ArgoKnot

weaving

>The Price of Eggs in China, aka Talking Pears

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I did finally take an afternoon to weave while we were anchored in Hadley Harbor, on the Island of Naushon just across from Wood’s Hole.

Martha's Vineyard July 2010 058

I’m working on a small tapestry that was an assignment from a workshop that Archie and Susan gave to the Wednesday Group several months ago. They called the workshop “Talking Pears.” For the workshop we were to bring two Bosc pears, our sketchbooks and pencils, and a variety of colored papers.

For the morning, we arranged and drew our two pears several times.  After our lunch break, we took the sketches we liked best and used them as ideas for making several paper collage designs.  The nature of the paper collage designs being so graphic led to other ideas.

pears cropped

At the end of class we lined up our paper collages and discussed shapes, arrangements, and color choices.

Various. 3.24.2010 006

This may be more than you want to know about the “price of eggs in China,” but I’m certain that Archie and Susan carefully chose this workshop as a clever way to make us start thinking in the language of tapestry rather than in the language of pure image.  Many of us are often intrigued by an image first and foremost, and we attempt to make a cartoon that will be weaverly.

Here, the relationship of our pears as two shapes coming together, along with the relationship of the surrounding area, and the colors we chose to use took precedence over the image itself.  The simple paper collages we made prevented us from creating shading and contours.

This simple exercise has allowed each of us to focus on how to create the shapes of the pears and the surrounding areas.  I’ve never paid so much attention to my curves and slopes!  I’m usually too busy also trying to create light and shadow.  I had a lot of fun choosing the colors for this little project, and with only six colors I really concentrated on the relationship between them.

 

Martha's Vineyard July 2010 037

Here you can see the frame that Bob made for me to hold my copper pipe looms.  This frame allows me to adjust the loom up and down so I’ll always be weaving at a comfortable height.

 

 

 

One Wednesday Grouper has already woven eight small tapestries!  Several others have already woven two.  This is my first one, and I do hope to weave another.  I’m so slow that two will probably be my limit!

>Where will you weave this summer?

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Yikes!….I wrote this two weeks ago and somehow didn’t post it….

A successful few days of weaving while on board our sailboat, Pandora, has me thinking about where other weavers work during their travels.  What comes to mind first is a wonderful travelogue tapestry by Susan Martin Maffei that chronicles a train trip she took from New York westward across the country.  It’s a multi-panel work with 2” x 2” tiny tapestries mounted on the panels, depicting the landmarks and landscapes of her trip. Susan has also brought small copper pipe looms on airplanes and woven while in flight!

I imagine many weavers must bring looms on vacation (floor and table looms as well as frame looms for tapestry), and I’d like to know where you will be weaving this summer!  If you read this, please consider leaving a comment of where you plan to weave while you are away from home!  I’d like to picture all the wonderful places where weavers will be working on their projects.  I might make a map (if I can figure out how!) showing all the vacation weaving places I hear about.  Or if you plan to blog about your summer weaving, send me a link! 

I have just returned home this morning from a trip along the Chesapeake.  It started in Williamsburg (by car!) with a visit to my parents and some friends, and ended with a week of sailing in the Chesapeake.  For my part in this summer weaving list, I can say that I worked on my current tapestry in St. Michael’s harbor, Maryland, and at a lovely anchorage off Gibson Island in the Magothy River, also Maryland.

St. Michaels harbor

St. Michaels harbor on the eastern shore of Maryland.

>A Weaver’s Legacy

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An amazing turn of events last week brought three weavers together after three years…

About three years ago, a good friend of mine died from complications related to breast cancer.  She was a very artistic woman, someone I admired.  She wore her handwoven clothes with enviable flair, and she knew how to accessorize.  When she could no longer sit at the loom she continued to knit accessories that were as striking as her woven items.Bonney Ford crop

(Well, this is not the best photo to demonstrate Bonney’s fashion flair, but do notice the t-shirt on the sheep                commemorates National Spinners and Weavers week!)

 

Her daughters held a sale before selling her house, and I got some precious items which always make me think fondly of Bonney’s friendship.  I have two shirts, commerically made, that look deceptively handwoven, a sterling jewelry pin of a castle-style spinning wheel, and Bonney’s 8S  Baby Wolf.

When I got the loom it had samples on it, lovely samples of what looked to me like a ‘Sharon Alderman’ fabric.  There were several small samples, separated by unwoven warp.  The warp looked like 20/2 mercerized cotton in a medium grey.  The weft was the same size cotton in ‘rust’ or ‘burnt sienna.’  The color difference between the warp and weft made a lovely iridescence in the fabric, giving the finished cloth the look of silk.Ruby Leslie workshop 042010 044

 

 

 

 

 

 

 

 

I thought of weaving off the rest of the warp, but when I went searching for what the treadling might be I did not find this pattern. Also, I did not have the weft.  Eventually I cut the fabric off the loom so that I could warp it for a weaving workshop.  I thought I might serge the fabric samples and give one to each of Bonney’s good friends in my guild, keeping one for myself.

But I never did it.  The fabric has lain on top of my serger now for three years….

During these three years my path has occasionally crossed the path of another New Jersey weaver from the Jockey Hollow Guild.  I heard her name numerous times through mutual acquaintances, and I finally met her during her guild’s holiday sale last December. 

Last week when I had again warped this loom in readiness for a weaving workshop from the Jockey Hollow Guild, Sally was the organizer, so our paths crossed again. 

At one point during the workshop Sally offered to tweak my loom into better working condition.  I mentioned that this loom had belonged to a good friend who had left this life.  I asked if she had ever known Bonney, who had on occasion attended meetings at Jockey Hollow.

Well, Sally did know Bonney. In fact, some time before Bonney’s final days, Sally had visited her to weave off some samples that were part of an exchange (indeed, a Sharon Alderman design). Shortly after that visit Bonney died, and Sally did not know what became of the samples or of  Bonney’s loom.  The participants in that exchange never got the samples.

Isn’t it interesting that I had wanted to give those samples to some of Bonney’s friends, but I just never could bring myself to cut them apart and serge the ends?…. and equally interesting that I kept hearing about Sally from a couple of friends.  I, too, had visited some meetings of Sally’s guild, but I did not met her until recently….  And it is interesting that we did not get to the subject of Bonney and her loom on our first meeting, but obviously it was meant to come about at some point.

I think Bonney knew it would happen, all in good time, and I think she smiled when it finally did.  I will miss seeing the yardage in my studio, but I’m immensely happy that it will go to the recipients who were always meant to have it.  It’s a lovely length of finely woven cloth.  Good weaving endures, friendship endures.  It’s all good.

>Making a list…

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The winter holidays always bring out the list-making, goal -oriented part of my personality.  Here is this year’s list of goals, all unrealistically slated to be accomplished during the week between Christmas and New Year!

1.  Texsolv tie-ups to be applied to my 60” Toika loom

2.  Choose pattern for napkins which will be woven as test samples for future tablecloth project on the Toika . Warp the loom!

2.  Taka dai to be made by Bob according to Rodrick’s plans.  Naturally I will be turning out my first braid within hours of the taka dai’s completion.

Taka Dai Rodrick

3. Dyeing with my avocado pit brew which has been steeping for almost 3 months now. This means spinning some white wool to dye.

4.  Weave the small test tapestry for the medieval spinner with the wonderful wools that have arrived from Renaissance Dyeing in France.

Jan. 10 009

Won’t I have a busy week!  And somehow I imagine myself sharing delicious meals with my visiting family, lounging on the sofa reading all the fiber magazines that never got opened during the course of this year, continuing to knit my handspun Fair Isle sweater project, and starting a new baby sweater for the upcoming Feb. birth.  Dec. 2009 006

I need a dose of reality!…but then dreaming is so much more fun!

>Weavezine

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What a happy surprise arrived in my inbox!  I got a message from Tien Chiu (co-founder of Weavolution) that her article on plain weave went online today at Weavezine. The article ends with photos of two of my tapestires: “NY 30’ Sailing by the Palisades” (misnamed in the article) in progress, which shows that sometimes tapestries are worked sideways, and “Stone Buddha.”  I was particularly thrilled that Chien ended her article with an ‘inspirational photo’… my Buddha!  Woohoo!

Meanwhile…. progress on Rob:

Rob tapestry 002

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