ArgoKnot

ArgoKnot
A journal of my weaving, spinning, and knitting life
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The year 2025 has been twirling around in my head for a couple of months now. I don’t think of myself as goal oriented (although my husband declares I am), but I do feel it helps me if I take inventory of what I made in the past year. It’s taken a me a few weeks to get around to this, and I found that I needed to document some things with photos.

The main thrill of the past year for me was travel! I have never managed to go so many places in one year as I did in 2025. Bob will take all the credit for that since he sailed our boat Pandora to the Açores and then on to the Mediterranean, enduring an attack by orca whales to get to his destination, knowing that his trip made it possible for me to see a bit of Europe. Being in the Açores for a month, Scotland and the Outer Hebrides for two weeks, and finally southern Spain and Madrid for another two weeks was such an eye opener for me, being immersed in the many kinds of handwork done in these richely cultural places. I’ve written about the Açores and Scotland in previous posts. I’d like to write about Spain, but not today. I have developed a new tapestry talk about the many tapestries I saw at Galeria de las Colectiones in Madrid, and I will try to cover that here sometime soon.

From September until just before Thanksgiving in November, I took the Maiwa Natural Dye Worshsop, led by Charlotte Kwon and her daughter Sophena. Every week of the 10 weeks I spent 5 days dyeing, usually about 4-5 hours a day. The workshop came with new videos each week as well as PDFs to print and put in a notebook. The instructions were thorough. I got fabulous colors that led to dreaming about future projects. I gained so much knowledge after decades of fumbling around with dyes and taking short classes at various conferences. This workshop is incredibly in-depth, and I now feel I have a reasonable amount of knowledge, and even better, confidence!

Yum, right? I thought all these samples would go in a notebook, but it turns out we only had to cut a small bit off each skein of yarn or length of fabric, so I have plenty to plan to use in some small projects. Whatever I end up making will be such treasures from this workshop. I have spent about 10 hours cataloguing everything in the journal that came with the class. That’s on the upper right below. The lower left shows all the original dyes done on white and grey yarn, white wool fabric, white silk fabric, natural and white linen fabric, and cotton and cotton/hemp fabrics. Above it on the left are all the original yarns and fabrics dipped in indigo to change the colors. The lower right shows all the original shades dipped in a 2% iron solution to darken the colors. This is a tremendous cache of color on beautiful fabrics. Now that it’s all safely documented in the journal I want to start making things with these bits of fabric.

The notebook was rather a lot of work–far more tedious than dyeing! So I thought I should make a short video describing it.

I’ve been feeling rather UNsuccessful in my weaving projects this year. I am making almost no progress on the ruana fabric made with single-spun Hebridean wool from the Isle of Uist. All the yarns are the natural colors of the sheep, and I arranged them in a gradation on the warp. The one color that I had the most of is the weft. I wish it were off the loom already so I could put the ruana together. Oh well. I feel a bit better about my lack of progress when I realized how much time I devoted to dyeing right up to the holidays.

Aren’t these buttons sweet? I also bought them in the Outer Hebrides, at a shop called the Weaving Shed on the Isle of Lewis.

I grow older in the first month each year, and this year I have entered the next decade…70. Whoa. That’s a hurdle for me emotionally. A number of my friends (and Bob too!) are ahead of me, looking great and still in full control of their faculties, mentally and physically, so I am trying to believe I can do that too!

My children and grandchildren, and one significant other spent a long weekend with me to celebrate this landmark birthday. Tori, our oldest granddaughter (of three) made pasta and then turned it into ravioli….and she did it in front of an audience. She’s a natural!

And we had some great relaxation time in between cooking and being outside in our biggest snowstorm, walking in the woods and building two snowmen.

t was a year ago that I finished this tapestry. Hard to believe. It seems like more than that. Again, this is a realization that helps me make peace with the fact that my current tapestry has barely 1″ woven. Where does the time go?

This afternoon I took stock of the knitting I did last year. I had such a great time buying yarn in the Açores, in Scotland, and in Spain. I actually did something with a fair amount of it. Go me! The grey cotton yarn is from Horta, on Faial, in the Açores. The cowl on the left is a free pattern on Ravelry, and the cowl on the right is “Inspira,” also on Ravelry.

The pattern yarn in the stranded knit sweater is from the Weaving Shed, mentioned above. It’s a blend of merino and silk that is probably not from the Hebirdes, but it was dyed by one of the sisters at this company. The other sweater is 100% cashmere yarn that my son Rob gave me for Christmas in 2024. I wasn’t sure how to best use it, so I just made a simple top/down, raglan sleeve striped sweater in the round. I don’t think it weighs more than an ounce, yet it is SO warm.

My friend Jody took a photo of me wearing my new Scottish sweater, which is entirely Scottish yarn but a design by German designer Elenor Mortensen on Ravelry. I am standing outside the iconic Griswold Inn in Essex, CT.

Not too bad a rearview assessment of making things last year. I feel better now. Bob has been busy as well during our months at home. He made a couple of cutting boards, done with end grain, a rather complicated desk for our son Chris who wanted a pull out tray underneath for his keyboard. Now he is making good progress on an “L” shaped desk for his office.

Finally, i want to mention a book I’ve just finished reading: With Her Own Hands by Nicole Nehrig. It has given me some clarity in looking back at my last year of working in textiles, as well as my long history of doing so. I have been knitting for over 60 years now, and weaving for 50. Weaving tapestry for just over 25. Spinning and kumiho are also reaching the 30 year point. The author describes things in life that are beyone words, that some people can only respond to life visutally, not with words. I have always turned to words, but this book made me see that there are times when events and life experiences cannot be contained or described by words. Sometimes those of us who work with our hands can only respond in the ways we are comfortable expressing ourselves visually. This has been a year like that.

 “Counting stitches or holding a complex pattern in mind may distract a knitter, crocheter, or weaver from worries.  We lose self-consciousness through absorption in the activity.  The repetition involved can lead to a hypnotic, calm state, a kind of meditation through motion.  Textile work confers a sense of control and mastery that can counter balance the lack of control we may experience over what is happening in our larger world.” –Nicole Nehrig

Whatever you are currently working on, I hope it gives you this sense of calm, of meditation, and a strong sense of balance. Onward we go.

Penultimate

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On the penultimate day of 2025 I find myself thinking about the Outer Hebrides and what the weather is there at this darkest time of year. They seem to have stunning sunsets and sunrises, and rainbows. Somehow I’ve gotten myself connected to more facebook sites about Scotland than I ever imagined. The images of these northern places in December has been thrilling to see every day. I dearly hope I can make another trip to Scotland in the next year or two.

The second half of my visit to Scotland in July was a private tour of the Outer Hebrides. My friend Kari found the tour service that we chose. The tour was just for the two us, with sites chosen by us. The tour company (McKinley Kidd) made all the train and ferry connections for us, all the lodgings, and most of the meals. On each island we had a driver who had a list of sites that we had chosen to see as well as a list of sites we shouldn’t miss. I had seriously considered the idea of visiting the islands on our own. I’m relieved that I got onboard with having the luxury of this tour company taking care of almost our every need. We took a train from Glasgow to Oban to board a ferry to the southern most island of Barra. I had no idea that the ferry alone would be five hours. The map made the trip look like a mere hop and skip. From there we went to South and North Uist, then Bernaway, and lastly the combined island of Lewis and Harris.

Here is our ferry arriving on Barra after the five hour trip from Oban

The heather was just beginning to bloom in souther part of the islands.

The ferry terminal in brighter weather.

We stayed here at Hearthbank, where we were unfortunately not able to get dinner! The owner was leaving for the mainland and would have to close and lock the dining room. On the other hand, she arranged for a chef to make breakfast for us the next morning, which was memorable! Perfectly poached eggs on toast.

There was a massive hedge of fuschia long the driveway just outside the right side of this photo. Yes, it was windy!

Barra’s airport is on the beach, and the planes take off and land at low tide. That is something to see! We saw both this landing and then the next take off. It was truly something to see passengers deplane onto the sand.

While I didn’t see any wool related things on Barra, this was quite an exciting way to start our week in the Outer Hebrides. From here we went to South and North Uist (is that Grimsay?) I can’t manage the names of towns vs islands. Maybe both islands together are known as Grimsay. Feel free to enlighten me!

We had a wonderful driver/tour guide on South and North Uist. He was keenly aware that I wanted to see sheep and wool production on these islands. He also wanted us to see the mostly buried standing stone sites on these islands, as well as a couple of monuments. He is a budding bagpiper, while his brother is well established and plays at all the local festivals. During one of our walks off the beaten path he picked a handful of locks from the local white sheep. The locks were caught in brambles. They are still in the pocket of my raincoat.

He took us two wool producing places, and equally impressive was the scandinavian bakery near Scotvein where Kari and I had lunch. Every table had an embroidered tablecloth on it, covered in plastic to protect the lovely handwork. I couldn’t care less about the cake! I just want you see the bit of embroidery at the borders of the photo!

Here is our table. I pulled aside the plastic cover to better enjoy the embroidery that was done on each corner of the cloth.

We had two days on South and North Uist, and we saw a wool spinning mill where I bought some exciting things, including a batch of single spun Hebridean wool in natural colors. They spun this wool for someone’s specific project, and what I bought was all there is. I am planning the warp right now, which is pretty prompt of me, only five months after buying it! I also bought three ‘cakes’ of pencil roving that shades from the darkest natural to almost white. I gave away one cake and have spun the other two….not sure what that will become.

We were not allowed into the spinning room at Uist Wool, so we looked down through a large glass window. The website is stunning.

My treasures. I plan to weave fabric for a lightweight ruana.

Here is one of the wool cakes I spun, possibly to add to the project.

Our guide on the islands of South and North Uist took us to a museum, an historic boatworks location, as well as beaches with cows (and no people!), a somewhat submerged standing stone site, and a couple of monuments. He was thorough and understood exactly what would appeal to any visitor as well as to those of us who love history, and in particular the history of sheep raising and wool culture. I had never heard of Uist (and struggle a bit pronounce it still), and now it is high on my list. I hope to go back someday.

Welcome to Bhorrodale on Uist. This is the window in the pub. The dining room was closed while we were there, but the pub was a charming spot for our dinners.

A small museum devoted to the history of small boats in this area.

The cultural museum in Kildonan on the Isle of South Uist.

The round houses predate Viking settlements that were long houses. An entire community plus animals lived in these round houses.

Driving across causeway between South and North Uist. Didn’t see any though.

And then it was time to visit Berneray, where the Berlinn Wool Company was closed. I was sad, but I also knew we’d been awfully lucky with what we did see.

Off we headed to our last island destination, the dual island of Harris and Lewis. If ever there was a celebration of Harris Tweed, this is the place to enjoy it. Now you might well think I’ve taken leave of my senses. I went a bit overboard taking photos of Harris Tweed on every chair and wall that I came across during our stay! This is the wall in our room at the Hotel Hebrides.

Breakfast and dinner at this hotel featured dining chairs with Harris Tweed fabrics, as well as handwoven napkins (although not wool).

When we arrived we decided to have afternoon tea at a lovely spot within walking distance of our lodging. This is the Inn at Harris. We enjoyed the gardens along with Harris Tweed decorated dining room.

I know some of you will believe how it was for me to choose a chair to enjoy my tea!

And then a stroll back to our hotel took us by Harris Tweed company. This is the building that houses nothing but bolts of fabrics. It was hard to choose, but I managed to buy two lovely tweed fabrics.

Across the street from the fabric shop was the gift shop. I had waited to visit this shop in order to choose a Harris Tweed handbag. I had seen one in Edingburgh that I loved, but I needed to make sure there wasn’t something even more entrancing at the actual shop in Harris. As it turns out that bag in Edinbtugh won my heart. Even though I had taken a photo of the bag, I neglected to note which shop had it! I was lucky to find it quickly when we returned to Edinburgh for only half a day.

I took a walk along the harbor on my way back to the Harris Inn. There is a very small marina. It is a late July day, and it’s quite chilly. I really cannot imagine visiting here by boat, but clearly a few other hardy souls are doing it. I wish Bob could have joined me here. He would have gone straight down onto the dock to meet some of these sailors.

The rest of our visit to Harris and Lewis was quite dramatic. We saw the Callenish standing stones and our guide was well versed in telling us the history of that place. It is supposedly older than Stone Henge, and is roughly the age of the pyramids. I was fascinated by the stones that were chosen. They are metamorphic rock, which is the hardest hardest. Somehow the ancient people here moved these stones and set them up so that once a year on the winter solstice the sun moves straight down the path between the stones that run north/south and east/west. Several times a year the sun has a different interesting path through the stones. There is an altar at the north end of the standing stones. The patterning in these hard stones is magnificent, almost like petrified wood grain.

We visited a round house and an entire village of black houses that has been conserved as a museum. They have been well cared for over the centuries, and still have their stone walls and thatched roofs. Our guide is a Harris Tweed weaver, and the loom he uses is in this black house village. These are the style of buildings brought here by the Vikings. They are called ‘black houses’ because they generally had a central hole in the roof for the smoke from the fire to rise, and had no windows so the inside walls turned black over time.

We are inside the black house where there are several docents who are friends of our guide (Tom MacMurray), and where his loom resides in a separate building. This particular house has been left with items from its last occupants, in the 1950s. These houses date much earlier but were in continuous use for centuries.

I’m giving this fabric serious attention while I attempt to design the fabric for my Hebridean ruana.

This is John’s bobbin winder. His recently deceased wife used to wind the bobbins for him. She could wind a whole set of bobbins in about 10 seconds. Hard to imagine (but yes, it is electric).

Tom wanted us to meet another Harris Tweed weaver who has left the company to start her own business, Three Sisters’ Weaving Shed. Since I’ve been home I’ve enjoyed following these three sisters, one husband, and one small daughter through the photos they post on Facebook. I bought a hand painted merino/silk skein dyed by the sister in this photo, who is also the mother of the little girl and the wife of the man in the group. I’m using it in a knitting project, “Golden Poppy” by Elenor Mortensen. I’m almost finished (not obvious in the photo) which will make another project bought and executed in a rather brief space of time! The rest of the yarn is Jamieson “spindrift.”

For those of you who have made it to end of this post, I sincerely thank you for sticking with me on this trip down memory lane. I hope the photos made up for my longwindedness! If you’ve been to this part of Scotland I hope I’ve brought back some good memories for you. I’d love to hear about them. For those of you who have never been to the Outer Hebrides, I hope this whets your appetite for going. My friend Kari had been in Scotland 50 years ago, and her plans to get to these islands did not happen. Never too late. We both loved every minute of our visit.

I’ll leave with with an image of a highland cow that I took on Harris.

…and two of Kari and me visiting the large whale jaw bone installed in the village of Bragar on the Isle of Lewis.

Be well, take time to work with your hands, and enjoy the new year.

High Summer in Scotland

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Today is Hallowe’en, a far cry from July in Scotland. This morning I drove to the library to pick up a book I had reserved, and I encountered lots of preschool age children arriving for a holiday event. It was exceedingly windy due to the effects of the most recent hurricane, and leaves were whirling all around us. The children all had that exuberant bounce in their steps that is so iconic for children. They were hopping, and I couldn’t help think how many decades it’s been since my own kids walked with that joyful bounce, not to mention how long it’s been since I had that myself. When does that exuberance to get somewhere leave us? Now I feel that every joint in my body would cry out in pain. Ah well. It was wonderful to see all the children excitedly arriving at a Hallowe’en event. But I digress…

In July I visited Scotland for the 2nd time, but most of it was entirely new to me so there were a lot of ‘firsts.’ I had made an appointment with National Museum of Scotland to see the newly acquired tapestries of Archie Brennan. I had also been asked to give a talk about Archie at the Dovecot Tapestry Studio right after I arrived. These two opportunities by themselves would make the trip the highlight of my year…or decade. But Scotland has endless charms so I had two weeks of singular experiences that I won’t soon forget.

Cecilia Joicy, who is director of textiles at the National Museum, invited me into the storage headquarters of the museum, which is right on the shore of the Firth of Fourth, on the day after I arrived, along with my good friend Kari who was traveling with me.

Here Cecilia is showing me how Archie wove the illusion of a tear in this piece. As you can see he actually mailed the tapestry without packaging it. It is a package itself afterall.

I thought the museum had acquired more pieces than seven, but that is all they have. They have one of my favorites, a piece Archie was weaving while the Wednesday Group was meeting with him in the 2000-teens. It’s called “Main Street Anywhere,” and it is a huge postcard. He covered the front of the piece with white paper before mailing. All his normal sized postcards were mailed without any protection, and he says none of them were ever lost or damaged, except the one he dropped somewhere on the streets of Manhattan on his way to the post office.

Two days later I gave my talk about Archie at the Dovecot Studios. As I was standing at the podium about to begin, a group of people walked in who had saved the front row for themselves. They were seven members of Archie’s family. Only one of his siblings is still living-his youngest sibling, Robert. One of Archie’s sisters in law was there, Elizabeth, and a number of his nieces who are the children of the sister in law. I even met Archie’s godson. And look at us all standing in front of one the slides from the presentation. Archie is looking down on us.

Not everyone made it into the photo. I am in the middle (with the big scarf) and Robert is on my right in the photo. To my left is Elizabeth, with her two daughters all the way to the right. On the very left is Archie’s godson. Standing somewhat behind the group (between the two nieces) is Elizabeth Radcliffe! She is one of Archie’s earliest students. I had asked her to join the group photo, but she stayed back a bit. It was such an honor to meet these wonderful relatives of Archie. I am still deeply moved when I think of it. Later, after I returned home in mid-August, I heard from one of Archie’s daughters, Sarah, saying she was on vacation out of Edinburgh when I gave this talk. I would love to have met her as well. Hopefully someday.

And another moving moment of this day was meeting John Brennan and Anna Wetherell. John was also one of Archie’s first students. I was one of his last, yet we are are rather close in age. John and Elizabeth and Anna have had a lifetime of weaving tapestry. I have had a lifetime of weaving, but I didn’t come to tapestry until just before the turn of the century–a mere 25 years ago or so. In the photo Anna is giving me a large format postcard of the Murmuration Collaboration which I have been following for some time now. I was able to buy the catalog, and the group has a substack site with detailed images and essays by the weavers who participated in this project.

So it would be impossible to surpass these two experiences, but I have to say the rest of my time in Scotland was still a terrific experience. Edinburgh is so picturesque. There is so much Gothic architecture and the city is so steep that it is a bit of challenge to see the many facets of this place. I have not been in such a steep city before.

The alleyways are called closes, and there are many of them. I went down the rabbit hole of going into a shop that weaves tartans.

This shop was impossible to pass by.

They had a encyclopedic reference book of clan tartans. I looked up Brewer and Macbeth (both for a friend) as well as Bob’s Norse name Osborn that uses the Cameron tartan. I avoided committing to buying anything, but it was tempting. And speaking of tartans, two women have started a campaign for justice and a memorial for the thousands of women accused and executed for witchcraft. They now have a tartan for the Witches of Scotland. The podcast on this site is worth a listen.

Heading out of Edinburgh toward Glasgow by train we stopped in Falkirk to make our way to see the Kelpies, and even better, to meet up with my dear English friend who joined us for this part of the journey.

My goal during this short travel to Glasgow was to visit Stirling Castle for the sole purpose of seeing the reproduction tapestries of the “Hunt for the Unicorn” series based on the originals that are housed in the Met Cloisters. I had met the weavers of this daunting project in the mid-2000-teens when they visited the Cloisters to make decisions about warp sett and weft colors. For more than a decade I have hoped to see the finished tapestries. I was disappointed! The tapestries are stunning, and I actually prefer them at the coarser sett used for the reproductions. But…they have been hung so high in the Queen’s Quarters that it is hard to see them well. The walls were already decorated in the style of the period, which fights with the tapestries.

Although I took numerous close up photos of these tapestries, the perspective is odd because of the angle at which I had to take them. I enjoyed the docents who were dressed in period in the anteroom.

Most of all I enjoyed seeing the exhibit about the weaving process of recreating these tapestries, and the walk through the stone tunnel with Lesley to get to the exhibit.

The best part of this exhibit was seeing the small trial tapestries woven to practice details from the original tapestries that would be translated at a coarser warp sett. While this display shows 21 small woven samples, the weavers actually wove over a hundred small samples.

Here are some close ups of the samples

And lastly, it was touching to see this list of the weavers describing the time they each put into this massive undertaking.

It wasn’t easy to get to the castle the day we visited. The parking on the castle grounds was completely full by late morning, and finding parking in the center of Glasgow was no easy feat. But after driving around a bit (thank you, Lesley!) we parked and made the steep trek up to the castle. Lesley, Kari, and I stayed in a charming small hotel that evening, just a short drive to the Charles Rennie Mackintosh Museum in Kelvinggrove Park. Lesley has visited Glasgow a number of times and recommended that no lover of Charles Rennie Mackintosh should miss having tea at one of his original tearooms.

My favorite part of a cream tea is the sandwiches, and these did not disappoint!

It was a short visit together, but in such iconic places! Lesley headed on for her holiday on the western coast, and Kari and I began our next adventure. We took a train to Oban where we boarded a ferry to the Isle of Barra in the Outer Hebrides. It was the beginning of a week long tour of the islands through the tour firm McKinley Kidd. High summer in the Hebrides was as glorious as on the mainland. When I look through these photos I don’t know how I didn’t hop and skip my way through this dazzling time. I must practice adding an exuberant bounce to my step, for the world is so full of places that require it.

A Day of Textiles and Materials in the Açores

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Late last week we sailed to São Jorge. It was a short sail, only 20 nm, but I did not do well. It’s been a long time since I’ve sailed anywhere and clearly I’ve lost my ‘sea legs.’ In another day or two we will sail to São Miguel, and that will be 150 nm, and will take about 20 hours. I am not looking forward to that. What I’d like to do is take something that would keep me asleep for the entire trip. Wishful thinking.

In Horta there was a fabric/knitting/embroidery shop called Retrosaria where I bought some cotton yarn for a vest pattern I got from Bare Naked Wools. After making a small knitted sample I realized that pattern really needs the softness and slight halo of wool. Oh well. The shop was small and did not have any fabrics that tempted me, but oh! The yarns! I’ve now learned that the Portuguese yarn company, Rosarios, sources all their wool and processes it all in Portugal. The wools are from Portuguese merino sheep and a few other breeds, all raised in Portugal. The combing, spinning, and dyeing is also done in Portugal, using eco-friendly processes. I think I bought a color card for this yarn about a decade ago in a little yarn shop in Coimbra. I regretted not buying any yarn that day. Now I will rectify that mistake!

Here is a quote from the Rosarios website:  We like to create value, which is why we look to nature as an example and inspiration, and we focus on natural or naturally-derived fibers as a path towards greater sustainability. We like to create yarns because we believe that knitting, crochet and embroidery makes people happier. And we have been doing what we love since 1979. You can read about their history here.

The wall of sewing and embroidery threads!

I wanted to buy wool to make a vest pattern by Bare Naked Wools called Black Oak Vest. Sadly, Retrosaria did not have enough of any of the wool colors I liked. I could have made it in black or in a medium mauve, but these are not colors that excite me-or look good on me. I bought a medium gray cotton. After making a test swatch of the lace pattern I decided that this pattern needs wool yarn. The cotton was the right gauge, but it didn’t look the way I wanted it to look. All in all, I was sad not to get some Portuguese wool.

There are numberous Rosarios shops throughout the Açores, and I passed one yesterday on our drive around São Jorge. It was a weaving shop that also sold yarn. They are only open Monday-Friday, and yesterday was Saturday. There were woven items on display as well as several looms with works in progress. The reflections on the glass kept me from getting any photos of the temptations inside. There are several Rosarios shops on the island of São Miguel, so I know I’ll have another chance to buy some Portuguese wool to make that vest!

As luck would have it, I did meet a weaver yesterday! Her family has a coffee plantation in Faja dos Nimes (faja, pronounced ‘fazhah, is Portuguese for a flattened area that was created by lava flow. São Jorge is known for these volcanic flattened areas), and they have a small coffee plantation where they get about 400 kilos per year. They roast the beans and serve coffee at their Cafe Nunes (pronounced Nooneesh. They take visitors to see their coffee plants, right behind their house in terraced gardens. It’s small but they have the distinction of having the only coffee plantation in the Açores, and possibly in Europe (this may be old information now).

When we arrived I feared the only way up to the cafe was through this garden, climbing two ladders! It was a bit daunting. But down the street a short way was a driveway up to the cafe. Whew! The cafe was on the ground floor, and the weaving studio “De Artesanato” was upstairs. To the left, mostly outside the photo, is the family home. The coffee is growing behind these buildings, on terraces.

The mother of the family, about my age, is the weaver. She has a weaving studio, separate from the house and from the cafe, where she has four looms and an interesting spinning wheel. I think her name is Maria. Have you ever seen a spinning wheel like this? I could not ask Maria about it because she spoke no English. Her adult daughter who helps with the plantation and serves people in the cafe, was busy, and I know her mother relies on her to translate. Here is the wheel.

It’s not a great photo, but hopefully you can see that it is a parlor wheel, yet has a spindle rather than a bobbin. I’m guessing that you sit at the wheel and spin doing long draw, then wind on from the point, like a charka or a great wheel. She works with cotton, so maybe she spins some of it? I managed to tell her that I also spin, but I could not navigate that I spin on a different type of wheel.

Maria mostly does a type of weaving called “weft loop.” Many of you who are my age will remember bedspreads made of this type of weaving. Maria makes those bedspreads, as well as runners, in this technique. Our friend Linda, who lives on this island has bought a number of Maria’s weft loop designs. Linda has a bedspread as well as this runner.

I bought a simpler woven runner as well as this blue and white placemat. I only bought one placemat to use as a center on our table on Pandora. I hope you can see the ‘turkey track’ design between the larger blue stripes. I love it!

The weft loop runner is quite long, with the loop design at both ends of the runner. I think I will turn it into a long bolster pillow for our bed at home, which has a machine woven coverlet made at the American Textile Museum when they were still in operation. I think the runner is as wide as our bed.

This is Maria’s largest loom that requires two weavers and has two sets of treadles. The center of this project is solid wool loops with the large borders woven in plain weave. The wool loops designs are all hand manipulated since this loom has only two shafts that are counter balance.

This is a photograph of an image of Maria and the 2nd weaver using the loom together. Slow work
for sure! What I found puzzling about all of Maria’s looms is how high the warp beam sits above the shafts and the reed. I think they have to push the beater back in order to throw the weft shuttle.

During the visit to the coffee growing area behind the house, Bob got this photo of Peter (as in the current Peter of Peter’s Sport Cafe in Horta-what a surprise to see him here and to have him recognize us) and me looking at the coffee plants. Maria, the weaver is on the left in this photo. It’s the only photo we have of her.

The rest of our day included a drive to the northern most point on the island where there is a lighthouse no longer in operation as well as a whale lookout, also no longer in operation. The way the lookout worked was that a spotter stood up there watching for whales, and when he saw one he would set off a firework that could be seen from the port. I’m not sure how he indicated the location of the whale. Maybe I’ll learn that before I write the next post. Too bad this photo does not show how long and steep the path to this lookout is, and how high it is.

The drive out to the whale lookout was a long, straight dirt road that passed through corn fields and cow pastures. There were fields where the hay had been harvested, and the many bales were stacked in the fields.

On our way back to the harbor in Zelas (pronounced Zehlash), we passed the Forest Reserve which we knew was not to be missed! I’ll just post a few images of that magical place.

Tree ferns, the oldest of plants, growing with hydrangea in this forest.

There was a small chapel in this forest.

….and oddly, a large stone laundry. I have no idea how old this laundry is.

At least there is a beautiful tile depiction of how this laundry was used.

To come back to knitting with the cotton yarn I had set aside, as luck would have it I saw a tempting pattern in an email from an Australian dyer. She offers patterns to go with her locally sourced Australian yarns that she dyes. This is also a vest pattern, or a simple top to be worn on its own, designed by Elenor Mortensen. It’s called “Eowyn Tee.”

Amazingly, the yarn specified is the same gauge as my Portuguese yarn, and the same color. This was too good to be true, so I immediately cast on and am now almost ready to put the sleeve stitches on a holder and continue with the body. The top down shaping is unique and was fun to do! And didn’t I find a cute yarn holder when I bought this yarn.

We leave for São Miguel today, where I will spend a week before heading to Scotland. I know there will be yarn purchases during my time in Scotland, but I’m glad I discovered ecologically produced Portuguese yarn while I was here. There is a Rosarios shop in São Miguel, so I am not yet finished looking at yarn in the Açores.

The Azores: Faial and Pico

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Tomorrow we may sail to São Jorge, an island near Faial. I’ve been in Azores for more than two weeks, on the islands and Faial and Pico. Here’s a little photo journal of what I’ve seen on these two islands.

Flowers! The Azores are famous for having miles and miles of hydrangeas. They were introduced here centuries ago and have thrived. You can drive for miles with lace caps and mopheads lining the roads in all the shades of hydrangea–pinks, deep purples, a mix of pink/blue purples, and of course, blue. We were a little early for the full show, but you can see how many buds are on the verge of opening.

This is a wall of deep blue morning glories on Pico, with my friend Lynn standing in awe of the display. She lives here part of every year and told me that people are now encouraged not to plant morning glories. They do appear to be rather invasive, but what a breathtaking view.

And then there are fields and fields of lantana, nasturtium, and purple clover. These have been the source of our bouquets onboard.

June is a month of festivals throughout the islands. We got to participate in one on Faial and one in a small village on Pico near our friends’ house. The first festival we saw took place in Horta and was called “Maravilho,” which means “wonder.” The word is a combination of the word for sea (mar) and the word for island (ilhos); together they create the word “wonder.” It was a grass roots kind of festival with people selling handmade wares and food, and there were free rides on homemade creations like a bathtub swing, a stuffed chair swing, and best of all (!), a bamboo contraption that was a kind of rudimentary whirl-a-gig!

One of the vendors was screen printing tote bags from his small booth. I bought this one fresh off the press.

They spent a good deal of time balancing the size of the kids on this homemade whirl-a-gig, otherwise the ride would not twirl. Note the smallest child is in a bucket!

A week later we went to a festival on Pico. People brought food to share, and there was music planned but it was too windy to play Azorean guitars which are quite fragile instruments. They are shaped a bit like a mandolin and have 12 strings, although this one appears to have 8.

Instead they played recorded folk music and performed some of their folk dances, which include a caller to guide the dance. The wind was howling. Notice how lightly dressed the women are. I was wearing long sleeves, long pants, and a sweater. No was chilled except me!

While we were visiting Pico another festival took place on Faial, in Horta. It may have been Semana do Mar, Sea Week. The fish decorations were in the air, on the ground, and on walls. The day before we left for Pico I watched a crew of men drive a cherry picker down the road to get all these decorations up on the power lines.

Did you know that Portugal is paved in mosaic walkways? I learned this when we visited mainland Portugal about a decade ago. I did not know I’d find more of them in the Azores. It’s mesmerizing to walk the streets seeing so many different designs. Here are a few. Even the simplest designs are a delight to see.

My favorite!

Sometimes the designs are white on black, sometimes black on white.

There is so much to celebrate here: food, art, fine craft, museums, boats in the harbor, including whaling boats that are no longer used for whaling but get launched often for rowing and sailing practice. We will not be able to take advantage of everything here before we leave for the next island, São Jorge, probably tomorrow.

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