Category Archives: tapestry

Precious Materials

Last week a friend of mine asked if I wanted to join her for the monthly meeting of the Westchester (NY) weaving guild.  They were having a guest speaker; she couldn’t remember whom.  She thought he was a tapestry weaver and a member of the “New York study group.”  I wracked my brain!  I should who this man is!…..but I didn’t!

So I went.  And of course I knew him when he arrived to speak.  It was Stanley Bulbach, who also happens to be a member of the Textile Study Group of New York. I’m so glad I took advantage of the opportunity to hear Stanley speak and to see a few of his rugs in person.

Stanley Bulbach

As many people may know, Stanley spins his own yarn.  I did not know that he does this on a homemade spinning wheel that is based on a bicycle wheel he upcycled for the purpose!  He spins yarn from Lincoln fleece, which is long and lustrous, and when he wants something other than the natural colors of this fleece he turns to natural dyes for additional color.  His rugs really glow, something you cannot imagine from a photograph  They are beautiful!

I know you can’t see his rugs well in these photos, and I’m sorry about that.  Trust me that my photographic ability wouldn’t do them justice anyway.

What I want to say about his rugs is that they have a presence.  Even if I didn’t know that he’d done all the fiber preparation by hand, that he’d created the yarns by hand, that he’d woven the rug entirely by hand…. I know I would still feel the presence of something extraordinary about them. …which leads me to the title I gave this post: there is something precious in the quality of work done by hand with precious materials.
 It shows.

He also spent a good deal of his presentation on the need for textile artists to better advocate for our chosen field.  Of course we do!  I am a perfect example of someone who has not recognized this facet of working in textiles, and since I am so ill equipped to cover this subject I’ll just pass you along to Stanley’s website.

(His photographs don’t do justice to his rugs either)…

Helena Hernmarck

A friend of mine invited me to visit Helena Hernmarck’s tapestry studio yesterday.  She had been introduced to Helena through her current tapestry mentor in the mentoring program of ATA (American Tapestry Alliance), and she invited me to join her!  Meeting Helena Hernmarck has been on my ‘list’ for at least a decade.  I have a few acquaintances in common with Helena, and I even used to live in the same town.  But none of these connections had panned out or paid off as the years went by.  Yesterday was pay dirt!

My first exposure to Helena’s work was seeing a photograph of her from what I think was the 19060s, standing in front of her large tapestry of Little Richard.  I was so impressed, but that quickly took a back seat to  the tapestries that came off her looms in later years.  When I bought her book a few years back I saw photographs of her recently completed studio in Ridgefield, CT.  I even knew the man who helped design it, and he promised to make an introduction for me…. Well, everything comes in its own time, doesn’t it?

Helena Hermarck's wall of tapestry wool

What a thrill to see this wall of color in person…. I was mermerized by it almost as much as by some of the tapestries hanging in Helena’s studio.  She has two upcoming exhibitions, one at the Textile Museum in Washington, DC, and one at the the textile museum in Minneapolis.

I have always been fascinated by the weft floats in her tapestries, due to the use of weave structures other than plain weave.  The floats not only give a texture to her work, but also such a saturation of color, making strong highlights and deep shadows.  So effective!  I struggle to convey light and shadow within plain weave…. it boggles my mind to think of also trying to place color with floats as well.  Ever since I’ve seen Helena’s work I have wanted to try this technique of weaving tapestry with structures other than plain weave.

In her current work she is using a double cloth structure that allows her to continue to have floats on the surface of the tapestry, so integral to her way of conveying imagery, along with with the ability to add some structural integrity to the back of her pieces by having a second layer with a weft that can add structural rigidity to the fabric.  By doing this her finished works hang flat against the wall!  Brilliant!

front of back of recent tapestry by Helena Hernmarck

I enjoyed her enthusiasm in telling us about her work, about the connections she’s made over the years.  She is on my very short list of weavers I’d love to study with!  There is a glimmer of hope that this could happen!  She hinted that she might need help winding on a large warp….. I’m there!

 

Reconnecting….weaving memories

This was a week when my dance card was over full, but how could I say no to so many wonderful opportunities?

My adult ed bobbin lace class has started again!  I am on the last third of the edging for some hand towels, so I guess I’d better get busy weaving the towels!  It’s wonderful to be back with these women again, who are very nurturing to me as a slow-learning beginner!

On Wednesday I rode with a friend up the Hudson River to Ghent, where she had arranged for us to have a one night farm stay at Kinderhook Farm, which is owned by old family friends and managed by two other friends.  I had no idea what a treat we were in for.  There are chickens with a delightful roosting house.  (I did not know chickens roosted up in rafters and on high perches).  There were lots of cows….I forgot to ask how many.  And there were over 200 sheep!

This is the renovated barn you stay in for the ‘farm stay.’  It has two generous bedrooms with sitting areas that look out the large barn doors at the fields of cows and sheep, and a large kitchen in the center that separates the two bedroom/sitting rooms.

When we arrived the wind was howling and we had to close the large folding barn doors and insert beams to hold them closed!

 

 

View from the farm stay barn

This is the view of the sheep grazing from the the barn where we planned to stay!

 

 

 

 

 

 

Shortly afterward Lee came to suggest that we stay in the guest room of the main house since the night temperature was expected to be in the low 30s.  We were disappointed to miss staying in this bucolic spot with its view of all the sheep grazing in the nearby fields….but in the middle of the night we were both very happy to be warm in the heated guest room!

 

 

 

 

 

Before going out to dinner we watched the managers and two helpers bring the sheep into the barn.  In fact, we helped herd the sheep toward the barn.  They have two guard dogs and a donkey, but no herding dogs.

 

Lee caught the two new babies for us to hold.  He wants them to get used to being handled, but they were definitely not used to it yet!  And the mother of the lamb I’m holding was not happy about it either!

 

 

 

The next day was my first Wednesday Group class in the new location right on the river in New Baltimore!  Archie and Susan have a beautiful, renovated historic house overlooking the river.  The enclosed porch which is now their studio is 40 feet long and has spectacular river views!  The Clearwater motored down river, right in front of us, in the afternoon! Susan has filled their new house with many of her antiques, there is a 2nd floor wrap around porch for sitting outside, and the grounds go right down to the river.  She will have a garden next year!

We drove home after my class on Thursday evening, and early Friday morning I headed out to Mendham for my 2-day workshop with Daryl Lancaster called “Weaving a Memory.”  It’s been a fun two days, using the Theo Moorman technique to inlay silk habotai strips that were first ink jet printed with our personal photos.  Daryl covered the Theo Moorman technique as well as photoshop manipulation of our images.  You always get more than you can conceive of in a workshop with Daryl!  I will write more on that next time!  Meanwhile, check out what she has to say

Impressions

 

Greenhouse Tank finished!

Camden Harbor and Mt. Battie through the stern of Pandora

 

Schooner "Appledore" with Camden's iconic steeple in background

 

pedestrian bridge of flowers in Camden

 

Camden Harbor from the top of Mt. Battie. "Pandora" is at the bottom of photo, closest to shore in second row from left of moored boats.

Camden Harbor and beyond from Mt. Battie

Seals on the beach...on our way to Buck's Harbor

sailing to Buck's Harbor with schooner "Mercantile"

Sailing with Herreschoff New York 30'. This is the boat I used in my tapestry of the Palisades on the Hudson River.

Friendship Sloop with schooner in background

Fodder for tapestry

 

Blue Heron at Seal Cove
Taking flight (startled by our approach)

In this cove the shallows are full of the shells of sea life eaten by the various birds fishing these waters.  We found a huge scallop shell, several large quohog shells and a razor clam shell, and endless mussel shells. Mussel shells are so beautiful with their range of iridescent  blues and purples! Looking through the water at the shells made me think this would be a wonderful tapestry, having some of the shells in sharp focus as seen through clear water, and others obscured by light reflected on water. Now, how to actually depict that!  I took several photos with a polaroid filter, but they all came out perfectly clear, as if there were no water at all!….

Then I happened to read Kathy Spoering’s post about taking the time to osbserve the natural world, to really look….through an artist’s eyes.   I definitely need more looking…

Coastal Living

I’ve been  living on the water for one week now.  The weather has been beautiful, the coastline of Maine stunning!  On the trip up Bob saw a whale and a big basking shark. Together we’ve seen seals, and lots of shore birds: egrets, herons, ospreys, storm petrels.  Yesterday I saw eider ducks for the first time!

During the first few days on board I finished this sweater which is a monstrous failure!

Plymouth yarn "Kudo" knitted into Plymouth's pattern 1977

So, what went wrong?  Well, maybe the yarn is just too bright for horizontal stripes?  …especially in larger sizes!  Although it was a very quick project to knit, no knitting project goes quickly enough not to feel a sharp pang of anxiety when it proves to be a failure!

Also, here is the photo on the pattern:

Plymouth Yarns #1977 for Kudo yarn

My biggest gripe is the look of the sleeves in the cover photo.  They are clearly 3/4 sleeves.  The pattern knits up as short sleeves.  The pattern does say that if you want shorter or longer sleeves you must adjust your stitch number to achieve this.  The pattern says that the stitches called for in the instructions will result in elbow length sleeves, but it does not say whether that includes the seed stitch border.  To me the sleeves in the cover are elbow length before the seed stitch border was added, so I presumed that the pattern photo showed the sweater knitted to the specifications in the basic pattern.  Wrong. The finsihed sweater looks decidedly dumpy with the short sleeves.  I tried the seed stitch border and didn’t like it.  So I ripped it out and tried a crocheted scallop, also dumpy, as the photo shows!  I cannot just do the sleeves over, making them longer, since the entire sweater is knit in one piece, from the bottom of the front all the way to the bottom of the back, increasing for the sleeves and working the neck as you go.  This would basically mean knitting the sweater again from almost the beginning.  A little note in the instructions saying that the sleeves in the photo had been lengthened would have helped immensely!  But still, I don’t know if I could carry off those bright horizontal stripes, so I’m not too enthusiastic about doing this sweater again anyway!

Paul's awesom mud oven in the shape of fish!

On a more positive note…. we went to a party on Bailey’s Island, as guests of guests. Our host Paul built a mud oven shaped like a fish with its mouth wide open to accept his culinary creations.  He made 32 pizzas that day!  Delightful combinations like pear and gorgonzola, eggplant and green salsa….even a couple of dessert pizzas with chocolate chunks, marmallows and strawberries!  I think there will be a mud oven in our future at home!

Bailey's Island granite cribstone bridge

 

 

 

 

 

 

 

 

This bridge is built Lincoln Log style out of granite pieces that are resting on each other, no pins or cement of any kind.  Amazing! It was originally in 1927-28 and a recent rebuild was just finished this year. According to local knowledge, there was only one other bridge like it in existence in the 20th century, and that was in Scotland.  That bridge was dismantled during WWII so currently the only cribstone bridge is this one on Bailey’s Island.  We were anchored right on the East side of it!

 

“Pandora” from our host’s gardens on Bailey’s Island
Lunch is ready!

As I write this we are leaving Cundy’s Harbor where we visited good friends with a lovely house and garden right on the harbor.  Their neighbor, a seasoned lobsterman, motored over to us in his boat Life After... while we were headed to the well known “Basin,” and he passed us four lobsters in a bucket!  We will feast tonight!

 


 


 


Wednesday Group Tapestry Retreat

The Wednesday Group held a 3-day tapestry retreat with Susan Martin Maffei and Archie Brennan at the end of April.  It was a wonderful workshop, an escape into the Catskills just outside Woodstock, NY, where we lived together at the secluded house of one of our members, sharing meals , working hard each day and sleeping ‘slumber party style’ each night.  We brought food to share, tapestries to critique, and lots of materials for weaving. Our hostess took great care of us with her fabulous cooking and generous hospitality.

First day lunch gathering

Betty Vera, who lives nearby, came to visit for lunch on the first day. She is half way down the table on the right side of photo.  Susan and Archie are at the far end.

We spent the three days reviewing tapestry techniques, mostly how to create smooth angles and revisiting the ‘stealing’ technique.  By the end we were all creating smooth curves with stealing.  I hope to write more on this shortly!  As a finale to the workshop, at our last dinner together we each brought a coin with our name taped to it and tossed it on to the generously full table of food. Now we will each create a small tapestry depicting whatever was within a short radius of our coin.  We spent the end of the workshop creating and practicing ideas for these small tapestries which might someday hang together as “Helen’s Buffet” or “Helen’s Feast” in honor of our hostess!

The highlight of the retreat was being able to buy the first copies of the long awaited DVD on tapestry techniques!  It is an 8-disc set that comes with a booklet.  Gary Benson and  Wed. Grouper Sarah Doyle have worked hard to complete this project. The DVD is in production now and should be available to everyone soon!

Brennan Maffei Tapestry DVD, 8-disc set

 

American Textile History Museum and ATB8

It was a beautiful weekend, although as cold as any day in Janurary, for visiting Lowell, Massachusetts to see the American Textile History Museum and the ATB8 exhibition on display there.

ATB8 is as good as I’d imagined!  I had edited the catalog so I’d seen large digital files of all the pieces, but there really is nothing like the real thing!  What amazing work!  It felt wonderful to see the works of a number of my weaving friends, and to see close up some of the pieces from weavers I do not know at all.  I came away so inspired to think about design and technique in new ways!

Bob and I walked along the canal and the trolley rails, where many of the mills have been turned into residences. There is even residential space available above the textile museum! The canals come off of the Merrimack River and supplied the mills with power.  I wish there had been time to see some of the residential spaces offered.  I’ve always wanted to live in a loft!

Booton Cotton Mill now open as museum and residences

 


 

petting the sheep!

Trolley station, Lowell

garden dress with lace inserts

"S" silhouette garden dress, cotton with lace inserts

Lace blouse, Arts and Crafts embroidery, tatted initials

Lace blouse detail

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Inspiration

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I just watched this video three times.  The woven image is beautiful and the filming is so well done.  Marvelous! It makes me want to get my big Shannock warped!

A Winter Haiku by Charles de Lint

You can’t trust the sun
this time of year; it’s bright light
holds a bitter cold

Jan 2011 Shinn  Vineyard view 043

 

 

 

 

 

 

 

 

A scene from our recent trip to the vineyards on the North Fork of Long Island.  We missed getting any photographs in sun, although it was sunny during part of our stay.  I have an image in my head of rows of dark vines casting clear blue shadow patterns on the brilliantly sunlit snow . 

Feb 2011 snow 007

Ice on my “Harry Lauder’s Walking Stick.”

Tapestry in the Depths of Winter

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A friend of mine pointed out to me today that I have not posted a photo of my finished “Medieval Spinner.”  I was certain I had….

So here she is….The Flax Spinner

Actually, I haven’t spent any time weaving tapestry for the past couple of months.  I have been decidedly ‘under the weather.’ 

Today I had to miss my class with Archie and Susan due having quite a bad cough left over from my recent bout with the flu.

 

 

 

 

 

pears tapestry jan 2011 001

So I spent some time working on an unfinished tapestry and making plans for my next tapestry warp.

I have to admit I am pretty intimidated by my never-used Shannock loom.  The heddles need to be re-made, and I’m not sure I can figure that out.  I know I can use the loom without the heddles, but….

 

 

If I can conquer my fears, maybe I can get the full sized Medieval spinner warped this weekend.

pears tapestry jan 2011 002

 

Can you see her? I can just barely see her if I ‘bigify.’