Tag Archives: tapestry

Looking Forward, Looking Back

Posted on January 20, 2025 | Leave a comment

It’s January, the first month of the new year as well as my birth month. It’s the month when the ancient god Janus for whom the month gets its name, compels us to take stock of where we’ve been and what we’ve done as we look to the future for where we’re going and what we’ll do. He is the god with two faces, looking forward and looking back. He predates the Roman gods and is likely a god from Etruscan origins. The Etruscans are near and dear to me, in spite of what little is known of their culture. Their artwork is glorious and is seen in subsequent centuries in Roman culture. I visited Tarquinia in the late 1970s, in college, where there are many Etruscan tombs with artwork still intact. I had the thrill of being there again a couple of months ago, in October. The images of Etruscan artwork are prominent in my mind this month as I plan for the future.

This is my last year in my 60s. This is a year where I want to pay particular attention to looking back so I can determine where and how I want to go forward Into what will hopefully more than a decade of continued creativity. I know I have to keep de-stashing and even more importantly, I want to create things. I realize I must clear some space both physically and mentally in order to create. I am becoming bogged down in my own stuff. Someone else, younger, with more years of creativity in their future, needs to take some of this burden off my hands.

I’ve been in Antigua for 6 days now. I was treated to a quick tropical squall on the morning of my birthday, followed by a beautiful rainbow.

Then the day progressed with getting a cooking/baking lesson with the French chef of La Brasserie in English Harbour, Antigua. Eric gave me a lesson in making macaroons with fillings. He made me a large macaroon cake which is called an ‘Ispahan’ in French. My macaron cake was scented with rose water, and the filling was a butter cream/custard mixture which I also learned to make, raspberry jam, and fresh raspberries. It’s wonderful to have a beautiful dessert that tastes as good as it looks.

It’s been a rather busy few days since we arrived in Antigua. We’ve met up with cruising friends who have either returned here or stayed here through the holidays. Some non-sailing friends visited during their winter vacation here. It’s their first time in Antigua, and setting aside the Christmas winds that have arrived bringing high winds and rain, I think they are enjoying the island.

Today is our first day with no scheduled events, so we took our dinghy to a new breakfast place called You and Me. It has well shaded outdoor seating area with great views of the head of Falmouth Harbour.

After I finish this blog post I intend to knit for most of the day. My older son gave me a wonderful selection of yarn for Christmas. It’s from a local shop near him, and the yarn is “Yarn Citizens Luxe.” He bought five colors: Pearl (close to white), Heather (barely lavender), Jasmine (medium lavender), Ocean (medium indigo), and Coal (medium charcoal grey). The yarn is 49% baby alpaca, 39 % mulberry silk, and 12% cashmere. I can barely feel it as I knit, and it looks like a cloud.

My goal this year is to concentrate on finishing many UFOs, but this gemlike yarn obviously took precedence. I’m knitting a simple top/down raglan sweater and will use the colors from palest at the neckline to darkest at the hem. Even with our busy schedule, I’ve made sure to have relaxing knitting time part of every day.

Looking back, I am more satisfied than I expected with my projects this year. I should make a record of them, and to help me accomplish that my younger son introduced me to the app called Notion a couple of years ago. Notion allows you to keep track of projects in motion, to keep track of the order in which one needs to tackle projects, and to keep a record of things accomplished. I still haven’t managed how to include photos with this work tracking app, so I haven’t used it to its best potential. On the other end of the organized spectrum, I have an older friend who records all her finished projects in a regular notebook with a printout of the photo she takes when she finishes something. I have not resorted to that method because I have a basic dislike of having a lot of notebooks taking up precious space on my shelves. The notebooks I already have are burdensome enough, not to mention the many decades of periodicals I have kept and the books I own. While these are all precious possessions to me, the lack of space is getting worrisome. Sometimes I feel I might get buried in my workshop and never escape. Learning how to better use Notion this year is pretty high on my list.

In November I was invited to participate in a textile arts exhibit at a private club in Hartford. I think there were only eight invitees, and two of us were new to this event. The exhibit will be on display for the months of January and February. The club held a lovely opening reception a couple of days before Bob and I left to come back to Antigua. I invited a good friend to join me, and when I arrived I realized I knew quite a few of the attendees, but only one of the other artists. It’s always inspiring to see what other textile artists do, and I came away with wonderful images in my head. I was the only tapestry artist on display.

I thought above the fireplace was a prime place for artwork, and I was honored to have a piece there. On the left are two felted landscapes done by the only other artist I knew from the group, Diane Cadrain. On the right is my tapestry “Sunset on Wilson Cove.”

To list the things I feel are accomplishments I’ve made this year, I might put this exhibit at the top of the list. It’s not often that textile artists have a venue to show their work, and I’m very glad I was asked and glad that I managed to pull some works together before leaving the country. I participated in two other shows during this year, and while that’s not much, it makes three events that brought tapestry weaving to the public.

I did a lot of weaving this year. I finished half the warp of woven sashiko, and I made a number of sakiori samples which led to a vest that actually fits me and a tote bag I’m enjoying using. I have the tote bag with me now on Pandora.

Jody captured the best view of the vest which is from the back (althought it’s quite wrinkled from a long car ride!). There are side gussets of sakiori and two sakiori pockets on the front, but the back is almost entirely sakiori. Here’s the front—a photo also taken by my friend Jody.

The fabric for the trim on this vest is what I used as the fabric strips for weaving.

I wove my first wedge weave tapestry, wove half the warp of my sashiko project and gave away four of the finished squares.

At long last I finished the Caribbean tapestry that I began during the pandemic. I can’t post a photo of it because I plan to submit it the Connecticut biennial when I return home. What I can show is the wonderful frame Bob built for the tapestry. This is our best attempt so far at having the back be as neat and tidy as the front.

This fall I made some fabric trays for a party favor for an upcoming event I will not be able to attend, and I made three lace flowers that I included in a fascinator that was made from various pieces of antigue machine lace I have and several ribbon embroidered flowers that I’ve made over the years. That was a fun project initiated by my lace group to become a new category of lace at the Big E Arts and Crafts exhibition. The fascinators are now on display at a local library.

And then there was a little weaving and a LOT of dyeing in Umbria, Italy, which I wrote about here and here. In December my friend Jody and I put some of our new knowledge to work during a two-day dyeing session in my kitchen—right after the new year. We used indigo, weld, madder, and olive leaves and branches from my olive tree. It was hard to stop, and it’s one of the first things I want to do when I return home. The circle of colors starting on the lower right is 3 shades of maddder, , weld, olive leaves, weld with a short dip in indigo, two skeins in indigo (the first one is very blotchy, not sure why), and the last two are indigo dipped in madder. The last skein is close to a color I wanted to recreate from one of the skeins we dyed in Italy. I look forward to attempting that again at home this spring.

I also finished two knitted items this year: a vest with the yarns I got from the 2023 Kate Davies advent yarn box. It is tunic length and has a shadow knitting pattern running through it. The 2nd project is a sweater from a Kate Davies pattern called “Auchnaha.” I used her beautiful ooskit yarn in a natural grey/brown. I’ve enjoyed wearing both these sweaters before leaving New England for the tropical weather in Antigua.

Just before I left home I stopped at Hartford Artisans for a short meeting. It’s impossible to go there without being tempted by any number of wonderful handwoven/handmade things. This time I succumbed to this charming little pouch. It had a rather sad plastic button that imitated bronze. That just would not do! I changed the button to a shell, and added a shell to the plain commercial fabric at the top. I also added a piece of kumihimo from my stash of samples to turn the pouch into a wristlet purse. I’ve got it with me now in the Caribbean, and it is perfect here!

I’m pretty sure I have accomplished significantly more this year than in previous years. While it feels awkward and quite self-absorbed to list all my finished projects, I am trying to understand how I did these things, and how I can maintain this surge of work in 2025. It takes luck, of course, since we need good health to be productive, and that’s something none of us can predict. It’s time to knuckle down to learn more about Notion so I can keep better records, to de-stash my extensive work space, and get down to the business of doing what I love. Forward ho!

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Winding Down

Posted on March 29, 2024 | 1 comment

It’s the last weekend in March. We fly home on Monday, April 1st. It’s been a difficult winter season in a number of ways, and weather has been part of that. This part of the world is in the trade winds where the winds are predictably East. To have West winds at all used to be quite rare. This year it was a regular thing. And then there were tragedies: three deaths of sailors in the space of only three months.

But whatever the weather and whatever other circumstances block our path, the Caribbean is always colorful. Beautiful dawns and sunsets greeted us every day, with daily rainbows after the rain showers. Twelve years ago when we returned from our first passage to The Bahamas, an old friend asked me if my color palette had changed based on spending so much time in tropics. All these years later, I can answer that Caribbean colors have definitely found their way into my palette–clothing, tapestry, fabric weaving and yarn spinning, knitting.

Here is a particularly lush image from Martinique. We are in the rainforest, but also note the colors in the mineral water flowing over that cliff. There are hot springs here where you can ‘bathe’ for a fee. We are with two couples, one we’ve known for years, and other new cruisers this year.

Here is a rare moment in St. Pierre when the summit of Mount Pelee is visible. It’s normally always hidden in the clouds, one of the iconic places that gave credence to the phrase that these islands are “the islands that kiss the clouds.”

A view of the harbor in Deshaies, Guadeloupe, from the botanical gardens. Pandora is

somewhere in the mix.

Sunsets and last light are always a beautiful time of day, everywhere in the islands. Bob took all these photos because it’s his favorite time of day and A favorite pastime to record it.

I have an endless number of photos of houses, doors and windows in beautiful Caribbean colors, but WordPress won’t let me post them. I haven’t confronted this before. I’ve spent years posting images of private houses on my blog, so I don’t know what has changed. So I’ll only post one of this beautiful flowering plant.

This is the church in the center of Fort de France, Martinique. It’s brilliant to me that the building across the square has mirrored glass that reflects the front of the church. Stunning! The church is one of the iconic buildings designed by Pierre-Henri Picq, a student of Gustav Eiffel.

Plants grow everywhere there is bit of water and space, even a tiny space.

When I arrived in the Caribbean this winter one of my goals was to finish this tapestry that I started back in July, in a workshop with Connie Lippert at the regional New England Weavers’ Seminar (NEWS). I wanted to insert some areas of ‘standard’ weaving, or Gobelins style weaving, into the wedge weave background. I wove the small green square with the internal shapes while onboard.

Some days I wove out in the fresh air.

About a week ago I cut the piece from the loom.

My first wedge weave experiment

I’ll do the finishing work at home. Connie recommended I place a wet cloth on top of this piece for 24 hours to bring out the wedge weave undulations. I’ll do that home next week!

A few weeks ago I had quite a bad moment of anxiety over this piece and the knitting I brought with me. I put this piece away for several days, and one day I woke up with the energy to undo some of it and try to get it finished. Maybe all I needed was a few nights’ sleep away from the daily thinking about and looking at this piece. I needed a break! But with two of the three sweaters I brought onboard, that same break only showed that they were ‘no-go.’ I managed to make peace with that and begin the process of unraveling, perhaps as a metaphor for this strange winter. I restarted the biggest of the sweater projects and am now happy to realize that I have passed the place where I began the unraveling. Now it’s forward motion toward a finished piece!

Typical of life in general, I take two steps forward and at least one step back. But there is progress in general, and a feeling of good work is the more important thing to realize. Projects onboard are either finished now or well underway. It’s time to wind down this journey and head home, where a number of new ideas are waiting for my attention, like sashiko-ori. I’m ready!

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Silence

Posted on March 14, 2024 | 1 comment

Things changed rapidly between my last post and now. This season has had some cruel surprises. I have struggled to process these, so I felt silenced, not only from writing but also from other things. Bob has done an exceptional job not only handling these situations, but also writing about them.

In my silence I have been weaving, and knitting, and even making a couple of small basket projects. It has all been somewhat disappointing and frustrating. I guess I was expecting more….and better. I’ll get to that momentarily.

Meanwhile, there are always scenes. Caribbean colors, sunrises and sunsets, moon rises and moon sets, rainbows, all daily. We’ve been lucky to spend some great time with friends who have now become old friends. The years have flown by and friendships deepen. My land friends have rallied around me with great care. I thank each of you beyond words. I don’t mean to be secretive. Bob has said it all so well there is nothing for me to add.

Before the couple aboard Simplicity were attacked, we were in Fort de France, where I always visit a fabric store called Doum 2000, and where I look for linen fabrics from France. This year I found this wonderful eyelet fabric (cotton) in a glorious orange. While this display shows how well it would look as a skirt, I am planning a jacket.

Doum 2000 never disappoints in tempting me with wonderful linens. I must be in an orange mood this year. The printed linen fabric is very sheer. Perhaps a floaty top of some kind?

Here is the small basket. It’s going to be a birthday present for my older son, whose birthday was just over the weekend. Somehow he has now turned 40. This is supposed to be a wine bottle coaster, but it can surely be used in lots of other ways too. The maple base has a crab lasered onto the inside, and since our son lives in Maryland, it seemed the right base to choose. I will make another basket for our younger son, who also has a birthday approaching, when I get home. It has a horse shoe crab lasered design. Neither son ever looks here, so the baskets will be a surprise! This basket needs sanding and varnishing and the hole in the bottom gets a tiny corian plug instead of the traditional ivory plug. The key fob is for me!

There is progress on my first wedge weave tapestry, but I am not happy with it. It seems like I’ve put a ton of time into this for no good reason. I am trying to change my attitude to one of thankfulness for the experience of learning this technique, and also managing to weave some Gobelins style figures into the wedge weave. I have learned a lot, but it’s a bitter pill to work on something and decide it’s a failure. I know I should be thinking that disappointing outcomes lead to better understanding of where I’d like to go next time I sit down to weave. But….still….this is disappointing. Here are a few images to show how this piece came to fail.

If only I’d paid more attention to how wonky my green wedges had become right here. I was just so happy with my inserted squares.

And then came the circle. I was quite happy with that. The thing is, I know how to weave shapes in standard tapestry. The point of this was to learn wedge weave.

A couple of days ago I reached the point where I could no longer weave without shifting the warp downward so I could have more weaving space. I’ve done this on Gobelins style tapestries before, but never on wedge weave. Have you done it? I feel like I lost control of the tension when I moved the warp. Another disappointment. I won’t do that again. Bigger piece, bigger loom, next time. And when you cannot see the whole piece it’s hard to decide if it’s done. Since I’m rather disappointed with this piece, I’m going to level it off and call it done even if I can’t see the whole thing to make a decision. When the fell is level I will do a row of knotted soumak and cut it off. Then I can transport it home without the loom. One good thing.

I have three unfinished sweaters onboard. I cannot even bring myself to describe them, and my waste of time in not knuckling down on the right one to finish. Boy, I have wasted time on these sweaters! But I did finish spinning some lovely merino/silk and now have five full bobbins to ply at home. And I made a small shawl with an intriguing stitch design that looks a bit like butterflies. I will soon get some wear out of this on cool April days in New England. It needs better blocking when I get home. I did not have nearly enough pins to block the lace points.

Here is detail of the little butterflies (sideways).

And speaking of April, we have made our flight reservations home for April 1st–from Antigua. We are at the southern end of Martinique right now, in a village called Ste. Anne. It’s now time to start retracing our steps north to make that flight. I feel like I need a week to corral all my supplies into vacuum bags to shoe-horn them into our not-very-big duffle bags. We may need to find a giant box, or rent a car to drive to St. John to buy a big suitcase. Considering how disappointed I am with most of my work at this point, I sure wish I hadn’t brought all this stuff onboard.

I’ve put off writing for at least a couple of weeks due to my dark mood. I probably should have waited longer. I always think silence is best when I can’t be enthusiastic or positive. I am counting on a change of scenery–to New England spring!–to help my outlook. There should be daffodils by then. Fingers crossed.

And just to prove I am not completely in a funk, I will show you the rabbit hole that has drawn me in this week. I’ve just learned that there is such a thing as sashiko-ori. Woven sashiko. How about that? I’ve seen some lovely examples, and I even learned that someone in my guild is currently weaving this technique. I got in touch with her, and she has offered to get together and show me how to design in this technique. It’s basically supplemental warp and weft, and I’ve done a lot of supplemental warp scarves in the decades when I sold my weaving. Here is my current drawdown of an idea. It’s not quite what I want but I’m sure my friend Julia will set me straight when we meet.

I’d like to use my hand-dyed indigo linen yarn that is fairly fine, and the supplemental warp and weft will be natural sashiko embroidery thread. I can’t say more because some people might look at this post and then their future gifts won’t be a surprise! Mums the word.

I look to the work I do with my hands to keep me in balance, to get me through good times and bad. When multiple things go wrong just when I need a break from other things, it’s difficult. But that’s how it goes, doesn’t it? Ups and downs. The sons of the couple who died last month wrote a beautiful tribute to their parents, and this quote comes back to me every day over the past month:

 We live in a world that at times can be cruel, but it is also a world of profound beauty, wonder, adventure, love, compassion, caring, and faith...

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Work in Challenging Conditions

Posted on February 12, 2024 | Leave a comment

We are having a rip-snorting winter season in the Caribbean. I would prefer a gentle season, but there is no bargaining with Mother Nature. Actually, I know this weather is not her fault. It’s humanity’s fault, so I am partly to blame. I won’t go into the weather here, but you can see some pretty frightening images and videos on my husband’s recent post on SailPandora. We moved to the mooring field in Les Saintes one day before this storm hit, and it was a good choice for staying safe.

Not many days have been calm enough for weaving onboard, but I am trying. I brought so many projects onboard, and I feel compelled to make progress and even finish a few of them. If I finish two tapestries I won’t have to cart the looms home with me when I fly home in April. That’s a pretty strong reason to get them done!

I am trying my hand at wedge weave, and I started this project back in July under the tutelage of Connie Lippert at the NEWS conference in Worcester, Massachusetts. For some reason my brain gets confused on which direction the wedges travel and when to continue on the diagonal or move across the warp to create a horizontal section. I may have unwoven almost as much as I’ve woven, and I don’t seem any closer to making sense of the angles. Old age? I hope not!

During the July class I added the little gold rectangle woven in Gobelins style. While onboard I wanted to add a more complex bit of Gobelins style, so I wove the square that has a couple of shapes inside it.

Here is the one glorious day when I was able to weave in the fresh air in Pandora’s cockpit.

I have consulted Connie a couple of times along the way recently. Being outside the US makes me feel a bit disconnected which can also make me wonder if I’ve taken a detour away from where I need to go to acquire some skills at wedge weave. I’ve had an impulse to add a circle to the wedge weave. I pondered this, wondering if I’d have to weave an easier shape, like a square, in order to put the circle inside it. But that is not what I envisioned. I wanted a circle with the wedges abutting the edges of the circle. Connie thought I should give it a try.

I now have my circle!…but, my wedges are going in opposite directions. I’m not sure what will happen when the wedges meet above the circle. These wedges are confusing me!

In other news I’ve made some wonderful textile purchases. Bob and I took a day trip with friends while in Dominica, to visit the private lands owned by the Kalinago nation. They are not the original inhabitants of Dominica, but they certainly predate the European settlers. The European explorers named these people the Caribe. Naturally, they prefer the name they call themselves, Kalinago. Bob and I have visited here in past years. I’m intrigued by their lifestyle which makes such good use of plant life for food, remedies, and building materials. They are well known for their baskets, and this is my third time to collect more of their beautiful baskets, which are made from a reed like plant. They condition the reeds in different ways to give color the material. To make black they bury the reeds in a pit where the minerals in the soil darkens the reed. Our friend Bill got this photo of Bob and me trying to decide what to take with us.

Here we are sitting in the shade of the beautiful community where the Kalinago live. Oops! Actually, this is another day we spent together in Deshaies, Guadeloupe! We are with Bill and Maureen from Kalunamoo.

And since I’m adding photos from other days, here is one of my favorites with a number of our sailing friends who gathered for dinner that night.

On several visits to Dominica I’ve had my photo taken in front of a vendor’s stall called “Brenda’s Craft Shop.” This year I got meet Brenda! I bought a finely crocheted wrap skirt to give as a present. I can’t show you because it’s to be a surprise for a dear friend.

I tried my hand at an unfinished embroidery project I brought with me this year. On some days I simply could not line up the needle with the place I needed to insert it because of the rolling waves coming into our anchorage. It was daunting, and I often felt I might become crosss-eyed, but now I am happy to report that this project is finished! At home I hope to try my hand at framing an embroidery myself. This embroidery design is from an English company called Melbury Hill. They have some coordinating designs that go with these bluebells, but for now I need to stick to weaving those two tapestries.

As I write this we are on a mooring in the small archipelago of islands at the bottom of Guadeloupe. The main island is called Terre de Haute, and it has a charming village that entices many French visitors who arrive multiple times a day by ferry from Guadeloupe. There are some wonderful shops and many restaurants.

I must be getting tougher, or perhaps just more determined (desperate?) as I age. I am working on days I could never have worked in previous years. It’s good, and bad, in equal measures. I hope I will be taking a home a number of finished items in April.

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In the Depths of Winter

Posted on January 29, 2024 | Leave a comment

Recently one of my oldest friends starting seeing a life coach. In one of the sessions the coach asked if she’d rather work or go on vacation. My friend answered that she’d rather work! She is a sculptor and painter. When I gave this a mere moment of thought, I realized I would answer the same. So, here I am in the depths of winter, living on a boat while visiting numerous Caribbean islands, and what I want to do everyday is work!

I have more projects onboard than I can possibly finish in the 3+ months I’ll be down here, but each year when I promise myself I’ll only bring what I can actually accomplish, I break that promise. This year is no exception. Somehow I want to finish one tapestry and start and finish a second one, quite small, but still. I brought 8 oz of merino/silk to spin (so far the only finished project!); three sweaters, two to continue and one to make from start to finish (half done with that one); two embroideries, and a basket to start (and finish, of course). I couldn’t complete these projects at home in three months, even if I worked 12 hours a day! But it’s hard to choose what to bring. And don’t you know, even with all I brought, I pine for the things I didn’t bring!

One day recently, when I was recuperating from the seasick meds I take, I lay on one of our settees watching a couple of hours of youtube videos on various techniques in bobbin lace. I know I cannot do bobbin lace on this boat–but that doesn’t mean I can’t wish I had a pillow here to try.

This year, since we have starlink to stay in contact, I have also started a tapestry study group with six of my students from previous live classes. Setting up the scene for doing these zoom meetings is a little more challenging on a boat than at it is at home.

It’s a feat of Rube Goldberg-ness. I have my computer on our dining table, sitting on both a cutting board and a box in order to get it at the right height to see more than the top of my head. My tapestry in progress, which has some bamboo skewers inserted in an empty space in order do demonstrations of techniques, if needed, is sitting on a table top easel on top of an ottoman. In this photo I haven’t yet set up the cable to my mobile phone on a reticulating arm that faces the tapestry as a 2nd camera for when I might need to do demos. Bob had a big hand in gathering all these random props to get things just the way I needed.

Tomorrow is our second session. I am now in a less protected anchorage, and we are rolling sideways quite dramatically. I will try to set up in the cockpit so I don’t get seasick down below. Meanwhile I am a little worried that the students may not feel good themselves watching the horizon roll side to side behind me. Fingers crossed….

Spinning onboard is the easiest activity. I can look out at the horizon and keep myself oriented. I’m using an EEW Nano 2 from Dreaming Robots. It’s hard to believe that something so tiny and lightweight could work so well, and it doesn’t slide around as I draft out the fibers.

I did a poor job winding on my first bobbin. I forgot that I need move the hooks often when I’m spinning without a Woolee Winder which does the winding automatically. My next three bobbins got a lot better!

And those three sweaters onboard… I’d like to finish one of them! The two that were in progress when I put the materials onboard are a design by Martin Storey, which is a summer loose wrap type sweater made with two yarns held together–one linen and one cotton–called “Skylark.”

The other is a Kate Davies design called “Auchnaha,” also a loose wrap type sweater.

It would be wonderful to finish one of these to wear in spring when I return home to New England. On the other hand, it would also be great to wear this vest which I started onboard with my advent yarn from Kate Davies. Can you see the faint ‘shadow’ work in this? This is the left front/back, so I’m half finished with the vest, which is closer to completion than the other two sweaters. The right side of this vest has entirely different colors in it. What you see on the left side of this photo is not the armhole. It’s the neck opening with the collar already knitted into it. It’s a clever design, inspired by a design from one of the most clever knitters–Vivan Hoxbro.

Recently I returned to embroidery, which I haven’t touched in years. When conditions are calm I can do close work. This is a kit from Melbury Hill in the UK. Years ago when I bought this kit I could have chosen any of their designs, which are all Arts and Crafts inspired. I guess I settled on bluebells because I got to see a ‘bluebell wood’ the last time I visited England to see my friend Lesley. A truly amazing sight! I may finish the flowers today. Then I’ll have another completed project under my belt.

As I write this Bob is ashore checking Pandora in to Dominica. We spent almost a week in Deshaies, Guadeloupe, after about 3 weeks in Antigua, in English Harbour, Falmouth, and Jolly Harbour. I miss the calm harbors of Antigua. No wonder the English were so successful there. Calm harbors with great defenses against attackers. I’ve been onboard exactly a month today.

I have done a few things in the category of sightseeing, but since this is our 7th winter down here, I don’t feel compelled to revisit everything. We see rainbows multiple times a day, and Bob records all of them with his camera. We spent a delightful day at the botanical gardens in Deshaies, Guadeloupe. This year I only took photos of birds and fish. I took the bird photos for my friend who has had a Nandico parrot for more than 30 years. If we rent a car while here in Dominica, we will visit the Kalinago community, and I will enjoy seeing their stunning baskets. Hopefully I’ll bring a few home to give to my basket making friends. There is a lot to do here, in the depths of winter, but I’d always rather be making something with my hands most days. I’d rather work!

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Can I Please Stop the Clock?

Posted on December 6, 2023 | 1 comment

Today is December 6, and my last post was written on October 5, which is far too long to be out of touch on a blog. A lot of good work, good ideas, and great camaraderie with my fellow weavers have taken place over the past two months, along with feeling that I cannot dance fast enough to accomplish the things that are my highest priority. Are you feeling this way too?

Two months ago I was at a friend’s house with other weavers to spend the day in her beautiful setting mixing and using natural dyes. It was the perfect October day, with the autumn color just beginning to light up the landscape. On the way home I had to stop the car to take a photo of sunlight coming through newly turned golden leaves.

I only brought tiny, 30 yard skeins of 30/2 cotton to dye for use in bobbin lace.

I used indigo and onion skins to make the greens. There is an interesting brown that I now don’t remember. Maybe a mushroom dye? I know it was not black walnut. The red violets are cochineal.

My friend Cindy’s bucolic setting always makes me feel like I’ve entered a fairy tale. She has a huge vegetable garden, and as you can see in the background, a large supply of wood to heat her house. Off in the distance, just to the left of center, is a chicken coop, which supplies her with eggs for a good part of the year. I’m sure it’s hard work to live so simply. I enjoy being in her environment.

I finished the linen bread bags I’ve shown in previous posts, and made a braided cord for one of them. I have a partially made cord for the next bag–each braid will be different. I am happy with the bags. It was an easy project that almost seemed to weave itself.

Since I finished these bags before the linen class was half through, I put on a new warp for napkins based on a design by Lisa Hill that she calls “Metaweave.” They are Brassard 16/2 cottolin set at 24 epi, and the pattern weft is 8/2 cottolin, also from Brassard.

I prefer the underside of this pattern to the front.

I put on enough warp to make 6 napkins, plus sampling. The sampling turned out well on the first try, so I expect I will get a 7th napkin. There will be two each: blue, red, green, and one yellow. The weaving is easy and so enjoyable!

I am ready to start napkin #5, which is the first green. The green I’m using is a great color–sort of kiwi meets avocado. Maybe I can get started on that napkin today.

At last month’s local guild meeting (Area 4, CT state guild) one of our members showed a rag woven holiday table runner that made me want to go straight home and put it on a loom. The problem is that I now only have two looms for weaving fabric and both have projects on them. That led to another member offering me a small 8S table loom–not to borrow, to have! It’s quite a little gem that may need its own post to fully describe and admire. When I picked up the loom I found it already had a warp on it for a small rag woven project. Wasn’t that serendipitous? I wove off that warp with fabric strips that were included, and that gave me a good sense of how the loom works. I now have three small runners, one to use on Pandora and two to give as gifts.

Here is the fabric and yarn I plan to use for the holiday runner. Time is so short now that I doubt I will be able to warp this until I return in the spring. I have high hopes for the fabric strips looking somewhat like the sakiori weaving I did in Japan–little dots of color on a cream/beige background.

The off white yarn is 8/2 unmercerized cotton; the darker spool is a cotton tape. I will either use the 8/2 as warp and the tape yarn as weft, or I’ll blend the two in the warp and use the 8/2 for tabby weft. I have to figure out how to estimate the yardage for the fabric strips, and I’m hoping the runners I made on the previous warp will help me do that. I’ll cut the strips 1/2″ wide, as the strips were that came with the loom. I can then use the woven sett of the rags to determine the sett I’ll weave for this project, adjusted for the width of my project. The fabric was an interesting find. I found about 1/2 yard of it at a fabric remnant shop called Swanson in Turner Falls, Massachusetts. It looks like they will soon have online shopping. I knew I needed more fabric so I googled “Winter Berries” by Susan Winget and found more fabric on Etsy. It’s a win! Now if only I had time to weave it!

This evening I will present a program about Archie Brennan to the Michigan League of Handweavers. I love talking about Archie, and I hope my presentation will spark some weavers to try their hand at tapestry. I’ll be giving a tapestry workshop in Michigan next spring for their annual conference in June. It will be my first time to teach outside New England and the tri-state area–a big deal for me!

As we all get swept full force into the holiday season I hope every one of us can make time to weave, time to reflect on what brings us fulfillment and what projects will best do that, and time to share with others without having our hair on fire. It’s a tall order. Good luck. I’m heading downstairs to start that first green napkin.

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Projects Big and Small

Posted on October 5, 2023 | 1 comment

It’s now October. I continue to procrastinate on that tablecloth on my Big AVL. I don’t quite know what’s wrong with me because I was on fire to get it on the loom. I was 7/8’s done with the threading in August, and now it’s October and it hasn’t been touched in more than a month. Maybe I’m worried that after all this work it won’t weave well. Yep, definitely worried about that.

On a better subject, I have been weaving my linen project for the class with Fran Curran. I’m more than half done with the 2nd bread bag, and I’ve started the braid for the drawstring. Here is the first design, showing the hemstitching which will be the casing for the drawstring. I designed a diamond with warp-only floats so the blue warp would show up strongly on the surface of the huck lace.

The 2nd bread bag has warp and weft floats. It will be interesting to me to see how they differ after I wash the fabric.

Of the two sweaters I found that I’d like to a) alter, and b) finish, I have started on the blue cabled sweater that was designed by Elsbeth Lavold. I am adding a gusset to each underarm that will continue down the side seam, which I have opened, to create an A-line silhouette. I’m not happy with how the gusset looks. It’s messy. I’ve started over again and am still not happy. Part of me thinks, well, it’s the underarm, so it will rarely show. But…. I know it’s messy! This nagging disappointment keeps me from working on it. It’s not worth a photo at this point.

I tried a tiny bit of Japanese Hogin embroidery and loved it. The fabric I had on hand was finer than what was called for, and I felt I was going blind trying to do these tiny stitches. I love the technique, which is counted running stitches that create simple designs that can become quite complicated in appearance when they are done on a larger scale. I saw so many tiny bits of textile mounted in wooden frames while I was Japan. I bought a tiny temari pin cushion at the Cohana store in Tokyo. There are wonderful sashiko pin cushions mounted in wooden bowls, and there are embroidered brooches mounted in wooden frames to be worn. I was smitten with those. I found someone on Etsy (Artbase) making some pretty brooch frames in cherry.

I’ve already ordered a larger brooch frame for my next embroidery, and I’ve visited my not-so-local needlework shop to buy a slightly coarser woven linen. The one above was embroidered on 32-count linen. Next time I’ll try 28-count. I enjoy doing this!

My next project, which feels both big and small, is cleaning and re-framing a beautiful crewelwork embroidery made by my oldest friend, back in 1981. This gem of a piece is over 40 years old now. It got lost for several years when we made our last move, so when I finally found it in a box in the attic, wrapped in tissue and packing paper, it had suffered some. I don’t know if these brown blotches are mildew, but I hope I can get them out. I am using Orvus paste, recommended by the women at Thistle Needleworks, my not-so-local shop. I was anxious removing this gem from its frame. It’s heartbreaking to see the stains on the fabric.

It looks like the framer used double stick tape to stretch the fabric on the backing. I hope to sew it in place when I re-frame it.

I took out about 50 staples on the sides. I hope I can make this as beautiful as it originally was. Then I’ll feel like a pro and I’ll tackle some other things from my stash.

My new tapestry students are doing a great job. Every class seems to show me new ways that a class can have a group personality and an interesting trajectory. This class is moving quickly, so I think they’ll be doing some of their own designs soon, when we are barely at the half-way point of the semester. I love seeing the colors that students choose. It’s always a visual feast to see all these colors become something real. Students keep me endlessly excited!

I hope I get most of my big and small projects done. There is energy in the air. I just need to harness it!

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Rabbit Holes are Really Just Procrastination

Posted on September 17, 2023 | 2 comments

For the past several weeks I’ve been deep into some interesting rabbit holes. There are so many compelling things to learn, tips to explore, and amazing images to see. That means I have not touched my tablecloth warp in three weeks. I do feel a little guilty. I am at the point of threading the final border, and it’s the hard part, considering whatever I thought I was doing 12 years ago that I now cannot remember or understand. I will tackle that final area of threading soon, but in the meantime I’m enjoying my rabbit holes.

I went looking for a stranded sweater pattern that I started quite a few years ago. I did not find find it on the first or second go-round, but it finally turned up late last week when I was looking for something else. Isn’t that always the best way to find something? A few months ago I came across this sweater and decided I ‘needed’ to finish it. That’s when I learned I don’t seem to have the pattern! I searched through my Ravelry library, my emails, and even through the printed patterns I’ve collected in two huge notebooks. No luck.

Do you see why I want to finish this? The yarn is a Finnish brand called “Kauni Effect.” I am using two different colorways. One is called ‘rainbow’ and the other is something like ‘autumn.’ Sorry I’m not sure of the second colorway. I’m knitting with one yarn as color A and the other as color B, and the yarn does all the work to create this amazing, glowing, beautiful effect! I know, I’m gushing.

I could not figure out what happened to the pattern. I posted a photo on Facebook, and many people began responding to help me retrieve the pattern. After more than a hundred responses I began to remember a few things about this design. The sweater pattern was designed by Ruth Sorenson, but the stitch pattern was from Dale of Norway. Someone whose name I don’t know put the two together to create this stunning sweater. It was easy to find the stitch pattern on Ravelry. It’s in quite a few people’s stitch libraries…but the sweater is no longer available, and for some reason I have lost it.

When I started googling various ways to get in touch with Ruth Sorenson or to see all of her designs, one of the top hits in my search was my own blog. Seriously? It turns out I wrote about my plans for this sweater here. That was March of 2014. That sweater has been laying in a canvas bin in my wall unit for almost 10 years. Yikes!

One of the 100+ people who responded with help on Facebook contacted Ruth Sorenson and got permission to share the pattern with others. She sent it to me, and by now I’m sure others have it too. Thank you, Ruth! Between the sweater directions and my own notes I plan to get cracking on this sweater again. I won’t be wearing it this fall, but hopefully in fall of ’24.

In the sweater department, there is also this: “Hild” by Elsbeth Lavold, from her Desinger’s Choice, Book 9. I made this years ago and have worn it a few times. It no longer fits, but I still love it. Last week I un-sewed the side seams and am adding gusset to each side. I hope that gives it enough flair for me to enjoy wearing it again.

The sweater bug has definitely bitten me. I haven’t been knitting much over the past several years, but clearly I’m back in knitting mode now.

I’ve started a class with Fran Curran at the Weaving Center of Hartford Artisans. She is leading us in designing a project using linen. We had a short presentation on designing huck lace by Jill Staublitz, and I decided that would be the weave structure I’d use for my project. I’ve woven a lot of linen projects over the years, and a lot of huck lace too. It was hard to decide what my project would be since I have plenty of napkins, placemats, even a couple of linen tote bags with huck lace. Then one evening I remembered that I’ve wanted to make bread bags for a couple of years now, ever since Handwoven Magazine featured a linen bread bag pattern. I fear my bread bag may be a bit over-designed, but I will have fun with it.

I will have a center diamond motif on the bag fabric, surrounded by plain weave stripes and a mix of natural and half bleached linen for the background fabric. The stripe colors are in the photo of the sweater above. They happened to be laying on the counter in my studio where I took the photo. I wanted the huck diamond look particularly blue, so I’ve made sure the huck floats are in the warp, which will be blue in that section. I’m looking forward to this!

Lastly, I have started teaching another 9-week tapestry class, also at Hartford Artisans. I’m intrigued by this new batch of students and hope they will enjoy tapestry weaving enough to continue to pursue it.

My son Chris calls this kind of distracting activity “bike shedding.” He says this phrase came about when a group of engineers were ‘stumped’ on a building design. They decided to design a bike shed for the building before working on the building itself. Who knows if this is true, but it seems to be something I’m rather good at…bike shedding, procrastinating, and going down rabbit holes. I could do worse!

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Working Remotely in Remote Places

Posted on February 13, 2023 | Leave a comment

A couple of weeks ago Rebecca Mezoff’s email newsletter mentioned that since she traditionally works at home, when she works ‘remotely’ it means that she has traveled somewhere. It’s the first time that I realized I work remotely every winter. Many people think Bob and I are on vacation when he sails south for the winter, but it’s really our ‘other’ home. We live our every day lives, full of chores and responsibilities, from our 2nd home, which happens to float. I always bring ‘work’ with me, and am often disappointed that I’m missing some vital color for a tapestry, or a particular size of knitting needle, or some other item that derails for my plans for work. At my first home I can quickly go online and replace almost anything I’m missing within days. That is never the case here. This is a view from Shirley Fort overlooking Portsmouth Harbor. Pandora is out there!

We are in Dominica now, and have been moored in Portsmouth for the past four days. Bob’s sailing group has arranged for an impressive number of outings on this island, known as ‘the nature island.’ Most of Dominica is rain forest. Most of the hikes here involve hiring a guide. Perhaps the most intensive hike on this island is called the ‘hike to the boiling lakes.’ This hike, which I have not done and Bob regrets not doing, takes people to the edge of the volcanic caldera where the sulfur lakes are literally boiling. It’s not easy getting up to those heights, and this week’s trip was particularly hard for the hikers because it rained most of each day in heavy downpours, which made the paths and rocks quite slippery in addition to being quite steep. The hikers walked along the steep rock walls of three caldera that looked down into the boiling lakes.

From Wikipedia: The Boiling Lake is a flooded fumarole located in Morne Trois Pitons National Park, a World Heritage Site on the island of Dominica. The lake, located 6.5 miles (10.5 km) east of Dominica’s capital Roseau, is filled with bubbling greyish-blue water that is usually enveloped in a cloud of vapour. The Boiling Lake is approximately 200 to 250 feet (60 to 75 m) across and is the second-largest hot lake in the world after Frying Pan Lake, located in Waimangu Valley near Rotorua, New Zealand.

In the rainforest people clear small plots to grow all kinds of veg and fruit, and the rest of the West Indies is indebted to Dominica when the supply boat arrives in the other islands carrying produce grown here. They even grown coffee here in the higher elevations. The melons and bananas are unbelievable! I’d forgotten what non-GMO avocados taste like, and these bring back memories of the first avocados I ever tried, as a teenager, years before Haas avocados had been developed. I’m a big fan of the real ones now. And, as it happens, there are numerous varieties of avocados. We’re about to try some that are quite tiny. The one thing I cannot find–and don’t even seem to know how to ask for–is cilantro! There is an herb grown on some of the islands called “chadon beni” that’s pronounced more like “shadow benny.” It does not look anything like cilantro, but it tastes like it! It roots easily, so I was able to grow my own the only year I found some to buy.

I know that some cultures call cilantro ‘coriander,’ which is what I call the seeds of the cilantro plants. At the local Saturday market here in Portsmouth, I tried asking for cilantro, coriander, and ‘shadow benny,’ but I got no hits. I even had an image of chadon beni open on my phone for clarification. The only response I got was an offer of some flat leafed parsley! Oh well. I can’t make the guacamole of my dreams, but I am enjoying eating avocados in other ways, including the way I first ate them in junior high school, with canned tuna salad stuffed into the place where the pit was removed in the big avocados! And when you root one of these avocado plants you will get fruit on your tree, unlike Haas, which are sterile. I am making do quite well with a healthy, rooted Caribbean version of basil which is growing like it’s on steroids.

The Saturday Market in Portsmouth, Dominica

The entire Caribbean is a colorful world, as Bob captured in the fishing fleet on the dock.

At the moment I am licking my emotional wounds that I have a major set back on my Caribbean ‘postcard’ tapestry. I don’t have any white or cream weft yarn to weave the iconic church in Deshaies, Guadeloupe. I have other options, you know, necessity being the mother of all mislaid plans. I can weave a different scene from Guadeloupe to eliminate this church entirely. I’m feeling a bit negative about that since drawing the rough cartoon was quite an effort for me, with no option to resize some of my images with a printer, or even stopping into a Staples store for help. In the end I have four pieces of paper glued together to create my cartoon, and it has angel fish and turtles swimming around the postcard of the church. I just continue ‘to sleep on’ the idea of tossing out this idea.

So I’ve turned to my current sweater in progress, a design by Ainur Berkimbayeva for Purl Soho called “Amphora Pullover.” It is a top/down sweater with fun increases through the neck and shoulders that create swirls. Quite attractive on the model! Now that I have put the sleeve stitches on holders and am about to continue on the body only, I am going to test some ideas of continuing some of the swirls to create a swing style body. I can never just knit a design as instructed. Patterns are jumping off places for adding our creativity to a garment! I hope my idea works.

The “Amphora Pullover” by Ainur Berkimbeyeva for Purl Soho.

Looks like I have an opportunity to start my own small business here in Dominica!

During the past week I have been challenged by an exceptional idea that is currently keeping me awake at night, with all kinds of possibilities running wild through my mind. If you don’t know me, you may not know that I have recently begun teaching tapestry at a non-profit organization in Connecticut that is near and dear to my heart. The organization is Hartford Artisans, and their mission statement is what captured my attention: The Hartford Artisans Weaving Center is committed to being a welcoming, accessible community that actively works to create a kinder and more equitable world for everyone. Our diverse community unites people from different backgrounds and experiences to learn from each other and uncover their own unique skills. We challenge assumptions about disabilities and aging and show that everyone deserves an opportunity for creative expression. We recognize we have a responsibility not only to open our doors wider, but also to understand and work to change the racial and gender inequities that hurt us all. 

The director of this organization recently got a letter from a blind weaver in the Southwest, asking if there were any audio sources for learning to weave tapestry. I have done a preliminary search and found nothing. Yet there is one weaver out there who wants to do this. There is, or was, a weaver at the Artisan Center who wove a tapestry that hangs on display in the hallway. I don’t know whether that weaver is still with the Center, but if so, I’d like to her/him. The piece is more texturally interesting and is not based on imagery. It has striking merits. As we all know, there is no one way to describe or view tapestry, and no one correct way to achieve an idea. While I was thinking through ideas, Bob googled textured tape to see if there is a tape that has bumps or some kind of measurement device done in texture rather than in visual marks. By Jove! There is! I thought about how to describe the process of making an Archie Brennan copper pipe loom without any visuals, how to describe the seine twine I’d recommend for the first few warps, and at some point, how to describe various techniques. I thought about describing the warping process in words only. Are you now thinking too? If so, I hope you’ll get in touch. Creativity should be accessible to all people, and it falls to some of us to make this happen. In the meantime, I’m going to proceed, hopefully talking to some of the visually impaired artisans about what kind of instructions make the most sense to them. I am hopeful.

I’m looking forward to getting back to my ‘real’ home, my first home, where I can be more connected and less remote! I’m halfway there: six weeks to go! And it will be almost time to garden again.

species cosmos in bloom against a wall in Portsmouth, Dominica

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Weights and Measures Onboard

Posted on February 4, 2023 | Leave a comment

Here is my working space onboard. In yacht parlance it’s called the main saloon (I have always pronounced that ‘salon’), and it is the main living space down below on Pandora. It is connected to a small galley, and there is an aft cabin toward the stern, and a ‘main stateroom’ forward of this room. That’s a glamorous phrase for where we sleep. It doesn’t seem ‘stately’ at all.! I am very good at making a huge mess of our limited living space. We had a couple of days of calm conditions in Deshaies, and I took good advantage of it to finish the first part of this tapestry that I started in May of 2020–more than 2 1/2 years ago. My heart has not been in it, perhaps because of some bad memories of that year. The odd thing is, when I sit down and work on it, I enjoy it. Go figure.

Now I am ready to slide the woven section partially around to the back of the loom in order to keep weaving. I hope to do that today, when I finish this post. The conditions in Les Saintes are not nearly as calm as they were in Deshaies, and that is why I have not gotten back to work on this piece. I’ve been lucky to knit, which was only once. Otherwise, I’m just trying to keep my balance onboard!

Weights and measures have factored rather significantly over the past few weeks. First I attempted to weight the merino/silk top I was spinning because I wanted to have an equal amount of singles spun on each bobbin in order to have equal amounts to ply together into finished yarn. Have you ever tried to weight something on a boat? The gentle, and not so gentle, up and down movements on a boat raises havoc with a scale. On the scale the read out for my merino/silk to cycled up and down by about 10 grams. I usually just try to pick the number in the middle. When baking a cake it’s far more important to get it right! Here was my guess for baking a quiche. It was not perfect, but we certainly thought it was good.

I also wanted to measure the length of that newly spun and plied yarn. Luckily Bob found PVC pipe at a hardware store just outside Falmouth, Antigua, and he made one that has a central arm of 18″. The yarn winds four times around that central core, for a total of 2 yards per single go ’round. I was able to measure that my merino/silk skein is 840 yards, plus or minus probably 10%. I can’t measure this accurately until I get home. Winding on a niddy noddy, or anything else, depends on the tension you use to wind. Too tight, and you’ve got quite a bit less yardage than you think. It’s hard to wind too loosely because of the nature of this repeated action. In general, we all tend to get tighter and tighter even when we are trying to avoid that. I took my time and tried to ‘stay loose.’ We’ll see.

This niddy noddy absolutely will not come apart, even though it is not glued. I wonder if that is due to the heat and humidity of the tropics. I padded one of the arms with a folded napkin, hoping that would give me some ‘wiggle room’ to get the yarn off when I finished winding. It worked.

We’ve been in Les Saintes for three days. The conditions here are rough, but the place is scenic. You can’t have everything. Below is a chart that our good friend aboard Kalunamoo created to measure of how UNcomfortable the ‘harbors’ down here can be. Most places are not harbors at all, simply coves or bays in which you can throw down your anchor, but there is no protection from the sea conditions. In Antigua, we were in real harbors, both in Falmouth and English Harbour. That’s a great way to start a winter of sailing, and really quite a come down for the rest of the trip. Deshaies, Guadeloupe is between a 3 and a 4 on Bill’s chart. In Les Saintes, we rarely get a mooring ball right near the village on our arrival, so we have to spend at least one night anchored between the islands of this archipelago. The roll conditions are consistently between stage 5 and stage 7. It’s awful. One night while I was sleeping a book jumped right off the shelf above me and clobbered me in the head! It was a rude awakening. The next morning I discovered that my glasses came down with the book, and I had fairly mangled them by tossing and turning all night on top of them. Bill Woodroffe writes a great blog about the lifestyle of living on a boat here.

Luckily we only spent one night on anchor, and early the next morning we were ready to head closer to shore in the village (Haute de Terre) to grab a mooring from anyone who was heading out. We were on a mooring by 7am.

One thing I measure while we are traveling aboard each winter is the home ports of all the boats that are anchored or moored nearby us. Antigua had a predominance of Union Jacks, in all the varieties that signify the colonies and protectorates of the UK. There were some number of French flagged boats, as well as Canadian, and Norwegian/Swedish/Danish, with only a few Dutch flagged boats. I saw a few Swiss and German boats in the mix. The past decade of sailing in the Caribbean has honed my flag recognition abilities. In the French islands, the French flags outnumber the British, as do the Scandinavian boats. I’m used to looking up the variations of the Union Jack when I’m curious about exactly where some of these boats call home. Yesterday I saw a variation on the Norwegian flag that caught my eye. It is currently the most beautiful flag I have seen!

I know it’s hard to see the detail on the flag. It was waving in a fairly strong breeze, as I attempted to catch it mostly open. It’s a Norwegian flag with a triple swallow tail, something I’ve never seen before. Usually swallow tail flags are associated with yacht clubs. This flag is the ensign of the Royal Norwegian Yacht Club. It’s a beauty, even though the boat is not.

The beautiful center crown and IVI design was Haakon II’s royal emblem, which he granted for use to yacht club members starting in 1906. This image shows a standard flag. The triple swallow tail has the two red points and center blue point with a narrow white outline. This image is from wikipedia.

Identifying the flags of countries in all the places we visit keeps me entertained. In these islands not many natives speak English, so using my almost non-existent French keeps me on my toes, and is something I am attempting to improve–therefore, another form of measurement. Food words are somewhat easier than everything else, since I have a moderate familiarity (and love) for French food! Everything outside of food is quite a challenge for me!

Bob measures more things than I do. He’s constantly tracking how much electricity we have made with our solar panels and wind generator, and when we are motoring, how much power the engine made. He weighs that constantly against our usage. We now have a star link gadget for the internet and that is big energy guzzler. We need to make hot water for showers, we need to make that water (!), and we need lights at night and energy to run our gas stove to cook. It all adds up, and Bob spends a lot time measuring the input and output of energy. He says he enjoys living off the grid. I say give me a light switch and instant access to heat and electricity. It’s quite a process to start cooking on Pandora, not to mention taking a shower or any of the many things we want to do daily. I am not an ‘off the grid’ kind of girl.

Here are some scenes from Haute de Terre, in Les Saintes. This was the view from our table at breakfast this morning.

Pandora is out in the distance. She’s light grey and just forward of the bow of the boat in the foreground

How about a close up?

Pandora has a light grey hull, in the distance, just forward of the bow of the boat in the foreground.

This is an idyllic place, and it would be perfect without the wind and the rolling conditions. Photographs are also a measurement of sorts. We take the ones we love, and sometimes we share them. Au revoir for now.

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