Category Archives: weaving

Tick, Tick, Tick….

Isn’t this mid-August weather glorious?  It’s hard to choose between being outside and being in the studio.  With only three weeks left until my long voyage, I have to choose being in the studio!

Tackling My Toika

In spite of that pep talk from my son, in spite of Su Butler’s excellent website with extensive information, including photos (!) about tying up a Toika, and in spite of perusing every forum post about Toikas I could find on Weavolution, I could not get my loom to work.  When I opened a shed I had such a jumble of threads at differing heights, there was no way to throw a shuttle! And I won’t even mention how hard it was to depress the treadles.

This is a warp I made somewhat over a year ago, before I knew for certain that we’d be moving.  As soon as we decided to put our house on the market, the real estate agent we used insisted that I take this loom apart and put it in storage.  She thought my studio would show well as a second family room.  We rented a storage unit and I put both the Toika and my 40″ AVL in it, not to mention lots of other studio equipment.

The project I have on the Toika is 8 shaft boundweave threaded in rosepath at 10 epi.  I’ve used some precious tapestry warp that is hard to get these days, and I put on about 6 yards, 24″ wide to make several boundweave wall hangings.  I’m envisioning a little story board of my family.  For me I have charted out a floor loom, a castle style spinning wheel, a drop spindle, various garden flowers, and maybe a bucket for dye!  For my husband I’ve charted a boat, and anchor, and a car.  My head is brimming with ideas to include our two sons, along with various cats and dogs…. and yet…. I could not get the loom to work.

Today I came close to tears.  It wasn’t pretty….  I became obsessed with talking directly Su Butler because I believed that she was the only person left in the world who could sort this out for me.  Either she had some advice or it was time to get rid of this loom.  Shame faced, I sent her an email.  Within moments she wrote back and recommended we talk on the phone.  Hallelujah!

My Toika works like a dream now! What a relief….

So, what did I do wrong?  Well, first (and probably most importantly) the distance between the bottom of the shafts, the top lamms, bottom lamms and treadles should be about the same.  Not knowing exactly what that meant I had them within 2″ of the same distance apart.  Su said I needed to get all these within a 1/2″ of the same distance.  Bingo!  The other dilemma was my treadle height.  Doing it as described on her website didn’t give me the necessary position when the locking pins were removed. My treadles ended up slanting upwards toward the bench, and that was no fun for trying to depress them!  She was familiar with this little quirk on some looms and explained to me what to do.  Now everything is in great working order!

So, these are not the best looking trees by any stretch….but the loom is working well, and I don’t mind working on my little graphed charts to improve the image.  I’ll give it another go shortly.

8 am next morning…. I have better trees!

I was compensating for my graph paper squares too much in my first attempt and therefore elongating the trees too much.  Now I think I’ve got it!  So I will weave a header and begin the first actual wall hanging!  Can you imagine me doing a happy dance around the loom??….punching the air!  Yippee!

Better looking trees shortly….

Change

We are stumbling closer and closer to our move to Connecticut.  We have a buyer for our house in New Jersey, and we’ve committed to a house in Connecticut…..but getting everything to fall into place so everyone involved can move on has been a bit difficult.  It looks like we will be en route to our new home by the middle of next week!  We have been rattling around in our empty, echoing house for a few weeks now.  It doesn’t feel like our home anymore, so it’s time to move on….

We packed my last loom over the weekend.  I probably should have taken some photographs!…but it was too stressful.  I had the strong impression that one of us was going to end up in the ER, so grabbing the camera just didn’t happen.  This last loom is my big Toika, and it had a warp of cotton seine twine on it for a boundweave project.  My dear friend and experienced Toika weaver, Sister Bianca recommended leaving the warp on the loom.

Sr. Bianca advised me to take the beater, the harnesses, and the jacks from the top of the loom, and wrap them all together around the warp beam.  It was a brilliant suggestion!….

….executing it was not so brilliant….. imagine cutting the warp from the front apron and taking the reed out of the beater.  While trying to keep that from flopping about, I then tried to hold all the jacks in place while my husband tried to disconnect the jack-holding frame from the large side frames of the loom.  Where was our 3rd set of hands for this job???  Certainly no extra hands for photos…  At one point I thought the jack frame would surely hit one of us on the head, necessitating a hospital visit, and possibly necessitating a long recovery from head injuries (if not worse).  My husband was not amused at my conjectures.  I wanted to take a ‘time out’ to plan a strategy; he just wanted to get it over with!  Typical male/female disagreement, I believe!

I’m happy to report that there was no loss of life…..or even loss of consciousness!  But I don’t want to do that again any time soon.  If there is to be a next time, I must remember to get more detailed information on how to accomplish this! Advise welcome!

With my looms packed, I have turned to more portable projects.  (Hey, who am I kidding?….I haven’t actually woven in several months, just knowing that I was going to have to pack up those looms.)  Have you seen the swing knitting projects on Ravelry? Amazing!  I’m intrigued…

I did buy the workshop download for learning this technique, but I didn’t want wristlets, or a hat, or socks.  I wanted a jacket!  So I jumped in the deep end of the pool, and really, this technique is not difficult to understand.  There is no reason to do a little project if you really want the big one!  This jacket, designed by Heidrun Leigmann, requires four sections just like this one which I finished a few days ago:

Swing Knitted Jacket by Heidrun Leigmann

As you can see, it is a mitered square with short rows to create the curving elements.  The yarn called for is Noro’s “Flower Bed,” which I cannot find here in the US.  Since it is roughly sock weight yarn, and since I love the weight and bounce of Shetland, I have chosen to use a Shetland-like yarn by  Kauni in a long colorway that runs through the entire spectrum.  Is it too colorful??  Probably.  Do I have the guts to wear something this blinding?  …not sure… but I am enjoying knitting it!  Can I really knit four of these sections without losing motivation?  …not sure of that either!

In other facets of life, when not packing, I have made another “Blooming Gardens” crystal bracelet, along with matching earrings and even a small pendant.  The purple one is for my sister’s very belated birthday.

And lastly, I finished the Nantucket basket that I want to give as a wedding present to a dear friend’s daughter.  It’s only three months late…. that’s actually quite good for me! Now I’d like to make one for each of my own kids!

 

Recharge

Life has been pretty stressful for the past 8 months.  My blog is a place where I try to put my daily, non-fiber obligations behind me, but all those obligations have basically taken over my life these past few months so it’s been hard to feel connected here, especially when I’m avoiding talking about these obligations!

Thankfully, this is a time a year when I recharge my enthusiasm, my commitment, my passion for weaving, knitting, spinning, dyeing.  My wonderful family and friends have encouraged a rekindling of fiber energy by giving me some empowering gifts!

‘Warped 2 Weave’…..exactly the message I need to get me back on track!  My son ‘painted’ these sneakers for me with colored pens.  He says if I keep him supplied with shoes he’ll keep making them!

Finally!  A way to organize my circular needles!  Some Tofootsie sock yarn to knit while drinking my favorite morning beverage in this adorable sheep mug.

This sheep mug is from Herdy.  I’m in love…..
Their website has a creative video of escaping sheep that showcases their products.

Time to get busy!

Another tale of the Spider Silk brocade panel

Weaving with Spider Silk

 

This amazing handwoven panel made entirely from the Golden Orb spider’s silk has moved to Chicago, and they have done a more thorough video of what went into this stunning textile.  I saw it last fall at the Museum of Natural History in NY.  I can’t tell you how badly I wanted to reach out and touch it!  ….not possible since it was covered by a plexi panel!

 

 

Here is the 10 minute video:

Coastal Living

I’ve been  living on the water for one week now.  The weather has been beautiful, the coastline of Maine stunning!  On the trip up Bob saw a whale and a big basking shark. Together we’ve seen seals, and lots of shore birds: egrets, herons, ospreys, storm petrels.  Yesterday I saw eider ducks for the first time!

During the first few days on board I finished this sweater which is a monstrous failure!

Plymouth yarn "Kudo" knitted into Plymouth's pattern 1977

So, what went wrong?  Well, maybe the yarn is just too bright for horizontal stripes?  …especially in larger sizes!  Although it was a very quick project to knit, no knitting project goes quickly enough not to feel a sharp pang of anxiety when it proves to be a failure!

Also, here is the photo on the pattern:

Plymouth Yarns #1977 for Kudo yarn

My biggest gripe is the look of the sleeves in the cover photo.  They are clearly 3/4 sleeves.  The pattern knits up as short sleeves.  The pattern does say that if you want shorter or longer sleeves you must adjust your stitch number to achieve this.  The pattern says that the stitches called for in the instructions will result in elbow length sleeves, but it does not say whether that includes the seed stitch border.  To me the sleeves in the cover are elbow length before the seed stitch border was added, so I presumed that the pattern photo showed the sweater knitted to the specifications in the basic pattern.  Wrong. The finsihed sweater looks decidedly dumpy with the short sleeves.  I tried the seed stitch border and didn’t like it.  So I ripped it out and tried a crocheted scallop, also dumpy, as the photo shows!  I cannot just do the sleeves over, making them longer, since the entire sweater is knit in one piece, from the bottom of the front all the way to the bottom of the back, increasing for the sleeves and working the neck as you go.  This would basically mean knitting the sweater again from almost the beginning.  A little note in the instructions saying that the sleeves in the photo had been lengthened would have helped immensely!  But still, I don’t know if I could carry off those bright horizontal stripes, so I’m not too enthusiastic about doing this sweater again anyway!

Paul's awesom mud oven in the shape of fish!

On a more positive note…. we went to a party on Bailey’s Island, as guests of guests. Our host Paul built a mud oven shaped like a fish with its mouth wide open to accept his culinary creations.  He made 32 pizzas that day!  Delightful combinations like pear and gorgonzola, eggplant and green salsa….even a couple of dessert pizzas with chocolate chunks, marmallows and strawberries!  I think there will be a mud oven in our future at home!

Bailey's Island granite cribstone bridge

 

 

 

 

 

 

 

 

This bridge is built Lincoln Log style out of granite pieces that are resting on each other, no pins or cement of any kind.  Amazing! It was originally in 1927-28 and a recent rebuild was just finished this year. According to local knowledge, there was only one other bridge like it in existence in the 20th century, and that was in Scotland.  That bridge was dismantled during WWII so currently the only cribstone bridge is this one on Bailey’s Island.  We were anchored right on the East side of it!

 

“Pandora” from our host’s gardens on Bailey’s Island
Lunch is ready!

As I write this we are leaving Cundy’s Harbor where we visited good friends with a lovely house and garden right on the harbor.  Their neighbor, a seasoned lobsterman, motored over to us in his boat Life After... while we were headed to the well known “Basin,” and he passed us four lobsters in a bucket!  We will feast tonight!

 


 


 


Handwoven Home

…or home away from home.  My husband and I spend some weeks every summer sailing on board our sailboat Pandora.  This year, just weeks before we moved on board I spent a week at Becky’s Vavstuga taking her Vavstuga Basics class.  This is an absolute prerequisite for any of her other classes, her way of making sure that students have the same basic training before moving on to her more specific classes. This session’s basic class had five projects: a false damask small table square, a small (30″ x 30″) tablecloth, a dishtowel, a bathmat, and a blanket.  I decided that all these projects, except the bathmat, would be used on Pandora!

one of the small tablecloths

one of two dishtowel warps

second dish towel with blue blanket in background

 

 

 

 

 

Student Susan sleying reed for Blue blanket

Ilona working on the green blanket

 

The block weave project

The bathmat project

Andi and Patti working together

Andi and Patti working together

Becky Ashenden’s lovely studio and student residence is furnished entirely in Swedish style (mostly from IKEA) with her handwovens adorning every horizontal surface as well as all the windows!  The whole place could be a scene from a Carl Larsson painting. In our bedrooms we each had a handwoven coverlet for our bed and handwoven curtains.  In the main sitting room/dining room/kitchenette, there were wool blankets on the backs of the comfy chairs, a tablecloth on the side table in the sitting area, and curtains on the windows.  All the curtains had handwoven tapes as tie-backs.  We had breakfast each morning up in the residence dining room.  Breakfast was made and delivered by Susan (Becky’s business partner), who brought up a different tablecloth each morning, while wearing a matching apron.  I have a new appreciation for aprons!

 

Breakfast with one of many handwoven tablecloths!

Class started each morning at 9am after breakfast at 8.  Monday we made color wrappings for dishtowels and chose the two designs we liked best.  Then we began warping for them and also making the warps for the other projects.  By the afternoon we were putting the warps on the looms.  I will put details of Becky’s Swedish warping techniques on the weaving page.  At 11am each day we gathered at a large table in the studio for drafting exercises.  All of us except one student were experienced weavers.  Some of us had been weaving for decades, and one student had even spent a year at a Swedish handcraft school just like the one where Becky herself had studied.  Still, making drafts by hand on graph paper was a useful exercise for all of us!

The studio lights went off promptly at noon signalling lunch.  There was one hour to enjoy an amazing lunch with lots of choices served smorgasbord-style.  The class information stated that while Becky could not accommodate specific diets, most people on restricted diets could still get plenty to eat.  It was true!  Each lunch included a platter of raw vegetables, like radish and cucumber, a green salad, a cheese tray, a basket of crackers, a basket of Susan’s still-warm homemade bread, a plate of sliced deli meats and various dishes that were freshly made for that day’s lunch.  These main courses included shrimp/fennel salad one day, a wheat berry salad with vegetable and dried fruit another day.  It was a feast!

 

The dining room table set for lunch

Dinner always included the same assortment of platters holding cheeses, raw veggies, sliced meats, etc.  And there would also be a hot main course.  There was another loaf of Susan’s delicious bread.  We loved it so much that we demanded a photo of her with bread before she sliced it!  Becky made a fresh dessert each day to serve after dinner.

 

Susan with her homemade bread, wearing a handwoven apron

The studio re-opened at 1pm each day, so after lunch there was time for a short walk or for perusing the extensive library of weaving books….or shopping in the retail section of Vavstuga!  We re-gathered at the table at 3pm each afternoon for another session of instruction which included looking at innumerable handwoven items.  I have never seen so many handwoven items in one location. It was exhilarating!

 

Afternoon class examining some of Becky's handwoven tablecloths

Dinner was at 6pm each evening, and again the studio lights were turned off to bring us all to the table together. The studio re-opened from 7.30 -9 pm for evening weaving.

Gathering at the table

Our days had a definite rhythm because of Becky and Susan’s hard work and organization.  After working together to warp four of the five projects, we were all weaving by Wednesday morning. We warped each project in groups of two which made beaming, threading and sleying a breeze.  It is really quite enjoyable to warp with another person (and I’m someone who loves the warping process and looks forward to that time alone!).  I want to see if I can institute a warping group when I return home in late summer.

 

Warping mill with view of the Deerfield River

Each day Becky wore a handwoven dress, and we all enjoyed hearing the plans for her summer solstice wedding, including her handwoven fabric design for her wedding dress.  She was to be married just a week after our class ended, and I hope there will be photos on her site when she returns!  While we did not get to see the dress, we saw the fabric leftovers after the pattern pieces were cut….stunning!

Becky’s studio sits at the entrance to the Bridge of Flowers which is an incredible place in mid-June.

 

Bridge of Flowers

 

Students' work on Friday afternoon

The class with our finished projects!

Susan and Becky

So…..back to Pandora and my handwoven home on the water…..

 

False Damask table square on cockpit table
Handwoven tablecloth and blanket from my week at Vavstuga

Ooops! I think I left the hand towel at home, and the bathmat was made for our upstairs guest bathroom.

 

 

 

Wednesday Group Tapestry Retreat

The Wednesday Group held a 3-day tapestry retreat with Susan Martin Maffei and Archie Brennan at the end of April.  It was a wonderful workshop, an escape into the Catskills just outside Woodstock, NY, where we lived together at the secluded house of one of our members, sharing meals , working hard each day and sleeping ‘slumber party style’ each night.  We brought food to share, tapestries to critique, and lots of materials for weaving. Our hostess took great care of us with her fabulous cooking and generous hospitality.

First day lunch gathering

Betty Vera, who lives nearby, came to visit for lunch on the first day. She is half way down the table on the right side of photo.  Susan and Archie are at the far end.

We spent the three days reviewing tapestry techniques, mostly how to create smooth angles and revisiting the ‘stealing’ technique.  By the end we were all creating smooth curves with stealing.  I hope to write more on this shortly!  As a finale to the workshop, at our last dinner together we each brought a coin with our name taped to it and tossed it on to the generously full table of food. Now we will each create a small tapestry depicting whatever was within a short radius of our coin.  We spent the end of the workshop creating and practicing ideas for these small tapestries which might someday hang together as “Helen’s Buffet” or “Helen’s Feast” in honor of our hostess!

The highlight of the retreat was being able to buy the first copies of the long awaited DVD on tapestry techniques!  It is an 8-disc set that comes with a booklet.  Gary Benson and  Wed. Grouper Sarah Doyle have worked hard to complete this project. The DVD is in production now and should be available to everyone soon!

Brennan Maffei Tapestry DVD, 8-disc set

 

American Textile History Museum and ATB8

It was a beautiful weekend, although as cold as any day in Janurary, for visiting Lowell, Massachusetts to see the American Textile History Museum and the ATB8 exhibition on display there.

ATB8 is as good as I’d imagined!  I had edited the catalog so I’d seen large digital files of all the pieces, but there really is nothing like the real thing!  What amazing work!  It felt wonderful to see the works of a number of my weaving friends, and to see close up some of the pieces from weavers I do not know at all.  I came away so inspired to think about design and technique in new ways!

Bob and I walked along the canal and the trolley rails, where many of the mills have been turned into residences. There is even residential space available above the textile museum! The canals come off of the Merrimack River and supplied the mills with power.  I wish there had been time to see some of the residential spaces offered.  I’ve always wanted to live in a loft!

Booton Cotton Mill now open as museum and residences

 


 

petting the sheep!

Trolley station, Lowell

garden dress with lace inserts

"S" silhouette garden dress, cotton with lace inserts

Lace blouse, Arts and Crafts embroidery, tatted initials

Lace blouse detail

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Crazy for Monk’s Belt

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Rob and Lauren placemats

Remember these?  They came off the loom in September, and I gave them to my older son and his wife for their 2nd anniversary, which is cotton.

 

The pattern for this Monk’s Belt project came from the Spring 2004 issue of Jean Scorgie’s “Weaver’s Craft.”  She used soft blue/greens to make a small purse for the project, and I saw them as place mats at a friend’s house.  I did mine with a cotton warp and tabby weft and tow linen in the beachy blues from my kids’ dining room. 

Monk's Belt 003 I guess I wasn’t quite done playing with this fun version of Monk’s Belt.  I set up my Baby Wolf with the same pattern for a demonstration recently.  I used 8/2 unmercerized cotton for the warp and the same single tow linen as the place mats, only in different colors, for the weft. I used reds and purples to coordinate with the cranberry Christmas decorations in the show house where I demonstrated. I have quite a collection of linens since I’m completely smitten it! I made three kitchen towels, treadling the traditional little flower motif at each end of the towels, then went back to the treadling from “Weaver’s Craft” for the last bit of warp, which is the cloth on the left, above.  A good friend suggested making the little scrap into a small shoulder bag, like the purse in the original magazine project!  I plan to do it.  I just need to find an interesting lining fabric first!

And still I am not done playing with this pattern!Monk's Belt 005

These are on the Toika now.  The warp is 16/2 linen with tow linen for the pattern weft.  They are for my younger son, and I hope the colors will go well in his apartment. 

I admit that the weaving has gotten a little boring, but I do love the outcome so I’m sticking with it!  I’ve listened to some wonderful books while weaving these projects…

…starting with Figures in Silk this summer, then parts of The Girl Who… books when I was home in between sailing (you know, The Girl with the Dragon Tattoo, The Girl Who Played with Fire,  The Girl Who Kicked the Hornet’s Nest). Then came the Tracy Chevalier story, Remarkable Creatures.  Now I’m listening to Cutting for Stone which is so engrossing and beautifully written (and read) that I hardly know I’m weaving! 

At least two of these placemats must be cut off, washed, hemmed and wrapped so that they can be under the tree on Christmas Eve!  I’d better get cracking!

Lastly a couple of shots of Monk’s Belt projects from the past that always come out around this time of year.

Monk's Belt 006

My kitchen window valances that always get hung for the winter…

 

 

 

and …

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a table runner

 

 

 

I guess I do have a big soft spot for Monk’s Belt…