Category Archives: knitting

Famous Knitter or just Famous?

Each year at some point in our Maine sailing adventures we go out to Allen Island, a lovely getaway for the well known Wyeth family where they have very nicely placed a few moorings for visiting boaters to enjoy.  Last year I was thrilled when Betsy Wyeth arrived at the island and waved to me from her launch.  But this year’s visit topped even that.  Betsy sat outside her house with a basket of knitting; I sat aboard Pandora with my knitting.  We each sat knitting and watching the other knitting.

Knitting with Betsy Wyeth!

So,  Where in the world were my Signature Arts knitting needles?  At Allen Island, a rather private place only accessible to those with means of traveling on the water, where they rubbed shoulders with Betsy Wyeth’s needles!

And, by the way, there are about 100 sheep on Allen Island….and it  is the spot where George Waymouth landed with his ship Archangel in 1605.

Betsy (on left) knitting

And that was the day I finished my “Garden Tank” by Deborah Newton.  Deborah’s designs are extremely attractive and wearable for many body shapes which makes her one of my favorite knitwear designers!

What I love about this design: the simple lace pattern that does not overwhelm the sweater, the flattering boat neck, the A-line ‘swing’ shape, the armhole shaping, the way the lace creates a scalloped edge at the hem!

In Interweave Knits the sweater was knitted with Manos del Uruguay “Serena” (60% alpaca, 40% cotton).  Now maybe I’m missing something, but isn’t alpaca one of the warmest fibers?  So even with the addition of 40% cotton, wouldn’t this be too warm for a summer tank top?  I decided to use raw silk, and since this yarn has virtually no elasticity I made the top with zero ease.  I’m very happy with the fit!

Wild Kingdom!

I spent most of yesterday watching the bird life around Snow Island.  There are several ospreys in the area, more than I’ve seen in one place before, and they all seem intent on ridding themselves of the eagles in the area.  The ospreys worked together to dive bomb the eagles, and I’m not sure if they were just claiming their hunting territory of if the eagles pose some additional threat.  I know some birds steal the nests of others.  Clearly, for reasons I may not fully understand, the ospreys do not wish to cohabitate with eagles!

eagle at Snow Island

This eagle sat calmly in the tree while a group of ospreys hurled themselves and dived down on her/him!  Right nearby was the eagle’s nest complete with adolescent eaglet.

 

 

 

Eaglet on the nest

Well, I know this eaglet is hard to see even if you ‘bigify’ the photo…nest is near the center of the image.  I marveled at the parent eagle bringing food to this baby whose sharp beak and claws surely must make parenting difficult!

 

Yesterday was one of those Maine days that is so clear everything appears super-focused. I took photos of water and sky, and I hope someday they will be useful to developing a cartoon for a tapestry.

And I finished one of my summer books….

Summer reading:

This is a fascinating history of New York before the English, when it was the Dutch colony of New Amsterdam.  The author gives vivid images of life in this colony through the written records and correspondence of that period and shows that the Dutch culture has lived on to the present time in current New York culture.  His premise is that New York is still more Dutch than English, and that the Dutch culture of the 17th century is the core of American culture. He does a great job!

Amazing book!…too moving to describe.  I highly recommend it! I bought it for reading on board, but I finished it the day I took sneak peak at home….

 

 

 

 

I just finished this yesterday, while watching the bird life here.  A wonderful story written from the point of view of three different women during the year before American involvement in WWII, during the blitzkrieg of London and the rounding of up Jews throughout Europe.  I put this near the top of very few books that I will always treasure!

 

Just started this yesterday, and I’m hooked.  I don’t normally stumble on so many good books all at once!  I feel incredibly lucky….

 

 

 

 

And I’m looking forward to Water for Elephants that is on my phone.  I can’t see the movie until I read (or listen to!)  the book!

The day will end with a dinner of fresh local veggies and local cheese from the this quaint farm stand in Five Islands Habor….oh, and a bouquet of dark red dahlias, feverfew, and love in a mist!

Five Islands Harbor Farm Stand

 

 

Inspiration in Maine

Typically Maine, the weather changed every couple of hours yesterday, and the sights made me think about trying to capture the essence of a place in imagery…..which made me think of Joan Baxter’s tapestries. She has mastered conveying a sense of place for Scotland, with tapestries that are full of mists and myth and mystery. After 15 summers in Maine maybe I am getting a sense of this place….also a place of mists as well as brilliant sun and sharply focused views.

As we sailed out of the Basin and Cundy’s Harbor yesterday, the sky behind us grew very dark, and shortly into our trip we were overtaken by a squall.  Twenty minutes later the shoreline and islands glowed in the fresh new light and sparkled from the rain. We were headed to Snow Island, and just as we approached we saw an eagle soaring overhead!  He (she?) landed on a rock right nearby to dry his wings.

Eagle on Snow Island

In the trees just to the left in this photo was another eagle!  We could not get the two birds together in one photo!

After anchoring another quadrant of the sky darkened, and another squall passed through.  The quality of light is decidedly Maine to me, and something I’d like to capture in a future tapestry.

Approaching Squall

Can you see the eagle in the lone tree just right of center in the photograph?  All in all, we saw three eagles at Snow Island.

Before heading to Snow Island I spent a good part of the day working on another sweater…. Deborah Newton’s “Greenhouse Tank” which is in the current issue of Interweave Knits.

Deborah Newton's Greenhouse tank

Deborah Newton is one of my favorite knitting designers.  Her designs are lovely and fit beautifully!  I am really hoping this will be more flattering than my Plymouth “Kudo” sweater!

I am working this sweater in raw silk from Tess Designer Yarns in a colorway called Bahama Bay.

 

 

Deborah Newton’s “Greenhouse Tank” knitted in Tess Designer Yarns “Bahama Bay” raw silk

More about this sweater in another post…..

Coastal Living

I’ve been  living on the water for one week now.  The weather has been beautiful, the coastline of Maine stunning!  On the trip up Bob saw a whale and a big basking shark. Together we’ve seen seals, and lots of shore birds: egrets, herons, ospreys, storm petrels.  Yesterday I saw eider ducks for the first time!

During the first few days on board I finished this sweater which is a monstrous failure!

Plymouth yarn "Kudo" knitted into Plymouth's pattern 1977

So, what went wrong?  Well, maybe the yarn is just too bright for horizontal stripes?  …especially in larger sizes!  Although it was a very quick project to knit, no knitting project goes quickly enough not to feel a sharp pang of anxiety when it proves to be a failure!

Also, here is the photo on the pattern:

Plymouth Yarns #1977 for Kudo yarn

My biggest gripe is the look of the sleeves in the cover photo.  They are clearly 3/4 sleeves.  The pattern knits up as short sleeves.  The pattern does say that if you want shorter or longer sleeves you must adjust your stitch number to achieve this.  The pattern says that the stitches called for in the instructions will result in elbow length sleeves, but it does not say whether that includes the seed stitch border.  To me the sleeves in the cover are elbow length before the seed stitch border was added, so I presumed that the pattern photo showed the sweater knitted to the specifications in the basic pattern.  Wrong. The finsihed sweater looks decidedly dumpy with the short sleeves.  I tried the seed stitch border and didn’t like it.  So I ripped it out and tried a crocheted scallop, also dumpy, as the photo shows!  I cannot just do the sleeves over, making them longer, since the entire sweater is knit in one piece, from the bottom of the front all the way to the bottom of the back, increasing for the sleeves and working the neck as you go.  This would basically mean knitting the sweater again from almost the beginning.  A little note in the instructions saying that the sleeves in the photo had been lengthened would have helped immensely!  But still, I don’t know if I could carry off those bright horizontal stripes, so I’m not too enthusiastic about doing this sweater again anyway!

Paul's awesom mud oven in the shape of fish!

On a more positive note…. we went to a party on Bailey’s Island, as guests of guests. Our host Paul built a mud oven shaped like a fish with its mouth wide open to accept his culinary creations.  He made 32 pizzas that day!  Delightful combinations like pear and gorgonzola, eggplant and green salsa….even a couple of dessert pizzas with chocolate chunks, marmallows and strawberries!  I think there will be a mud oven in our future at home!

Bailey's Island granite cribstone bridge

 

 

 

 

 

 

 

 

This bridge is built Lincoln Log style out of granite pieces that are resting on each other, no pins or cement of any kind.  Amazing! It was originally in 1927-28 and a recent rebuild was just finished this year. According to local knowledge, there was only one other bridge like it in existence in the 20th century, and that was in Scotland.  That bridge was dismantled during WWII so currently the only cribstone bridge is this one on Bailey’s Island.  We were anchored right on the East side of it!

 

“Pandora” from our host’s gardens on Bailey’s Island
Lunch is ready!

As I write this we are leaving Cundy’s Harbor where we visited good friends with a lovely house and garden right on the harbor.  Their neighbor, a seasoned lobsterman, motored over to us in his boat Life After... while we were headed to the well known “Basin,” and he passed us four lobsters in a bucket!  We will feast tonight!

 


 


 


Handwoven Home

…or home away from home.  My husband and I spend some weeks every summer sailing on board our sailboat Pandora.  This year, just weeks before we moved on board I spent a week at Becky’s Vavstuga taking her Vavstuga Basics class.  This is an absolute prerequisite for any of her other classes, her way of making sure that students have the same basic training before moving on to her more specific classes. This session’s basic class had five projects: a false damask small table square, a small (30″ x 30″) tablecloth, a dishtowel, a bathmat, and a blanket.  I decided that all these projects, except the bathmat, would be used on Pandora!

one of the small tablecloths

one of two dishtowel warps

second dish towel with blue blanket in background

 

 

 

 

 

Student Susan sleying reed for Blue blanket

Ilona working on the green blanket

 

The block weave project

The bathmat project

Andi and Patti working together

Andi and Patti working together

Becky Ashenden’s lovely studio and student residence is furnished entirely in Swedish style (mostly from IKEA) with her handwovens adorning every horizontal surface as well as all the windows!  The whole place could be a scene from a Carl Larsson painting. In our bedrooms we each had a handwoven coverlet for our bed and handwoven curtains.  In the main sitting room/dining room/kitchenette, there were wool blankets on the backs of the comfy chairs, a tablecloth on the side table in the sitting area, and curtains on the windows.  All the curtains had handwoven tapes as tie-backs.  We had breakfast each morning up in the residence dining room.  Breakfast was made and delivered by Susan (Becky’s business partner), who brought up a different tablecloth each morning, while wearing a matching apron.  I have a new appreciation for aprons!

 

Breakfast with one of many handwoven tablecloths!

Class started each morning at 9am after breakfast at 8.  Monday we made color wrappings for dishtowels and chose the two designs we liked best.  Then we began warping for them and also making the warps for the other projects.  By the afternoon we were putting the warps on the looms.  I will put details of Becky’s Swedish warping techniques on the weaving page.  At 11am each day we gathered at a large table in the studio for drafting exercises.  All of us except one student were experienced weavers.  Some of us had been weaving for decades, and one student had even spent a year at a Swedish handcraft school just like the one where Becky herself had studied.  Still, making drafts by hand on graph paper was a useful exercise for all of us!

The studio lights went off promptly at noon signalling lunch.  There was one hour to enjoy an amazing lunch with lots of choices served smorgasbord-style.  The class information stated that while Becky could not accommodate specific diets, most people on restricted diets could still get plenty to eat.  It was true!  Each lunch included a platter of raw vegetables, like radish and cucumber, a green salad, a cheese tray, a basket of crackers, a basket of Susan’s still-warm homemade bread, a plate of sliced deli meats and various dishes that were freshly made for that day’s lunch.  These main courses included shrimp/fennel salad one day, a wheat berry salad with vegetable and dried fruit another day.  It was a feast!

 

The dining room table set for lunch

Dinner always included the same assortment of platters holding cheeses, raw veggies, sliced meats, etc.  And there would also be a hot main course.  There was another loaf of Susan’s delicious bread.  We loved it so much that we demanded a photo of her with bread before she sliced it!  Becky made a fresh dessert each day to serve after dinner.

 

Susan with her homemade bread, wearing a handwoven apron

The studio re-opened at 1pm each day, so after lunch there was time for a short walk or for perusing the extensive library of weaving books….or shopping in the retail section of Vavstuga!  We re-gathered at the table at 3pm each afternoon for another session of instruction which included looking at innumerable handwoven items.  I have never seen so many handwoven items in one location. It was exhilarating!

 

Afternoon class examining some of Becky's handwoven tablecloths

Dinner was at 6pm each evening, and again the studio lights were turned off to bring us all to the table together. The studio re-opened from 7.30 -9 pm for evening weaving.

Gathering at the table

Our days had a definite rhythm because of Becky and Susan’s hard work and organization.  After working together to warp four of the five projects, we were all weaving by Wednesday morning. We warped each project in groups of two which made beaming, threading and sleying a breeze.  It is really quite enjoyable to warp with another person (and I’m someone who loves the warping process and looks forward to that time alone!).  I want to see if I can institute a warping group when I return home in late summer.

 

Warping mill with view of the Deerfield River

Each day Becky wore a handwoven dress, and we all enjoyed hearing the plans for her summer solstice wedding, including her handwoven fabric design for her wedding dress.  She was to be married just a week after our class ended, and I hope there will be photos on her site when she returns!  While we did not get to see the dress, we saw the fabric leftovers after the pattern pieces were cut….stunning!

Becky’s studio sits at the entrance to the Bridge of Flowers which is an incredible place in mid-June.

 

Bridge of Flowers

 

Students' work on Friday afternoon

The class with our finished projects!

Susan and Becky

So…..back to Pandora and my handwoven home on the water…..

 

False Damask table square on cockpit table
Handwoven tablecloth and blanket from my week at Vavstuga

Ooops! I think I left the hand towel at home, and the bathmat was made for our upstairs guest bathroom.

 

 

 

>Maine Fiber Artists’ Open Studios

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Well, it’s another beautiful summer in Maine, and I’m so lucky to visit other amazing fiber farmers and fiber artists’ studios!

This year’s plan was a bit more involved than previous years, and it was a fun adventure!  My husband wanted to attend a rendevous for the Seven Seas Cruising Association on Islesboro so we worked out a plan to take the ferry to Lincolnville on two of the weekend mornings.  The first morning we hitchhiked partway and got a cab partway to get back to our car in Rockland.  Then, at the end of the day, I left the car at the ferry terminal so it would be handy for our second day of sightseeing.

This is the eating area of the snack bar at the ferry terminal on Islesboro.  It’s about 7am, and the fog bank is rolling away to reveal the Camden Hills and the beautiful day ahead!Maine 8.7.10 002 It took two hours from the time the ferry left ‘til we had our car, although the ferry ride was only 20 minutes!  We also got picked up hitchhiking a lot faster than when we waited for the cab in downtown Camden!

Day one of fiber sightseeing included Eolian Farm where no one was home, too bad for me!

These photos were taken outside Swans Island Blankets on Rte. 1, just outside of Lincolnville.  What a stunning 18th century farmhouse they use for their showroom! Maine 8.7.10 003We saw the looms as well as the dyeing room.

Maine 8.7.10 005

Two Sons Alpaca Farm in Damariscotta was the farm highlight of the weekend for me!  Owner Ricki Waltz was very happy to talk about her animals to us, a fascinating blend of alpaca husbandry and tales of the various personalities in her herd.  The babies were adorable and had quite distinct personalities right from the start!

Timberdoodle 2 (alas! no website!) is a lovely studio overlooking the water near Cushing.  It’s a tiny, perfectly appointed showcase of Kathryn Woodstock-Lynn’s lace spinning and knitting!  Using traditional Shetland techniques, learned from such venerated knitters as Gladys Almedro, Sharon Miller and others, she knits lace shawls and wraps of her own design.  Her spinning is exquisite and so is her dyeing!  There were two large hatboxes of yarns for sale, each with enough to make either a shawl or a scarf.  One box held natural colored yarn, the other was full of her hand dyed creations.  She blends acid dyes into a stunning array of colors.  I dearly wanted a ‘red’ but did not have the pocketbook for it this summer.  I did buy a Shetland/Oxford mix dyed an indescribable mix of pink/lavender/tan ….just a small ball that will make a lovely scarf.

Katharine CobeyWhen I entered this studio I instinctively knew that I was in the presence of an artist, and that her studio was probably going to be the highlight of all our travels this summer!  Her studio and its setting along the water is as artistic as Katharine herself.  The wall of glass that faces the water must provide an ever changing inspiration to her spinning and knitting. When I entered Katharine was reclining in an overstuffed chair with ottoman, knitting away on a current project. Her large Rio Grande ‘sitting great wheel’ was nearby, and one of the first things she did was give me a demonstration on how it works!  I’ve always wondered how one could sit and spin at a great wheel, and after seeing Rachel Brown’s simple technique which Katherine does so well, I am awestruck by what a simple feat it is to change from spinning off the spindle to winding on without stopping the wheel.  Thank heaven for Rachel Brown! Katharine made it look utterly simple, but when she encouraged me to try it I quickly learned that I’d need several hours (or days!) to get the hang of it!Maine 8.7.10 033

 

 

 

 

 

 

Part of Katharine’s studio is a showcase for some of her work.  There was a display of knitted mantles arranged in a circle and exquisitely lighted called Ritual against Homelessness.  They were beautifully moving.  There was also a wire-knitted form on the wall that was wonderful. The form itself was interesting and was greatly enhanced by its shadow.  The combination of real form and shadow were terrific together.

katherinecobeyboat 
On leaving, Katharine handed me one of her postcards which is when I realized I knew of her!  I had seen Boat with Four Figures at the Portland Museum a few years back, but didn’t realize she was the artist!  I’m thrilled to have met her!  

>Making a list…

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The winter holidays always bring out the list-making, goal -oriented part of my personality.  Here is this year’s list of goals, all unrealistically slated to be accomplished during the week between Christmas and New Year!

1.  Texsolv tie-ups to be applied to my 60” Toika loom

2.  Choose pattern for napkins which will be woven as test samples for future tablecloth project on the Toika . Warp the loom!

2.  Taka dai to be made by Bob according to Rodrick’s plans.  Naturally I will be turning out my first braid within hours of the taka dai’s completion.

Taka Dai Rodrick

3. Dyeing with my avocado pit brew which has been steeping for almost 3 months now. This means spinning some white wool to dye.

4.  Weave the small test tapestry for the medieval spinner with the wonderful wools that have arrived from Renaissance Dyeing in France.

Jan. 10 009

Won’t I have a busy week!  And somehow I imagine myself sharing delicious meals with my visiting family, lounging on the sofa reading all the fiber magazines that never got opened during the course of this year, continuing to knit my handspun Fair Isle sweater project, and starting a new baby sweater for the upcoming Feb. birth.  Dec. 2009 006

I need a dose of reality!…but then dreaming is so much more fun!

>H1N1

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In the last 10 days of October I was on quite a roll, getting a lot of things done…weaving off a 16S network twill scarf, making progress on my current tapestry, knitting various things, and even spinning.  I felt unstoppable!….

Chloe sweater 001

“Shadow Baby” by Joan Somerville, using 2 shades of Tofutsies yarn. Check out the cute Gita Maria buttons! This sweater is for my new niece who will arrive in Dec!

Tapestry HRob progress 11.09

My biggest accomplishment this month was tackling the details on Rob’s face!  I’m at the halfway point of the cartoon, but have completed more than 50% of the difficult areas now. (Lots of ‘hand-holding’ from Soyoo Park to choose skin colors and to work three interlocking sections on five warps for Rob’s mouth!)

A few other things with no photos:  a pair of jaywalker socks where I tried to get the pattern part out of one ball of Regia Color Effekt, by using a solid color yarn for the cuff, heel, and toe.  Didn’t work!  I ran out of the Regia before I got to the toe, so part of the foot is done in solid color.  Bummer.  At least that won’t show when I have shoes on!

I’m also brewing another avocado pit dye.  This time I’m attempting patience, how novel!  Each time we eat an avocado I finely chop the pit and add it to the brew.  Every second or third day I heat the dyepot to a simmer for 30 minutes as per Carol Lee’s instructions.  She says this goes on for months before actually dyeing. It’s a luscious red!

Then, on the penultimate day of the month I began to malfunction…and by the end of the day I was in bed with the flu!  Seven days later I can barely get out of my own way.  I’ve lost momentum…. and I”m in a funk….

The last time I had the flu (12 years ago), I ran to my LYS and bought some lace weight merino (Grignasco?) and got in bed with a Eugene Buehler pattern from Knitter’s Magazine. This time I’d been eyeing the recently arrived box of Icelandic unspun yarn in six colors from Schoolhouse Press.  So I went to bed with my little laptop tuned in on Schoolhouse Press’s current shawl KAL by Maria Von Keppel.

Sleep, knit, drink tea…..sleep, knit, drink tea…. 4 days later:

schoolhouse press shawl KAL 10.09 003

I was able to get out of bed on the day I did the crochet loops.  I graduated to sitting in a chair!

>Safflower and Cochineal Shibori

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I may not get things done in a timely fashion, but it seems to me that I’m always juggling too many diverse things.  In the midst of my shibori ideas, I went sailing with my husband for five days over the Columbus holiday down in the Chesapeake.  I also got quite a bad cold which slowed me down…

So…back to shibori!

Oct.09Shirbori workshop 1

  My safflower dyed sock blank pleated and bound with four rubber bands, ready for the cochineal bath!

 

 

Oct.09Shibori workshop 3

The safflower dyed silk scarf ‘scrunched and wrapped around a soda bottle, ready for the cochineal bath…

 

 

 

 

Oct.09Shibori workshop 5

sock blank and wool/mohair skein after the cochineal bath.

 

 

 

Oct.09Shibori workshop 7

The finished items.  The silk scarf did not take the cochineal well.  It was not mordanted, which did not matter for the safflower, but certain must have for the cochineal. 

 Oct. shibori 003

Sock blank wound onto niddy-noddy, with silk scarf in background.

 

 

 

Oct. shibori 005

skein of doubled sock blank yarn!  I can’t wait to knit with this, but it might have to wait ‘til the near year, after all the holiday knitting is done!

 

Next step (someday!) will be to mordant the scarf, then stitch some designs, and re-dye it!  I don’t think I’ll hold my breath waiting to get it done!

>Safflower Update

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I finished the yellow dyeing of wool in the safflower bath.  Here is the sock blank and another small skein (50 gr) that I added later to hopefully use up the yellow pigment in this bath.Dyeing Safflower 10.09

Kathy asked me if, after dyeing, I would knit directly from the unraveled, ‘kinky’ yarn, or if I would re-wet the yarn to make it smooth again.  I have to admit that I hadn’t thought about this!  Now, since she’s brought it up, I believe I will try steaming the yarn after it has been skeined. Before I get to knitting, this sock blank will get folded and clamped and over-dyed for a shibori effect.

Unfortunately this photo does not do justice to the colors!  The sock blank is truly a complex blend of colors ranging from a creamy golden color, to soft oranges.  I love it!  The skein is a pale, creamy yellow, a delicate, soft color.

Today I have the silk scarf and a small piece of muslin in the bath which I’ve shifted to alkaline with the addition of soda ash.