Category Archives: inspiration

Waiting for March

Hasn’t it been a long winter?  In many ways beautiful, and in some ways lllooonnnngggg…  I know I will better appreciate the spring when if comes!

So….no images of snow here!  Just a few things that define my February.

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Threaded and ready to begin a boundweave wall hanging on my wonderful hand-me-down Toika.

 

 

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My 2-yr. old camellia blooming for the first time!  A wonderful pink for these grey/white days.  It’s called “Kramer’s Delight” and it is delighting me!

 

 

 

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A frequent visitor to our woods, but my first success at catching him on film! (Actually, my husband’s success, not mine.)

 

 

 

Beading RAW crystals (1)A newly finished bracelet. Two rows of Right angle weave  attached, beginning to end, to form a closed ring, then crystals are added.  You can tell I was thinking of spring when I chose these colors!

Inspiration

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I just watched this video three times.  The woven image is beautiful and the filming is so well done.  Marvelous! It makes me want to get my big Shannock warped!

A Winter Haiku by Charles de Lint

You can’t trust the sun
this time of year; it’s bright light
holds a bitter cold

Jan 2011 Shinn  Vineyard view 043

 

 

 

 

 

 

 

 

A scene from our recent trip to the vineyards on the North Fork of Long Island.  We missed getting any photographs in sun, although it was sunny during part of our stay.  I have an image in my head of rows of dark vines casting clear blue shadow patterns on the brilliantly sunlit snow . 

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Ice on my “Harry Lauder’s Walking Stick.”

>Scrapbook of Maine

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The weeks are passing, in some ways quickly, in others rather slowly, and I’ve now been on board our boat Pandora for a full month as of yesterday!  This is the longest I’ve ever been on a boat.  Here are some images from my month in Maine.

Maine 8.21.10 019 Day schooner that sails out of Camden

 

 

 

 

Maine 8.21.10 045 Along the Fox Island Thoroughfare, between North Haven and Vinalhaven.

 

 

 

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Herreschoff 12 1/2 (means the water line is 12.5 feet),  well known wooden gaff rigged sloop from the early 20th c. designed by Nathaniel Herreshoff, “the wizard of Bristol” (RI).

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Bass Island lighthouse, southern most tip of Mt. Desert Island.  This is the most photographed lighthouse in Maine!

 

 

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Our boat, Pandora, is in the center of this photo, taken from the lookout on the way up to Thuya Gardens in Northeast Harbor, on Mt. Desert Island.

 

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Thuya Gardens, designed by Charles K. Savage.

 

 

 

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Thuya Gardens

 

 

 

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The reflecting pond at Thuya Gardens

 

 

 

 

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Bee house at Thuya Gardens.  Bob took this photo for me so I could remind him to make one for our garden!

 

 

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The fog bank rolling into Southwest Harbor on Mt. Desert Island.

 

 

 

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The fog bank coming into the harbor and boats rapidly disappearing!

 

 

 

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The rapidly ebbing tide near Blue Hill.  This type of rushing tidal current is called a reversing waterfall.  This is supposedly the biggest reversing falls in Maine.

 

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Reversing falls near Blue Hill.

 

 

 

 

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Morning mist on our friend’s 100 yr. old lobster boat in Oven’s Mouth on the Sheepscot River.

 

 

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Osprey nest.

>Maine Fiber Arts Studios Day 2

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My second day of studio/farm visits was just as fun as the first!  Maine seems to be a great place for inspiration and creativity.  I’m so impressed with the places I’ve visited the past two years.  If I lived here I really enjoy having more exposure to these creative people!

Hope Spinnery:  How lucky for me to finally visit this mill that I’ve heard about for years!  It’s in a secluded spot just inland from Lincolnville, nestled in the woods with a rambling garden surrounding the mill.  The upper floor is a wonderful showroom, while the mill equipment is on the lower floor.  I did not get to meet Bill Huntington who runs the mill since he was off-site teaching a workshop. His mother was on hand to welcome visitors and answer questions.

hope spinnery bldg

In the showroom I enjoyed looking at the rovings and yarns, all colored with natural dyes.  Stunning! 

 

Weaving a Life: Susan Barrett Merrill  Another gem of a studio, hidden in a lovely secluded spot!  Susan is an artist worth knowing!  I must find a way to bring her to NY/NJ so others can experience her charisma and her artistic ideas about weaving and community!

She does amazing things will pulled warp tapestry, creating these marvelous masks.  Maine 8.7.10 011

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Some of the masks have an entire community of figures surrounding the mask, and are fascinating creations in themselves!  Susan’s ideas and her active involvement in bringing weaving into everyone’s life and managing community weaving projects is very exciting!  She generously gave me a copy of her book, Zati: the Art of Weaving a Life, and I am so touched by it. 

Susan has accomplished quite a lot toward her goal of bringing weaving into communities through making Journey looms we’ve all seen in recent issues of weaving magazines as well as writing this book and making several DVDs.  Somehow she still finds time for doing her own weaving and creating these incredible masks.  Maine 8.7.10 021
Her method of weaving ancient pictographs or keyforms is the core to her philosophy about understanding our own journey and inter-connectedness.

I hope I can bring her to NJ to share her knowledge and creativity with weavers from my own community!

>Maine Fiber Artists’ Open Studios

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Well, it’s another beautiful summer in Maine, and I’m so lucky to visit other amazing fiber farmers and fiber artists’ studios!

This year’s plan was a bit more involved than previous years, and it was a fun adventure!  My husband wanted to attend a rendevous for the Seven Seas Cruising Association on Islesboro so we worked out a plan to take the ferry to Lincolnville on two of the weekend mornings.  The first morning we hitchhiked partway and got a cab partway to get back to our car in Rockland.  Then, at the end of the day, I left the car at the ferry terminal so it would be handy for our second day of sightseeing.

This is the eating area of the snack bar at the ferry terminal on Islesboro.  It’s about 7am, and the fog bank is rolling away to reveal the Camden Hills and the beautiful day ahead!Maine 8.7.10 002 It took two hours from the time the ferry left ‘til we had our car, although the ferry ride was only 20 minutes!  We also got picked up hitchhiking a lot faster than when we waited for the cab in downtown Camden!

Day one of fiber sightseeing included Eolian Farm where no one was home, too bad for me!

These photos were taken outside Swans Island Blankets on Rte. 1, just outside of Lincolnville.  What a stunning 18th century farmhouse they use for their showroom! Maine 8.7.10 003We saw the looms as well as the dyeing room.

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Two Sons Alpaca Farm in Damariscotta was the farm highlight of the weekend for me!  Owner Ricki Waltz was very happy to talk about her animals to us, a fascinating blend of alpaca husbandry and tales of the various personalities in her herd.  The babies were adorable and had quite distinct personalities right from the start!

Timberdoodle 2 (alas! no website!) is a lovely studio overlooking the water near Cushing.  It’s a tiny, perfectly appointed showcase of Kathryn Woodstock-Lynn’s lace spinning and knitting!  Using traditional Shetland techniques, learned from such venerated knitters as Gladys Almedro, Sharon Miller and others, she knits lace shawls and wraps of her own design.  Her spinning is exquisite and so is her dyeing!  There were two large hatboxes of yarns for sale, each with enough to make either a shawl or a scarf.  One box held natural colored yarn, the other was full of her hand dyed creations.  She blends acid dyes into a stunning array of colors.  I dearly wanted a ‘red’ but did not have the pocketbook for it this summer.  I did buy a Shetland/Oxford mix dyed an indescribable mix of pink/lavender/tan ….just a small ball that will make a lovely scarf.

Katharine CobeyWhen I entered this studio I instinctively knew that I was in the presence of an artist, and that her studio was probably going to be the highlight of all our travels this summer!  Her studio and its setting along the water is as artistic as Katharine herself.  The wall of glass that faces the water must provide an ever changing inspiration to her spinning and knitting. When I entered Katharine was reclining in an overstuffed chair with ottoman, knitting away on a current project. Her large Rio Grande ‘sitting great wheel’ was nearby, and one of the first things she did was give me a demonstration on how it works!  I’ve always wondered how one could sit and spin at a great wheel, and after seeing Rachel Brown’s simple technique which Katherine does so well, I am awestruck by what a simple feat it is to change from spinning off the spindle to winding on without stopping the wheel.  Thank heaven for Rachel Brown! Katharine made it look utterly simple, but when she encouraged me to try it I quickly learned that I’d need several hours (or days!) to get the hang of it!Maine 8.7.10 033

 

 

 

 

 

 

Part of Katharine’s studio is a showcase for some of her work.  There was a display of knitted mantles arranged in a circle and exquisitely lighted called Ritual against Homelessness.  They were beautifully moving.  There was also a wire-knitted form on the wall that was wonderful. The form itself was interesting and was greatly enhanced by its shadow.  The combination of real form and shadow were terrific together.

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On leaving, Katharine handed me one of her postcards which is when I realized I knew of her!  I had seen Boat with Four Figures at the Portland Museum a few years back, but didn’t realize she was the artist!  I’m thrilled to have met her!  

>Where will you weave this summer?

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Yikes!….I wrote this two weeks ago and somehow didn’t post it….

A successful few days of weaving while on board our sailboat, Pandora, has me thinking about where other weavers work during their travels.  What comes to mind first is a wonderful travelogue tapestry by Susan Martin Maffei that chronicles a train trip she took from New York westward across the country.  It’s a multi-panel work with 2” x 2” tiny tapestries mounted on the panels, depicting the landmarks and landscapes of her trip. Susan has also brought small copper pipe looms on airplanes and woven while in flight!

I imagine many weavers must bring looms on vacation (floor and table looms as well as frame looms for tapestry), and I’d like to know where you will be weaving this summer!  If you read this, please consider leaving a comment of where you plan to weave while you are away from home!  I’d like to picture all the wonderful places where weavers will be working on their projects.  I might make a map (if I can figure out how!) showing all the vacation weaving places I hear about.  Or if you plan to blog about your summer weaving, send me a link! 

I have just returned home this morning from a trip along the Chesapeake.  It started in Williamsburg (by car!) with a visit to my parents and some friends, and ended with a week of sailing in the Chesapeake.  For my part in this summer weaving list, I can say that I worked on my current tapestry in St. Michael’s harbor, Maryland, and at a lovely anchorage off Gibson Island in the Magothy River, also Maryland.

St. Michaels harbor

St. Michaels harbor on the eastern shore of Maryland.

>A Weaver’s Legacy

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An amazing turn of events last week brought three weavers together after three years…

About three years ago, a good friend of mine died from complications related to breast cancer.  She was a very artistic woman, someone I admired.  She wore her handwoven clothes with enviable flair, and she knew how to accessorize.  When she could no longer sit at the loom she continued to knit accessories that were as striking as her woven items.Bonney Ford crop

(Well, this is not the best photo to demonstrate Bonney’s fashion flair, but do notice the t-shirt on the sheep                commemorates National Spinners and Weavers week!)

 

Her daughters held a sale before selling her house, and I got some precious items which always make me think fondly of Bonney’s friendship.  I have two shirts, commerically made, that look deceptively handwoven, a sterling jewelry pin of a castle-style spinning wheel, and Bonney’s 8S  Baby Wolf.

When I got the loom it had samples on it, lovely samples of what looked to me like a ‘Sharon Alderman’ fabric.  There were several small samples, separated by unwoven warp.  The warp looked like 20/2 mercerized cotton in a medium grey.  The weft was the same size cotton in ‘rust’ or ‘burnt sienna.’  The color difference between the warp and weft made a lovely iridescence in the fabric, giving the finished cloth the look of silk.Ruby Leslie workshop 042010 044

 

 

 

 

 

 

 

 

I thought of weaving off the rest of the warp, but when I went searching for what the treadling might be I did not find this pattern. Also, I did not have the weft.  Eventually I cut the fabric off the loom so that I could warp it for a weaving workshop.  I thought I might serge the fabric samples and give one to each of Bonney’s good friends in my guild, keeping one for myself.

But I never did it.  The fabric has lain on top of my serger now for three years….

During these three years my path has occasionally crossed the path of another New Jersey weaver from the Jockey Hollow Guild.  I heard her name numerous times through mutual acquaintances, and I finally met her during her guild’s holiday sale last December. 

Last week when I had again warped this loom in readiness for a weaving workshop from the Jockey Hollow Guild, Sally was the organizer, so our paths crossed again. 

At one point during the workshop Sally offered to tweak my loom into better working condition.  I mentioned that this loom had belonged to a good friend who had left this life.  I asked if she had ever known Bonney, who had on occasion attended meetings at Jockey Hollow.

Well, Sally did know Bonney. In fact, some time before Bonney’s final days, Sally had visited her to weave off some samples that were part of an exchange (indeed, a Sharon Alderman design). Shortly after that visit Bonney died, and Sally did not know what became of the samples or of  Bonney’s loom.  The participants in that exchange never got the samples.

Isn’t it interesting that I had wanted to give those samples to some of Bonney’s friends, but I just never could bring myself to cut them apart and serge the ends?…. and equally interesting that I kept hearing about Sally from a couple of friends.  I, too, had visited some meetings of Sally’s guild, but I did not met her until recently….  And it is interesting that we did not get to the subject of Bonney and her loom on our first meeting, but obviously it was meant to come about at some point.

I think Bonney knew it would happen, all in good time, and I think she smiled when it finally did.  I will miss seeing the yardage in my studio, but I’m immensely happy that it will go to the recipients who were always meant to have it.  It’s a lovely length of finely woven cloth.  Good weaving endures, friendship endures.  It’s all good.

>Making a list…

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The winter holidays always bring out the list-making, goal -oriented part of my personality.  Here is this year’s list of goals, all unrealistically slated to be accomplished during the week between Christmas and New Year!

1.  Texsolv tie-ups to be applied to my 60” Toika loom

2.  Choose pattern for napkins which will be woven as test samples for future tablecloth project on the Toika . Warp the loom!

2.  Taka dai to be made by Bob according to Rodrick’s plans.  Naturally I will be turning out my first braid within hours of the taka dai’s completion.

Taka Dai Rodrick

3. Dyeing with my avocado pit brew which has been steeping for almost 3 months now. This means spinning some white wool to dye.

4.  Weave the small test tapestry for the medieval spinner with the wonderful wools that have arrived from Renaissance Dyeing in France.

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Won’t I have a busy week!  And somehow I imagine myself sharing delicious meals with my visiting family, lounging on the sofa reading all the fiber magazines that never got opened during the course of this year, continuing to knit my handspun Fair Isle sweater project, and starting a new baby sweater for the upcoming Feb. birth.  Dec. 2009 006

I need a dose of reality!…but then dreaming is so much more fun!

>Ah, December…

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It seems every holiday is balanced with a share of grief.  Perhaps winter celebrations were established to balance our sufferings through these dark months.

This is a study for a larger tapestry I still haven’t made.  The bigger idea is not ready yet, but at the time of the study I made a list of mothers I know who had lost their children.  I just added one more name to that list.

Detail of Life 18 x 8 And yesterday I found this poem mixed in with my cache of knitting patterns:

What the Living Do

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called.  This is the everyday we spoke of.
It’s winter again: the sky’s a deep headstrong blue, and the sunlight pours though

the open living room windows because the heat’s on too high in here, and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking:  This is what the living do.  And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush:  This is it.
Parking.  Slamming the car door shut in the cold.  What you called that yearning.

What you finally gave up.  We want the spring to come and the winter to pass.  We want
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living.  I remember you.

Marie Howe

I promise to be more upbeat for the rest of the month…

>Soul Collage

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A friend of mine invited me to join her at a one-day workshop on Soul Collage which I had not heard of.  I thought that learning some collage techniques might help my tapestry design, so I was looking forward to the workshop.

The collage class ended up being much more than I expected!  It’s a way to get in touch with many of our deepest, strongest, sometimes unrealized feelings…and how great is that for creating art?  The collage techniques were nothing compared to tapping into such deep seated emotions and powerful core beliefs.  I’m so glad I participated in this!…although by the time  left I had a massive headache! (I still seem to wilt every afternoon with aches, headache, nausea and exhaustion…what a flu!)

Soul Collage Earth Wisdom

This is an image of someone else’s collage posted on the website.  Many of them are quite powerful.  I wanted to post one of mine, but my scanner refuses to scan right now.  It’s making a lot of noise and giving me error messages!  Hmmph!