rust/yellow/gold/green variegated yarn.
  4. Fitolacca (pokeberry!), which is havested more than once from spring through late summer, giving different colors as the season progresses.
  5. Noce (walnut, although I don’t think walnut trees grow in Italy), medium, warm brown.
  6. Galle di Quercia (oak galls), medium grey. I bought three skeins of this because I thought it would be a great neutral.

Lunch was another rare surprise for the day. When we entered the dining room we discovered the terrace overlooking the lake. Beautiful!

It’s so rare to have photos of myself because I am usually behind the camera. The photos that include me were all taken by Jody. It’s great to have a record of being here. Here is our terrace lunch with a view of Lagos di Trasimeno.

It was a magical day, the best any of us could have imagined. I bought some fiber from local Appeninica sheep that Elena had dyed with golden rod. I didn’t have a spindle with me, so Elena went home to get one of hers and delivered it to me while we had lunch. I will never forget that! Now I have to think of something remarkable to do with this yarn.

I spun this wool on both the spindle I got from Elena and, once home, on my Nano 2 e-spinner. The spindle spun yarn is on the right and is finer and more loosely spun than the skein on the left which is I what I spun on the Nano 2. I plied both these skeins on my folding Lendrum.

I just read about Appeninica sheep on Wikipedia. They are a modern breed, first established in 1970s, and based on quite a few other breeds. They are raised mostly in Umbria and Tuscany and were bred to do well in the Apennine mountains. Their wool is considered medium/coarse. That was not my impression of the roving I had. Perhaps the golden rod softened it a bit. Who knows?

It’s exhilarating to travel, and even more so when we can branch out and explore the exact thing we are most interested in experiencing. The four of us became good friends during the workshop, and we feel we made a great connection with Elena and her stunning shop.

Work in Challenging Conditions

We are having a rip-snorting winter season in the Caribbean. I would prefer a gentle season, but there is no bargaining with Mother Nature. Actually, I know this weather is not her fault. It’s humanity’s fault, so I am partly to blame. I won’t go into the weather here, but you can see some pretty frightening images and videos on my husband’s recent post on SailPandora. We moved to the mooring field in Les Saintes one day before this storm hit, and it was a good choice for staying safe.

Not many days have been calm enough for weaving onboard, but I am trying. I brought so many projects onboard, and I feel compelled to make progress and even finish a few of them. If I finish two tapestries I won’t have to cart the looms home with me when I fly home in April. That’s a pretty strong reason to get them done!

I am trying my hand at wedge weave, and I started this project back in July under the tutelage of Connie Lippert at the NEWS conference in Worcester, Massachusetts. For some reason my brain gets confused on which direction the wedges travel and when to continue on the diagonal or move across the warp to create a horizontal section. I may have unwoven almost as much as I’ve woven, and I don’t seem any closer to making sense of the angles. Old age? I hope not!

During the July class I added the little gold rectangle woven in Gobelins style. While onboard I wanted to add a more complex bit of Gobelins style, so I wove the square that has a couple of shapes inside it.

Here is the one glorious day when I was able to weave in the fresh air in Pandora’s cockpit.

I have consulted Connie a couple of times along the way recently. Being outside the US makes me feel a bit disconnected which can also make me wonder if I’ve taken a detour away from where I need to go to acquire some skills at wedge weave. I’ve had an impulse to add a circle to the wedge weave. I pondered this, wondering if I’d have to weave an easier shape, like a square, in order to put the circle inside it. But that is not what I envisioned. I wanted a circle with the wedges abutting the edges of the circle. Connie thought I should give it a try.

I now have my circle!…but, my wedges are going in opposite directions. I’m not sure what will happen when the wedges meet above the circle. These wedges are confusing me!

In other news I’ve made some wonderful textile purchases. Bob and I took a day trip with friends while in Dominica, to visit the private lands owned by the Kalinago nation. They are not the original inhabitants of Dominica, but they certainly predate the European settlers. The European explorers named these people the Caribe. Naturally, they prefer the name they call themselves, Kalinago. Bob and I have visited here in past years. I’m intrigued by their lifestyle which makes such good use of plant life for food, remedies, and building materials. They are well known for their baskets, and this is my third time to collect more of their beautiful baskets, which are made from a reed like plant. They condition the reeds in different ways to give color the material. To make black they bury the reeds in a pit where the minerals in the soil darkens the reed. Our friend Bill got this photo of Bob and me trying to decide what to take with us.

Here we are sitting in the shade of the beautiful community where the Kalinago live. Oops! Actually, this is another day we spent together in Deshaies, Guadeloupe! We are with Bill and Maureen from Kalunamoo.

And since I’m adding photos from other days, here is one of my favorites with a number of our sailing friends who gathered for dinner that night.

On several visits to Dominica I’ve had my photo taken in front of a vendor’s stall called “Brenda’s Craft Shop.” This year I got meet Brenda! I bought a finely crocheted wrap skirt to give as a present. I can’t show you because it’s to be a surprise for a dear friend.

I tried my hand at an unfinished embroidery project I brought with me this year. On some days I simply could not line up the needle with the place I needed to insert it because of the rolling waves coming into our anchorage. It was daunting, and I often felt I might become crosss-eyed, but now I am happy to report that this project is finished! At home I hope to try my hand at framing an embroidery myself. This embroidery design is from an English company called Melbury Hill. They have some coordinating designs that go with these bluebells, but for now I need to stick to weaving those two tapestries.

As I write this we are on a mooring in the small archipelago of islands at the bottom of Guadeloupe. The main island is called Terre de Haute, and it has a charming village that entices many French visitors who arrive multiple times a day by ferry from Guadeloupe. There are some wonderful shops and many restaurants.

I must be getting tougher, or perhaps just more determined (desperate?) as I age. I am working on days I could never have worked in previous years. It’s good, and bad, in equal measures. I hope I will be taking a home a number of finished items in April.

Janus

Ready or not, it’s 2024. I romped through the fall like a woman with her hair on fire, and I did manage to complete the loom woven projects I was determined to finish. I never managed to touch a tapestry loom. I’m not one who likes to look back and list all the things I didn’t accomplish, but every year I work hard not to do that. Here are some images of what I did finish! And I am celebrating!

For most of the fall I was in a class with Fran Curran to design a project entirely in linen. While thinking about napkins or curtains, or even just kitchen towels I remembered that I’ve wanted to weave some bread bags for a couple of years. Here was the opportunity, which I wrote about in my last post!

I love using these for my sourdough bread loaves.

Since I wove my project at home rather than at the Weaving Center where Fran’s class took place, I finished before the class was half done. So I started another linen project, which is also in my last post. This is a wonderful design called “Meta Weave” by Lisa Hill, which you can purchase her Etsy site. I don’t know any weavers who don’t love a design that looks like weaving within weaving! Her instructions are for kitchen towels, but I decided to make 6 napkins in sets of two colors each. I used blue that you can see above, before switching to red, then green, and I managed to get a 7th napkin in yellow. I also found that I preferred the underside of the design.

Five yards and seven napkins!

Okay! Enough of that. It’s been a long time since I’ve woven a project so quickly. It was amazing to zip through this project, especially after the drawn out experience of weaving the paper placemats that required dyeing twice and unweaving two placemats after they were cut from the loom in order to get back some of the paper weft in order to dye it! That was almost the limit of my patience, but not the limit of my stubbornness, which may actually know no limits!

Then, in mid-November, a good friend gave me a table loom dressed with a sakiori project, also known as ‘rag’ weave. She gave me the loom because she thought I might be able to shoe-horn it onto Pandora. It’s a special loom. It belonged to the oldest current member (96!) of our state guild, whose father made several of these looms for her mother. Sue, our member, had dressed this particular loom with a loosely sleyed cotton warp which she intended to weave with 1/2″ strips of quilting cotton. The loom came with a large stash of cut cotton strips. I didn’t know how long the warp was, but I didn’t want to just cut it off. In fact, I didn’t want to lose all those cotton strips she had cut either. So I felt incredible time pressure to weave it off. And it was enjoyable, especially after I learned the interesting quirks of this little loom. When the levers are up the shafts are at rest. When I depressed the levers the shafts raised. It’s the opposite of any table loom I’ve ever used, and it took me some time to get used to that. In the long run the warp was enough for 3 runners, each about 20″ long by 10″ wide.

I gave away two of the runners, one to the woman who passed the loom to me, and the other to a friend whom I learned had helped Sue dress the loom and cut all the fabric strips. Sometimes things work out just as they should. I have my small runner aboard Pandora now. And how serendipitous it is that the color of the weft cotton strips goes quite well with our onboard decor. I couldn’t be more pleased.

Then, lo and behold, I had the intense desire to weave another sakiori design with my own fabric. Now it was truly approaching time to gather our family for Christmas and get packed to depart. I found some wonderful Christmas-y fabric at a fabric thrift shop while traveling with a friend to see an exhibition in Vermont (Salley Mavor). I wasn’t sure it would be enough, and fate led me to find it on Etsy. Also, it was a stroke of luck that my husband offered to cut the strips! Three yards of 1/2″ strips was no easy feat.

I loved every minute of the weaving. It flew by like skating on smooth ice.

It also worked well with a few of my Christmas runners. Win! Win!

We had a simple Christmas with our younger son and a local family and some of their adult children. Holidays have certainly morphed in new directions since our kids have grown and grandchildren have joined the family, sadly not nearby. It was suddenly time to take down our few Christmas decorations and get packed for the flight to Antigua where Pandora was waiting. That deadline threw me into thinking about what I’d accomplished in three months of weaving, and a temptation to look at the things I didn’t accomplish.

That’s when I thought of Janus and the new year. He is the Roman god of beginnings, hence his placement as the first month of the year. He is depicted as two-headed, each of his two faces looking the opposite direction. This is my Achilles heel (sorry for analogy, but it fits so well). I want to take stock and see my accomplishments measure up to my aspirations. But since they never do….what weaver ever finishes all the projects she plans?….it’s not necessarily healthy to go down this path.

My younger son uses an app called “Notion” in his start up business. I am now trying to learn it because I think it will change my attitude about taking stock. It’s an app for tracking projects and goals, mostly for businesses, but I think it could help me realize that I get a great deal done every year. I’m struggling with the app a bit, but in the long run I think it’s going to be a positive thing– a wonderful way of keeping track of all my aspirations, my progresses, and my accomplishments. Every year there are projects I lose track of, and can’t find, in my over-stuffed work space. This app will remind me of things I started and eventually forgot. If I can just learn the nuances of this application I think I will be thankful to use it. Fingers crossed.

Meanwhile, it’s the new year, I am now onboard living a very different kind of lifestyle, with scenes like these…

This is the giant mango tree in English Harbour, where people usually meet because it’s such an iconic place to gather.

I have started two knitting projects. The first is a shawl, which typical of me, has already been set aside due to more tempting projects! The yarn is what makes this project a zinger. It is handpainted with long runs of the background color and short spurts of the contrasting colors. The pattern calls for knitting the background color in stockinette, then when you see the contrasting colors approaching the needles, you make a little motif by putting five yarn overs on the next three stitches. On the next row you let the yarn overs drop and take the working yarn to wrap those long stitches, creating a little ‘star’ or ‘butterfly.’ I decided to make an asymmetrical shawl shape with a small Shetland lace border called “iron brand” on one side to continue the asymmetrical effect. I was thoroughly enjoying it until bigger thing stole my attention!

The project that took me away from this shawl was an advent calendar of yarn from Kate Davies Designs in Scotland. She has a yarn called “Milarrochy” that is a single ply, 70% wool, 30% mohair blend. I have used it to make her “Con Alma” vest a couple of years ago. The mohair blooms nicely when wet finished. Well, imagine my excitement when she announced that she’d made up boxes that held 24 small balls of “Milarocchy” for an advent calendar! I could not resist. So fun. The box arrived in early November, and it was hard to wait until December 1, but I did it. Here is a photo of the most exciting day for me. On the last day, the little bundle also held a card with a link to an e-book full of patterns for using this yarn.

Drumroll! I love that last color, a perfect Christmas red.

After a good deal of thought, and a fair amount of arranging the yarns into colorways I might knit, I decided to make a vest using Vivian Hoxbro’s ideas for shadow knitting. I am enjoying the process.

I was quite challenged at first because the only needle I had in the appropriate size was only 24″ long. My idea was to knit sideways, a left side front and back, then a right side front and back which would give me vertical stripes with shadows. That’s why I have the yarns gathered in two sections. The right and left sides of the vest will not match. What a struggle to knit that long run of stitches on a 24″ needle!

I was thrilled to discover not just one but two (!) #3 US circular needles that are 40″ long that I’d already stashed on Pandora earlier in the fall. The knitting is so much easier now. Can you see the shadow effect moving diagonally across the knitting? I am almost done with first left side front/back and am looking forward to starting the 2nd colorway for the right side of the vest.

So, here we all are at the open gate of the new year. Let’s all concentrate on looking forward, shall we? Not only about ourselves and our work, but also everything, from family, to community, to global issues. Let’s make this a banner year in as many ways as possible. That’s my wish for all of us.

Weights and Measures Onboard

Here is my working space onboard. In yacht parlance it’s called the main saloon (I have always pronounced that ‘salon’), and it is the main living space down below on Pandora. It is connected to a small galley, and there is an aft cabin toward the stern, and a ‘main stateroom’ forward of this room. That’s a glamorous phrase for where we sleep. It doesn’t seem ‘stately’ at all.! I am very good at making a huge mess of our limited living space. We had a couple of days of calm conditions in Deshaies, and I took good advantage of it to finish the first part of this tapestry that I started in May of 2020–more than 2 1/2 years ago. My heart has not been in it, perhaps because of some bad memories of that year. The odd thing is, when I sit down and work on it, I enjoy it. Go figure.

Now I am ready to slide the woven section partially around to the back of the loom in order to keep weaving. I hope to do that today, when I finish this post. The conditions in Les Saintes are not nearly as calm as they were in Deshaies, and that is why I have not gotten back to work on this piece. I’ve been lucky to knit, which was only once. Otherwise, I’m just trying to keep my balance onboard!

Weights and measures have factored rather significantly over the past few weeks. First I attempted to weight the merino/silk top I was spinning because I wanted to have an equal amount of singles spun on each bobbin in order to have equal amounts to ply together into finished yarn. Have you ever tried to weight something on a boat? The gentle, and not so gentle, up and down movements on a boat raises havoc with a scale. On the scale the read out for my merino/silk to cycled up and down by about 10 grams. I usually just try to pick the number in the middle. When baking a cake it’s far more important to get it right! Here was my guess for baking a quiche. It was not perfect, but we certainly thought it was good.

I also wanted to measure the length of that newly spun and plied yarn. Luckily Bob found PVC pipe at a hardware store just outside Falmouth, Antigua, and he made one that has a central arm of 18″. The yarn winds four times around that central core, for a total of 2 yards per single go ’round. I was able to measure that my merino/silk skein is 840 yards, plus or minus probably 10%. I can’t measure this accurately until I get home. Winding on a niddy noddy, or anything else, depends on the tension you use to wind. Too tight, and you’ve got quite a bit less yardage than you think. It’s hard to wind too loosely because of the nature of this repeated action. In general, we all tend to get tighter and tighter even when we are trying to avoid that. I took my time and tried to ‘stay loose.’ We’ll see.

This niddy noddy absolutely will not come apart, even though it is not glued. I wonder if that is due to the heat and humidity of the tropics. I padded one of the arms with a folded napkin, hoping that would give me some ‘wiggle room’ to get the yarn off when I finished winding. It worked.

We’ve been in Les Saintes for three days. The conditions here are rough, but the place is scenic. You can’t have everything. Below is a chart that our good friend aboard Kalunamoo created to measure of how UNcomfortable the ‘harbors’ down here can be. Most places are not harbors at all, simply coves or bays in which you can throw down your anchor, but there is no protection from the sea conditions. In Antigua, we were in real harbors, both in Falmouth and English Harbour. That’s a great way to start a winter of sailing, and really quite a come down for the rest of the trip. Deshaies, Guadeloupe is between a 3 and a 4 on Bill’s chart. In Les Saintes, we rarely get a mooring ball right near the village on our arrival, so we have to spend at least one night anchored between the islands of this archipelago. The roll conditions are consistently between stage 5 and stage 7. It’s awful. One night while I was sleeping a book jumped right off the shelf above me and clobbered me in the head! It was a rude awakening. The next morning I discovered that my glasses came down with the book, and I had fairly mangled them by tossing and turning all night on top of them. Bill Woodroffe writes a great blog about the lifestyle of living on a boat here.

Luckily we only spent one night on anchor, and early the next morning we were ready to head closer to shore in the village (Haute de Terre) to grab a mooring from anyone who was heading out. We were on a mooring by 7am.

One thing I measure while we are traveling aboard each winter is the home ports of all the boats that are anchored or moored nearby us. Antigua had a predominance of Union Jacks, in all the varieties that signify the colonies and protectorates of the UK. There were some number of French flagged boats, as well as Canadian, and Norwegian/Swedish/Danish, with only a few Dutch flagged boats. I saw a few Swiss and German boats in the mix. The past decade of sailing in the Caribbean has honed my flag recognition abilities. In the French islands, the French flags outnumber the British, as do the Scandinavian boats. I’m used to looking up the variations of the Union Jack when I’m curious about exactly where some of these boats call home. Yesterday I saw a variation on the Norwegian flag that caught my eye. It is currently the most beautiful flag I have seen!

I know it’s hard to see the detail on the flag. It was waving in a fairly strong breeze, as I attempted to catch it mostly open. It’s a Norwegian flag with a triple swallow tail, something I’ve never seen before. Usually swallow tail flags are associated with yacht clubs. This flag is the ensign of the Royal Norwegian Yacht Club. It’s a beauty, even though the boat is not.

The beautiful center crown and IVI design was Haakon II’s royal emblem, which he granted for use to yacht club members starting in 1906. This image shows a standard flag. The triple swallow tail has the two red points and center blue point with a narrow white outline. This image is from wikipedia.

Identifying the flags of countries in all the places we visit keeps me entertained. In these islands not many natives speak English, so using my almost non-existent French keeps me on my toes, and is something I am attempting to improve–therefore, another form of measurement. Food words are somewhat easier than everything else, since I have a moderate familiarity (and love) for French food! Everything outside of food is quite a challenge for me!

Bob measures more things than I do. He’s constantly tracking how much electricity we have made with our solar panels and wind generator, and when we are motoring, how much power the engine made. He weighs that constantly against our usage. We now have a star link gadget for the internet and that is big energy guzzler. We need to make hot water for showers, we need to make that water (!), and we need lights at night and energy to run our gas stove to cook. It all adds up, and Bob spends a lot time measuring the input and output of energy. He says he enjoys living off the grid. I say give me a light switch and instant access to heat and electricity. It’s quite a process to start cooking on Pandora, not to mention taking a shower or any of the many things we want to do daily. I am not an ‘off the grid’ kind of girl.

Here are some scenes from Haute de Terre, in Les Saintes. This was the view from our table at breakfast this morning.

Pandora is out in the distance. She’s light grey and just forward of the bow of the boat in the foreground

How about a close up?

Pandora has a light grey hull, in the distance, just forward of the bow of the boat in the foreground.

This is an idyllic place, and it would be perfect without the wind and the rolling conditions. Photographs are also a measurement of sorts. We take the ones we love, and sometimes we share them. Au revoir for now.

A new venue

As happens every year in January, I have changed venue from my messy studio in Connecticut to a tiny living space and studio aboard our boat Pandora, in the Caribbean. It’s now mid-January, and I have been in Antigua in the West Indies for two weeks.

We arrived by plane on January 30, with one day to move into the historic English Harbour for the annual New Year’s Eve’s fireworks, after first having a memorable French dinner at La Brasserie. English Harbour is where Lord Nelson protected this island’s sugar cane plantations before he was Lord Nelson. He made a name for himself here which catapulted his career. Over the past 60 years Nelson’s Dockyard has been carefully restored and is now a UNESCO site. It’s a dramatic place, and also quite lovely. There is a strong sense of the 18th century here, amidst some modern conveniences, like running water and electricity for the boats on the dock!

Dinner at La Brasserie and the fireworks afterward never disappoint!

But my real story here is how I plan to continue to work while I am living aboard. I often get lonely over the winter because I miss ‘my people,’ those I meet with at groups throughout the year. They are the spinners, weavers, lace makers, and others who work with their hands who inspire me and learn with me. Down here people do plenty of work with their hands. Just keeping their boats running is a huge job, and often there are women who do handwork as well, which includes knitting, crocheting, quilting, embroidery, and other kinds of handwork, and even more pressing work like sail repair and canvas work on their boats. Sadly, in the 11 years we’ve been doing blue water sailing, I have yet to meet another weaver.

This year a friend of mine who is down here for the first time aboard her own boat, with her husband, has started a needlework group that meets twice a week. Now, why didn’t I think of that? Every Tuesday and Thursday we meet for at least two hours. The group changes week by week as some sailors move on to different harbors on different islands, and some new comers join us. It’s been fascinating. We actually have a member who lives here in a house, although she’s also quite an accomplished sailor. I definitely look forward to this creative time with new friends each week. Thank you, Ellen, for making this happen!

The restaurant of the Antigua Yacht Club allows us to use their space to meet. How generous! Our surroundings are amazing so sometimes we just have put down our projects and admire the views.

I have been bringing my tiny Nano 2 e-spinner to some of the meetings. This is my first spinning project on this little gem, and I was concerned about stressing it by filling the bobbin too full or spinning too fast. It can handle anything I’ve done so far, and I think it’s perfect for spinning in small spaces.

The second bobbin is almost full, so Bob will soon be ’inventing’ a lazy Kate for me to hold the bobbins while I ply the the strands of yarn together from each bobbin. I knew I’d forget something! I’m looking forward to seeing how the plied yarn turns out. I believe I know what I’ll do with this yarn when I get access to my looms at home.

This old fashioned hot water bottle cover was the first thing I finished during the first week of January. I won’t need it down here, will I? Still, it was something that caught my eye before we left home, and I enjoyed knitting it! To make the opening I knit one round in waste yarn, only on the front half of the stitches, and then unpicked the waste yarn to separate the front into two pieces for an opening.

As I unpicked the waste yarn I picked up stitches on both the upper and lower sides of the knitting. Then I could knit ribbing on the lower half and ribbing plus a button hole on the upper half.

And here is the finished hot water bottle cover. I just need a button. I will block this on the actual water bottle when I return home.

Yesterday was my birthday, and I woke up to two surprises. One was a decorated main saloon on Pandora! Bob bought these fun decorations in the US before he sailed down here. How thoughtful! It feels like party, although I do not! I awoke on my birthday to some kind of very nasty bug. I hope it’s only food poison, but in the middle of the night for the past two nights I’ve imagined myself dying of ecoli or some other horrible thing. Surely, I’ll be on the mend soon!

And how about these fun knitting inspired presents? I love them! This is a journal in case you’re wondering.

In the meantime, I had a wonderful zoom call with family and a couple of close friends. The joys of keeping in touch with loved ones, from such remote places, is priceless! This year Bob has just installed Star Link. So far, so good! It’s struggling with streaming video so far, and it requires more of our battery power than he realized. Thank heaven for solar, wind, and lithium batteries. I have been trying to catch up on the videos I missed from Giovanna Imperia’s class for the American Kumihimo Society’s recent online event. But I’m not discouraged yet! It’s interesting to hear the small white Star Link disc change direction as Pandora moves to and fro at anchor.

I hope to back to normal soon so I can finish spinning and move on to other projects. I wish you well in your own endeavors in the new year.

Two Weavers of Montserrat

It was a banner day when we got ourselves back to Montserrat and managed to visit the Sea Island Cotton studio. First, it was my birthday. Second, Montserrat is not an easy place to visit, even by ferry as we’d done the week before. It was a miserable sail there, and I suffered a bad case of mal de mer. Predictably, the anchorage had some waves rolling through, and getting on the small dock with our dinghy was less than ideal. But once I stepped ashore the possibility of getting to meet the mother/daughter team of Sea Island Cotton buoyed my enthusiasm!

Look what a charming place it is!

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Hey, Baltimoreans and bird lovers! Take a look at the local oriole.

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Anne Davis, the mother of the weaving duo, started this business in the early 90s, when her studio and home were in Portsmouth, the capital of Montserrat that was destroyed in the eruption. After that eruption, she lost everything and had to relocate and start again. About two-thirds of the inhabitants who lost their homes decided to take advantage of government funding to move to the UK. The island population still has not recovered from this large exodus. Anne never considered leaving the island. Her studio and house are now located in the small village of Salem, which is not particularly close to where tourists arrive by ferry or by their own boats.  You’d have to know about her from guidebooks and get a cab to visit.

Back to the start—Anne learned to weave from a local weaver resident who was originally from Canada. The government provided funding for this Canadian weaver to teach local women to weave. I didn’t get many of those details about that project, but Anne said she is the only student who continued to weave after the course finished. Anne and her daughter Lovena now have two looms: a LeClerc counter balance loom with a weaving width of about 36”, and what looks like an ancient 4-shaft Baby Wolf by Schacht. The identifying herd of sheep that is branded into the castle on the loom is mostly gone.  Perhaps it’s just the tropical climate that makes the loom appear older than it may be! Both looms were empty when I visited. Anne was planning to put a warp on the LeClerc in the next day or so. Lovena weaves on the Baby Wolf.

Only Lovena was in the shop when we arrived. I called ahead, using the phone that the cab driver offered when I told him where I wanted to go.

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The hanging rods had many beach cover-ups, scarves and shawls, all woven in what looks like a gauze structure to me.

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Then there are shelves and shelves of table linens in many different structures. It was hard to choose, but I was not going to leave empty handed. All the table linens are finished with fringe, which is a bit of pet peeve for me. But they were all so beautifully woven, with great selvedges and in beautiful weave structures and colors, I had to overlook the fringe. I’ll deal with hems when the fringes begin to wear out.

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Unfortunately, there is no longer any sea island cotton to be had. The cotton industry died along with many other things after the eruption. Anne and Lovena order cotton yarns from Camilla Valley Yarns in Canada. Wow!—same company I’ve used on numerous occasions! Small world. Lovena didn’t seem to think shipping from Canada took long, but I imagine she has a more easy going outlook than I do! We have exchanged email addresses so I think I will give her links to a few of the larger US weaving suppliers– and maybe some of the not so large vendors that I enjoying using.

Bob surprised us all by inviting Lovena to come out to Pandora for a glass of wine when she closed the shop. She accepted the offer and decided to close early and get her mother to join her. I wasn’t sure what they’d think when they arrived at the harbor in Little Bay and saw how large the waves were coming through the bay. Anne showed some concern and wanted assurances from Bob that the dinghy would hold all of them! I’m impressed that both women braved the unknown to visit us.

The most interesting part of our conversation was when we told both women that we’d been on Montserrat about a week earlier and mentioned our disappointment that our tour guide would not stop for a visit.  Lovena remembered seeing both our faces in a passing van!  She remembered mine from the middle of the van–a woman who looked bugged eyed at her as we passed.  And she remembered Bob in the very back of the van, looking back at her as we passed.  She told her mother she was certain that they were about to get van full of customers….and then they didn’t….

I’ll post a photo of my treasures if I can get them loaded.  Everything about this post has taken ages (speaking of

We’ve definitely started an acquaintance, and I’m looking forward to a budding friendship with both women. What a birthday treat! It doesn’t get any better!

Memory…and Text (or lack of it)….and Textile

These first few days of the new year have been a bit of a roller coaster. As the east coast of the US was plunged into a weather condition called a ‘cyclone bomb,’ Bob and I were enjoying mild tropical weather in Antigua, where we celebrated the new year with fireworks that we watched from the deck of Pandora at midnight, shortly after the rise of the first super moon of the new year. All week the moon rose each night, well after dark, for such a display of lunar magnificence—exactly what the doctor ordered on these long nights—although noticeably shorter than January nights in New England. We’ll have a second full moon at the end of the month. A month with both a super moon and a blue moon—what might that conjure up for me?

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Two days later I saw the moon rise over Bob’s shoulder as we had dinner at a local restaurant in English Harbor.

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And one last photo–the moon rising over the courtyard of Copper and Lumber, in English Harbour.

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I have not made a new year’s resolution since young adulthood, after doing so throughout childhood and early adulthood never gave  me the desired results. That doesn’t mean I don’t think about resolutions at the start of every year, as well as at the beginning of September each year. Those shortened days in late summer/early fall, along with the start of a new academic year, are always a time for me to reevaluate and take stock. So here I am again, at the start of another year, thinking about another set of priorities and ideas that I will refuse to call resolutions.

Being away from home is also a time when I take stock of my situation and think about re-prioritizing. Years ago, I read The Artist’s Way, and writing the morning pages has always worked a strange magic on how I think about work and get things done. For some reason, perhaps that heady mix of being away from home mixed with the exercise itself, morning pages have a stronger effect on my thinking while we are away each winter. It’s working its magic again this winter. In addition to that exercise, I have started reading Twyla Tharp’s book The Creative Habit. A dear friend gave it to me for Christmas, and it rekindled something I’ve missed. I started that book many years ago and never got very far, in spite of thinking it was a great tool. I lost track of the book and haven’t seen it since. What a pleasant shock to receive it again. I am enjoying it and have added its exercises to my morning routine. Of course I hope this will lead to good things and good work!

Yesterday several cruisers joined us in taking a day trip by ferry from Antigua to Montserrat. Most of us have been hoping to visit Montserrat for a number of years. It is a difficult place to visit by boat since it has no protected harbors. You need calm winds and no northern swells in order to safely anchor there and get ashore in a dinghy. Even if you get one perfect day, like yesterday, it’s not enough, since you need to spend at least one night there in order to have time to also get ashore to see the sights.

The biggest sight is the volcano, which of course you can see as you sail anywhere in the area. It’s a huge mountain whose summit is always lost in the clouds. Those clouds are usually emissions from the volcano itself—sulphur dioxide which you can smell if you are downwind.

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Our friends and we decided that the weather was not going to be perfectly favorable at any time in the next week or so, and that we should take the ferry across from Antigua for a day trip. In order to get the most out of our day we decided to hire a tour guide. There were eight of us. The cost of this outing was rather steep—just shy of $400 for each couple. We left Pandora at 6:30am and did not return until 8pm. The downside was that out of that 13 ½ hour day, we spent 8 ½ hours either waiting on various immigration and customs lines, or sitting on the ferry. Our tour was only 5 hours out of that long day! Still, we can now say we’ve been there, and the sights were as amazing as we’d always imagined!

Here is the track of the washout that occurred when the heavy rains began — the rains that came down once the fiery ash rose into the colder atmosphere above and caused massive electrical storms.  20 years later, look at that dry bed.  It’s hazy from the gases being emitted.

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The volcano overshadows every vista on the island. It is present, always. The smell of sulphur is always present too; it just depends which direction is downwind. We drove around the outskirts of the devastated capitol city, Plymouth, that was buried under ash from the last several eruptions during the mid-1990s. The islanders have not yet declared where they will rebuild a new capitol city, so it still feels like they live in the midst of this destruction, over 20 years later. This ruined city held most of the population where many people worked in government offices, schools, and the university that were also part of the city. Although very few people died in the eruption, the population has dwindled by 2/3’s of what it had been beforehand. The loss of homes and jobs forced many people to move elsewhere, and the English government subsidized moving people to England if they chose to leave. It was stunning evidence that what humans have achieved over the millennia is so fragile compared to the force of nature.

Last year when we attempted  a plan to visit Montserrat, I read about a small weaving business on the island called Sea Island Cotton. Before the eruption Montserrat was known for having the best quality sea island cotton, which is cotton grown in soil high in volcanic ash. The fibers of this kind of cotton are finer and softer than cotton grown elsewhere. A woman named Anna Davis started a handweaving company, using this special cotton to weave table linens and personal items. She lost her looms and shop when the volcano erupted, but she has started over in the small village of Salem, and her daughter Lovena has joined her in the operation. Last year I wrote about how much I hoped to meet her.

Yesterday, I finally made it to the island, but our tour did not allow for a stop for one person–me!—to indulge in such a wish! At the end of our tour we stopped at the botanical garden and our route took us right by the shop! I was excited to see it and also miserable that I could not get there! There was a set of Sea Island placemats for sale in the gift shop of the botanical gardens. They were summery yellow and white, in a weave structure called Ms and Os. I loved them, but they were finished with a fringe, which is a pet peeve of mine. I looked at the fabric and did not think the edge pattern could suffer being cut off and hemmed. I didn’t want to buy them just because it was the only thing I could find of the mother/daughter weaving duo! But now I certainly regret it…. We passed the shop again on our way back to the ferry terminal, and it was closed. What a missed opportunity!

Yesterday’s trip was a good way to take my mind off  the first anniversary of my mother’s death. I don’t think I will mark this day in the future, but the first anniversary of a death is always a day when you cannot ignore the significance of what happened one year earlier. I could not help thinking about how people live on in our memories, and it is how we keep them with us. Ancient cultures had no other way of keeping the memory of someone alive since they did not have written language to record these things. Memories tended to die when the last person who knew the deceased personally passed on. To extend memory the Greeks began to sing about their memories, and these songs might outlive the last person who actually knew the subject of the song. It certainly worked with the stories and characters in the Illiad and the Odyssey. When I think about these ancient sotries, which I so much enjoyed reading and studying in my youth, I think about the phrase “Sing you home.” It was the only way humans once had of keeping someone alive, and perhaps a way to send them to the Elysian fields.

So the death of my mother has rejuvenated my erratic attempts to design a tapestry to sing my father home, after his death more than six years ago. This is something that has emerged and reemerged during my ‘morning pages.’ Text and textile and memory. Like song, textiles often served as a story telling method before there was written language, as you’ll remember from more recent times when large tapestries were woven that told stories for the many non-readers to view and understand.  Text and textile and memory intertwined.

Earlier this week I warped my little band loom from handyWOman on Etsy. I made a warp based on examples from the book Norwegian Pick Up by Heather Torgenrud.

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I am enjoying weaving onboard! I’m just practicing a bit of plain weave before I attempt some of the pickup patterns that are given in the book. It’s nice to be weaving something relaxing and a bit mindless. At this point I do have to pay attention to the rhythm and movement of using the shuttle and opening the shed since it is so very different from loom controlled weaving, and consistency is vitally important to the look of the band and the selvedges!

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When we are more settled (whenever that might be!) I will turn my attention to the two small tapestries I have onboard. One is getting so old it is embarrassing me! The other is fairly new. I thought about doing a photo record of all the projects I have with me, but I haven’t gotten to drag everything out of their storage places and take the photos yet. And I’m sure it will just annoy me at the end of this winter to have a record of all the things I didn’t accomplish!   But since it’s also the beginning of a new year, when I am writing my morning pages and reading Twyla Tharp’s book, maybe there will be good work flowing off my looms this year. Fingers crossed.

 

 

 

 

 

 

Antigua, Ho!

My trip to Antigua went smoothly.  Once I arrived at the airport in Baltimore, I connected with another sailing friend, Judie.  We made our connection in Miami, and even enjoyed a couple of leisurely hours in the American Airlines member lounge!  There is a saying among sailors that “nothing goes to weather like a 747.”  It’s certainly true!  While Bob had his easiest passage this year, there was still one long day when he and his crew had to schlog through 20 squalls.  My passage was much shorter and much smoother than Bob’s!  His journey took 9 days, 23 hours.  He had estimated 10 days, so how’s that for accuracy on something as hard to predict as sailing conditions and boat speed?

It is shockingly hot here, but lush from all the rain during hurricane season.  Antigua has had little damage compared to its close neighbor Barbuda whose entire population has now been evacuated.  We spoke with a waitress who is from Dominica who said that the rainforest, the best in the Caribbean, has been flattened.  No one here has gone untouched by this year’s violent weather.

I have made things as cozy and homelike as I can for the moment.  I’ve put out the little woven table mat that I bought from Chris Hammel during the Greater Boston Open Studios a few weeks back.  It is just right for our dining table aboard Pandora.  I hope she knows how much I love it!  Bob got fresh bougainvillea for the table to greet me when I arrived, as well as a vaseful of pale pink oleander.  He knows I love flowers!

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The day before I left home I visited the Hartford Artisans’ annual weaving sale with my friend Jody.  We both bought some great treasures, and I bought this kitchen towel to put onboard to help me remember fall at home….there are no naturally occurring autumn colors in the Caribbean, so this feels a little like New England in November. It’s the towel on the left.

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Our mascot, the little sailing mouse, French Louie (who came from a shop in St. Martin, but is originally from Denmark!), has a new hammock.  My friend Mary made it for me when she was trying out her skills at net making.  She did a fine job, and Louie and we love his new spot for relaxing! Thank you, Mary!  Sadly, we will not be visiting St. Martin this year due to the hurricane damage suffered there.

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Before he left on the long passage, Bob made a lot of entertainment plans for the boats arriving here.  There has been cocktail party one night, and a ceremony by the Antigua and Barbuda Royal Navy Tot Club last night.  We were guests at their daily meeting, where in historic fashion one of the members reads from the logbook various events that took place on this day over the past 700 years or so, then toasts enemies and lost friends (Thursday’s toast-there’s a different one for each day of the week) and the health of the Queen, and THEN we each take a tot of rum, all in ‘one go.’  For men, a tot is an 1/8 of a pint.  That is 1/4 cup of rum, straight, all in one go!  For women guests the tot is half that.  Well, let me tell you I failed at getting it down all in one go, and I decided not to attempt the rest of it.  I gave it to Bob, who was successful at his own full tot.  Sheesh!

Here is Bob in the white shirt at center, thanking the Royal Tot members for their hospitality in hosting us for their daily ceremony. It’s a beautiful setting in the Copper and Lumber historic site that is now an inn and restaurant.

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Tonight, Saturday, Bob has arranged another dinner, the first of three. Tonight we will be having fresh sushi, Caribbean style.  There is a traditional Caribbean dinner coming up on Monday to welcome the rest of the arrivals–boats who had various equipment problems and boats that are simply slower or had weather issues getting here.  One of the restaurants here in Falmouth Harbor is hosting a Thanksgiving dinner on Thursday for all of us who will not be home for that holiday.  There are plenty of English and Canadians in our sailing group who will join us for this holiday dinner. Other boats in the harbor are flying home port flags from Sweden, Holland, and France.  As the weeks go by there will be more and arrivals from many other places.

For the moment Pandora is in Falmouth Harbor, where we spent a few days on the dock, enjoying the ease of stepping ashore for me, in addition to being plugged into electricity so that I had some air conditioning to help acclimate to this tropical climate!  Now we are off the dock and anchored out in the harbor.  There is plenty of breeze, but it still takes some getting used to!

This lovely water garden is near the entrance to English Harbor, just a short walk from Falmouth.  I would love to add something similar to my own garden next summer. I know I’ll have to settle for something far less interesting than this giant iron pot that might have been in use when Lord Nelson was stationed here.

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My last post had a photo of Pillars Restaurant where we had dinner after my arrival.  Pillars is equally beautiful before the sun goes down.

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Before I left I had three wonderful days with our son and his wife, and our adorable granddaughter Tori.  She is getting cuter and cuter as well as bigger and bigger! I’m so glad we will see her again over Thanksgiving weekend.

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In fact she will be our Princess Tori when she has her christening day on Sunday after Thanksgiving.  And speaking of royalty, we have been hearing for days that Prince Charles will be visiting Antigua today as part of a tour to see the hurricane damage among islands that were once British subjects.  I am keen to see him!  Wish me luck!