Category Archives: tapestry

American Textile History Museum and ATB8

It was a beautiful weekend, although as cold as any day in Janurary, for visiting Lowell, Massachusetts to see the American Textile History Museum and the ATB8 exhibition on display there.

ATB8 is as good as I’d imagined!  I had edited the catalog so I’d seen large digital files of all the pieces, but there really is nothing like the real thing!  What amazing work!  It felt wonderful to see the works of a number of my weaving friends, and to see close up some of the pieces from weavers I do not know at all.  I came away so inspired to think about design and technique in new ways!

Bob and I walked along the canal and the trolley rails, where many of the mills have been turned into residences. There is even residential space available above the textile museum! The canals come off of the Merrimack River and supplied the mills with power.  I wish there had been time to see some of the residential spaces offered.  I’ve always wanted to live in a loft!

Booton Cotton Mill now open as museum and residences

 


 

petting the sheep!

Trolley station, Lowell

garden dress with lace inserts

"S" silhouette garden dress, cotton with lace inserts

Lace blouse, Arts and Crafts embroidery, tatted initials

Lace blouse detail

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Inspiration

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I just watched this video three times.  The woven image is beautiful and the filming is so well done.  Marvelous! It makes me want to get my big Shannock warped!

A Winter Haiku by Charles de Lint

You can’t trust the sun
this time of year; it’s bright light
holds a bitter cold

Jan 2011 Shinn  Vineyard view 043

 

 

 

 

 

 

 

 

A scene from our recent trip to the vineyards on the North Fork of Long Island.  We missed getting any photographs in sun, although it was sunny during part of our stay.  I have an image in my head of rows of dark vines casting clear blue shadow patterns on the brilliantly sunlit snow . 

Feb 2011 snow 007

Ice on my “Harry Lauder’s Walking Stick.”

Tapestry in the Depths of Winter

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A friend of mine pointed out to me today that I have not posted a photo of my finished “Medieval Spinner.”  I was certain I had….

So here she is….The Flax Spinner

Actually, I haven’t spent any time weaving tapestry for the past couple of months.  I have been decidedly ‘under the weather.’ 

Today I had to miss my class with Archie and Susan due having quite a bad cough left over from my recent bout with the flu.

 

 

 

 

 

pears tapestry jan 2011 001

So I spent some time working on an unfinished tapestry and making plans for my next tapestry warp.

I have to admit I am pretty intimidated by my never-used Shannock loom.  The heddles need to be re-made, and I’m not sure I can figure that out.  I know I can use the loom without the heddles, but….

 

 

If I can conquer my fears, maybe I can get the full sized Medieval spinner warped this weekend.

pears tapestry jan 2011 002

 

Can you see her? I can just barely see her if I ‘bigify.’

>Maine Fiber Arts Studios Day 2

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My second day of studio/farm visits was just as fun as the first!  Maine seems to be a great place for inspiration and creativity.  I’m so impressed with the places I’ve visited the past two years.  If I lived here I really enjoy having more exposure to these creative people!

Hope Spinnery:  How lucky for me to finally visit this mill that I’ve heard about for years!  It’s in a secluded spot just inland from Lincolnville, nestled in the woods with a rambling garden surrounding the mill.  The upper floor is a wonderful showroom, while the mill equipment is on the lower floor.  I did not get to meet Bill Huntington who runs the mill since he was off-site teaching a workshop. His mother was on hand to welcome visitors and answer questions.

hope spinnery bldg

In the showroom I enjoyed looking at the rovings and yarns, all colored with natural dyes.  Stunning! 

 

Weaving a Life: Susan Barrett Merrill  Another gem of a studio, hidden in a lovely secluded spot!  Susan is an artist worth knowing!  I must find a way to bring her to NY/NJ so others can experience her charisma and her artistic ideas about weaving and community!

She does amazing things will pulled warp tapestry, creating these marvelous masks.  Maine 8.7.10 011

Maine 8.7.10 013

Some of the masks have an entire community of figures surrounding the mask, and are fascinating creations in themselves!  Susan’s ideas and her active involvement in bringing weaving into everyone’s life and managing community weaving projects is very exciting!  She generously gave me a copy of her book, Zati: the Art of Weaving a Life, and I am so touched by it. 

Susan has accomplished quite a lot toward her goal of bringing weaving into communities through making Journey looms we’ve all seen in recent issues of weaving magazines as well as writing this book and making several DVDs.  Somehow she still finds time for doing her own weaving and creating these incredible masks.  Maine 8.7.10 021
Her method of weaving ancient pictographs or keyforms is the core to her philosophy about understanding our own journey and inter-connectedness.

I hope I can bring her to NJ to share her knowledge and creativity with weavers from my own community!

>The Price of Eggs in China, aka Talking Pears

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I did finally take an afternoon to weave while we were anchored in Hadley Harbor, on the Island of Naushon just across from Wood’s Hole.

Martha's Vineyard July 2010 058

I’m working on a small tapestry that was an assignment from a workshop that Archie and Susan gave to the Wednesday Group several months ago. They called the workshop “Talking Pears.” For the workshop we were to bring two Bosc pears, our sketchbooks and pencils, and a variety of colored papers.

For the morning, we arranged and drew our two pears several times.  After our lunch break, we took the sketches we liked best and used them as ideas for making several paper collage designs.  The nature of the paper collage designs being so graphic led to other ideas.

pears cropped

At the end of class we lined up our paper collages and discussed shapes, arrangements, and color choices.

Various. 3.24.2010 006

This may be more than you want to know about the “price of eggs in China,” but I’m certain that Archie and Susan carefully chose this workshop as a clever way to make us start thinking in the language of tapestry rather than in the language of pure image.  Many of us are often intrigued by an image first and foremost, and we attempt to make a cartoon that will be weaverly.

Here, the relationship of our pears as two shapes coming together, along with the relationship of the surrounding area, and the colors we chose to use took precedence over the image itself.  The simple paper collages we made prevented us from creating shading and contours.

This simple exercise has allowed each of us to focus on how to create the shapes of the pears and the surrounding areas.  I’ve never paid so much attention to my curves and slopes!  I’m usually too busy also trying to create light and shadow.  I had a lot of fun choosing the colors for this little project, and with only six colors I really concentrated on the relationship between them.

 

Martha's Vineyard July 2010 037

Here you can see the frame that Bob made for me to hold my copper pipe looms.  This frame allows me to adjust the loom up and down so I’ll always be weaving at a comfortable height.

 

 

 

One Wednesday Grouper has already woven eight small tapestries!  Several others have already woven two.  This is my first one, and I do hope to weave another.  I’m so slow that two will probably be my limit!

>Where will you weave this summer?

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Yikes!….I wrote this two weeks ago and somehow didn’t post it….

A successful few days of weaving while on board our sailboat, Pandora, has me thinking about where other weavers work during their travels.  What comes to mind first is a wonderful travelogue tapestry by Susan Martin Maffei that chronicles a train trip she took from New York westward across the country.  It’s a multi-panel work with 2” x 2” tiny tapestries mounted on the panels, depicting the landmarks and landscapes of her trip. Susan has also brought small copper pipe looms on airplanes and woven while in flight!

I imagine many weavers must bring looms on vacation (floor and table looms as well as frame looms for tapestry), and I’d like to know where you will be weaving this summer!  If you read this, please consider leaving a comment of where you plan to weave while you are away from home!  I’d like to picture all the wonderful places where weavers will be working on their projects.  I might make a map (if I can figure out how!) showing all the vacation weaving places I hear about.  Or if you plan to blog about your summer weaving, send me a link! 

I have just returned home this morning from a trip along the Chesapeake.  It started in Williamsburg (by car!) with a visit to my parents and some friends, and ended with a week of sailing in the Chesapeake.  For my part in this summer weaving list, I can say that I worked on my current tapestry in St. Michael’s harbor, Maryland, and at a lovely anchorage off Gibson Island in the Magothy River, also Maryland.

St. Michaels harbor

St. Michaels harbor on the eastern shore of Maryland.

>Ah, December…

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It seems every holiday is balanced with a share of grief.  Perhaps winter celebrations were established to balance our sufferings through these dark months.

This is a study for a larger tapestry I still haven’t made.  The bigger idea is not ready yet, but at the time of the study I made a list of mothers I know who had lost their children.  I just added one more name to that list.

Detail of Life 18 x 8 And yesterday I found this poem mixed in with my cache of knitting patterns:

What the Living Do

Johnny, the kitchen sink has been clogged for days, some utensil probably fell down there.
And the Drano won’t work but smells dangerous, and the crusty dishes have piled up

waiting for the plumber I still haven’t called.  This is the everyday we spoke of.
It’s winter again: the sky’s a deep headstrong blue, and the sunlight pours though

the open living room windows because the heat’s on too high in here, and I can’t turn it off.
For weeks now, driving, or dropping a bag of groceries in the street, the bag breaking,

I’ve been thinking:  This is what the living do.  And yesterday, hurrying along those
wobbly bricks in the Cambridge sidewalk, spilling my coffee down my wrist and sleeve,

I thought it again, and again later, when buying a hairbrush:  This is it.
Parking.  Slamming the car door shut in the cold.  What you called that yearning.

What you finally gave up.  We want the spring to come and the winter to pass.  We want
whoever to call or not call, a letter, a kiss — we want more and more and then more of it.

But there are moments, walking, when I catch a glimpse of myself in the window glass,
say, the window of the corner video store, and I’m gripped by a cherishing so deep

for my own blowing hair, chapped face, and unbuttoned coat that I’m speechless:
I am living.  I remember you.

Marie Howe

I promise to be more upbeat for the rest of the month…

>Late, as usual!

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This Saturday will be the closing reception of The Wednesday Group’s exhibition “Henry’s Hudson” at ASK! (Artists’ Society of Kingston).  I guess I’d better post some photos from the opening reception!

Wed. Group Kingston opening 022

 

 

 

 

 

Archie, standing next to his tapestry, which is already sold.

 

Wed. Group Kingston opening 016

 

 

 

 

 

Susan standing with Betty Vera, and hey!..that’s my little Hudson River piece right between them.

 Wed. Group Kingston opening 007

One of my favorite pieces from the show, by Annelisa DeCoursin.

 

 

 

 

 

Several pieces in this show are real knockouts, but my camera battery was dying so I missed getting some of them.  The opening was well attended, probably our biggest crowd yet!  And ASK! is definitely the best venue we’ve had.  The space is perfect!

Wed. Group Kingston opening 027 Eleven of the fourteen Wednesday Group members standing in front of Susan’s powerful work “Taxi!” (All those yellow spots are taxis!) Archie and Susan are back row, left side.  Helen and Alta, who master minded this exhibit, are front row left.  I am in the center.  It was a fun evening!

>H1N1

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In the last 10 days of October I was on quite a roll, getting a lot of things done…weaving off a 16S network twill scarf, making progress on my current tapestry, knitting various things, and even spinning.  I felt unstoppable!….

Chloe sweater 001

“Shadow Baby” by Joan Somerville, using 2 shades of Tofutsies yarn. Check out the cute Gita Maria buttons! This sweater is for my new niece who will arrive in Dec!

Tapestry HRob progress 11.09

My biggest accomplishment this month was tackling the details on Rob’s face!  I’m at the halfway point of the cartoon, but have completed more than 50% of the difficult areas now. (Lots of ‘hand-holding’ from Soyoo Park to choose skin colors and to work three interlocking sections on five warps for Rob’s mouth!)

A few other things with no photos:  a pair of jaywalker socks where I tried to get the pattern part out of one ball of Regia Color Effekt, by using a solid color yarn for the cuff, heel, and toe.  Didn’t work!  I ran out of the Regia before I got to the toe, so part of the foot is done in solid color.  Bummer.  At least that won’t show when I have shoes on!

I’m also brewing another avocado pit dye.  This time I’m attempting patience, how novel!  Each time we eat an avocado I finely chop the pit and add it to the brew.  Every second or third day I heat the dyepot to a simmer for 30 minutes as per Carol Lee’s instructions.  She says this goes on for months before actually dyeing. It’s a luscious red!

Then, on the penultimate day of the month I began to malfunction…and by the end of the day I was in bed with the flu!  Seven days later I can barely get out of my own way.  I’ve lost momentum…. and I”m in a funk….

The last time I had the flu (12 years ago), I ran to my LYS and bought some lace weight merino (Grignasco?) and got in bed with a Eugene Buehler pattern from Knitter’s Magazine. This time I’d been eyeing the recently arrived box of Icelandic unspun yarn in six colors from Schoolhouse Press.  So I went to bed with my little laptop tuned in on Schoolhouse Press’s current shawl KAL by Maria Von Keppel.

Sleep, knit, drink tea…..sleep, knit, drink tea…. 4 days later:

schoolhouse press shawl KAL 10.09 003

I was able to get out of bed on the day I did the crochet loops.  I graduated to sitting in a chair!

>Bit by Bit

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 April 2009 dyeing.hr tapestry 001 April 2009 dyeing.hr tapestry 002April 2009 dyeing.hr tapestry 003

Cochineal Dyeing… I think if you click on the first photo you can just barely see the color of the dye with the little bugs in the pan.  I used distilled water to simmer the bugs for releasing the dye, and according to Michelle Wipplinger’s recipe (which I got through Deb Bramford), after extracting the dye with distilled water I could use tap/well water for topping off the liquid.  This did not work for me as I believe my well water is the source of what turned my bright red dye into plum/purple yarn.  It’s a lovely color, but I wanted red!

April 2009 dyeing.hr tapestry 002

Three dyebaths…not much change between #2 and #3.

 

 

 

Hudson River Tapestry 002 April 2009 dyeing.hr tapestry 004 My progress on Hudson River from last week to this week.  I’m done with the boat (yea!) and can now focus on the trees/cliffs/water/sky.  The trees are a bit fiddly but once I work out a system I hope I will at least be able to make steady progress. 

Now I’m  finally going to take a photo of the ‘Arwen Cardigan.’  I don’t know when I’ll get to frogging and fixing.

April 2009 dyeing.hr tapestry 001

Some big collar, right?  Anyway, the rest of the sweater fits well (better on me than my svelte dress form on which it hangs badly!), and I like the zipper!  Of course, I have to take out the zipper and completely frog the collar since it was knitted sideways onto the neck opening.  I picked up a stitch from the neck edge every other row, but when I re-do I will either:

A.  Pick up a stitch from the neck edge every 4th row

OR

B.  Knit the collar separately to a length I like and sew it to the neck edge, easing it in to make it fit.

I’m leaning toward “B.”