ArgoKnot

Author name: ozweaver

New Projects

Don’t most of us return from summer travels full of ideas for new projects?  It’s hard to implement all the new ideas that crop up from even the shortest weekend away from home.  There is something about a change of scenery that always makes me start brewing up ideas for what to do when I return.

On top of spinning, weaving, and knitting projects that I’ve dreamed up, I am also currently taking two new classes.  Once a week I take a bobbin lace class from a group of women who are expert lacers.  I’m so lucky to live in an area with an active guild of lace makers.  They are a gold mine of experience and help.  I’m on my third lace exercise now, and terribly smitten by the process.

This weekend, at the annual Lace Day (with classes!) I learned how to move my lace up in order to keep weaving beyond the length of the pricking card.  What you see in the photo is my re-attached weaving. Now I can continue down the length of the card to make the little lace edging longer.

bobbin lace 11.2010 001

bobbin lace 11.2010 004

Once a month I drive up into the hills of Putnam County to a basket maker’s house where we work on Nantucket Lightship baskets.  I’m making a medium size oval, and I’m quickly discovering how much more effort it takes to place the staves in an oval than in a circle!  I may never get the staves ready, so I truly may never weave this basket.  The camaraderie is wonderful so as long as they can put with my inexperience I will be going back!

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Nantucket basket Karyn

The top photo is my basket in progress.  I have more staves to shape, and you can see that the staves change shape as they get into the sharper curves of the ends of the oval.  The basket in the lower photo is what I’m striving to achieve and was made by one of the women in the group!

Beading and sewing are two other areas I’m dabbling in this fall.  These small projects are destined to be Christmas presents.  I haven’t focused on making the the majority of my presents in at least a decade.  Right now it feels good.  I might not be so chipper when the deadlines get closer!

Russian netting pearls2 11.2010

bracelets 2 Nov. 2010

I pruned back my bay tree in order to bring it in the house since we have dismantled our greenhouse this year, in preparation for possibly selling our house.  I’ve saved all the cuttings and am drying small sprigs as well as individual leaves.  These will be gifts also, to all my cooking friends.  Look out, Martha!

The leaves are mostly down here, the clocks have turned back, we had a killing frost recently.  It’s time to cozy up in the nest and keep the fires burning, both in the furnace and in the creative process.  I’m ready…

>Fall Brewing

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It’s time for planting garlic, harvesting root vegetables, and brewing up the dyes from summer harvests.  I harvested my weld in June and again in July when we were home briefly, then left it to dry in Bob’s workshop.  This weekend I made the dye solution at a friend’s house.  She mixed up more colors of ProChem acid dyes than I could count!  Three of us had a great time painting skeins of handspun and commercial wool yarns and sock blanks! 

Between gathering in the herbs from the season and making dye, I feel a bit of bewitching power!  Look out!

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My skeins drying in the garden

 

 

 

 

 

dyeing sept 2010 The acid dyed skeins and one sock blank skeined double. Colors used in these skeins are “bright red,”  “cranberry,”      “maple sugar,”
“mustard,”
“saffron,” “moss green.” These are unknown skeins from KnitPicks, possibly “Palette,” and a Knit Picks sock blank of superwash wool/nylon.

dyeing sept 2010 001

Both skeins dyed with weld, with one skein handpainted with “saffron” and “mustard.”  Sadly, you cannot see what a lovely pear green the weld made.  I love it! Both skeins are “Texas” by Henry’s Attic (50% wool, 50% mohair)

dyeing sept 2010 003

Last (and least in my mind), blues, violets and charcoal. This is another unknown Knit Picks skein with a lovely twist.  Merino? It’s fingering weight, about 400 yds per 100 grams.

>Hiatus

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I certainly didn’t mean to take a two-month hiatus from blogging, but that’s what happened.  My ancient desktop computer has given up its spirit, and I’ve been using a couple of hand-me-down laptops with software that was not compatible or conducive to posting here.  I’ve missed posting…

Work on the Archie Brennan Project has continued even though I have not been able to post updates over at that website either.  Things are going well, but I’ve had no way to share info!

It’s glorious autumn here in NJ, and I’ve got a busy schedule of weaving.  It’s been great to reconnect with my community of weaving friends after being away so long this summer… seeing the Wednesday Group again, seeing Susan and Archie’s tremendous body of work on display at GAGA in Garnerville, starting a couple of new classes, and reconnecting with my weaving guild and knitting group!  I am taking a bobbin lace class each week, and once a month I travel up to Carmel to learn the techniques of making a Nantucket lightship basket.  All good!

Tapestry bobbins John Moss

These are tapestry bobbins I ordered from John Moss last June that were shipped to Archie and Susan in NY, so I couldn’t get them until returning from sailing!  Aren’t they beautiful? John does wonderful work.  The two outside bobbins are figured maple.  Can you see the iridescence in the grain?  The second on the left is Osage Orange and the third is Jatoba, also called Brazilian Cherry. It’s wonderful to use beautiful, well made tools!

Rob and Lauren placemats

Rob and Lauren’s placemats.  This is a monk’s belt design from Jean Scorgie’s magazine “Weaver’s Craft” which was a proejct for a small woven handbag.  I did these in 16/2 black cotton with wetspun 8/1 linen for the pattern weft.  The colors are all beachy blues and greens, and there are two of each colorway for a total of eight.  They celebrated their 2nd anniversary in August, which is the traditional ‘cotton’ anniversary.  The warp and tabby weft are cotton, but I couldn’t resist using the lustrous wetspun linen for the pattern!

>Scrapbook of Maine

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The weeks are passing, in some ways quickly, in others rather slowly, and I’ve now been on board our boat Pandora for a full month as of yesterday!  This is the longest I’ve ever been on a boat.  Here are some images from my month in Maine.

Maine 8.21.10 019 Day schooner that sails out of Camden

 

 

 

 

Maine 8.21.10 045 Along the Fox Island Thoroughfare, between North Haven and Vinalhaven.

 

 

 

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Herreschoff 12 1/2 (means the water line is 12.5 feet),  well known wooden gaff rigged sloop from the early 20th c. designed by Nathaniel Herreshoff, “the wizard of Bristol” (RI).

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Bass Island lighthouse, southern most tip of Mt. Desert Island.  This is the most photographed lighthouse in Maine!

 

 

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Our boat, Pandora, is in the center of this photo, taken from the lookout on the way up to Thuya Gardens in Northeast Harbor, on Mt. Desert Island.

 

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Thuya Gardens, designed by Charles K. Savage.

 

 

 

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Thuya Gardens

 

 

 

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The reflecting pond at Thuya Gardens

 

 

 

 

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Bee house at Thuya Gardens.  Bob took this photo for me so I could remind him to make one for our garden!

 

 

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The fog bank rolling into Southwest Harbor on Mt. Desert Island.

 

 

 

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The fog bank coming into the harbor and boats rapidly disappearing!

 

 

 

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The rapidly ebbing tide near Blue Hill.  This type of rushing tidal current is called a reversing waterfall.  This is supposedly the biggest reversing falls in Maine.

 

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Reversing falls near Blue Hill.

 

 

 

 

July BoothBay Maine 2010 059

Morning mist on our friend’s 100 yr. old lobster boat in Oven’s Mouth on the Sheepscot River.

 

 

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Osprey nest.

>Maine Fiber Arts Studios Day 2

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My second day of studio/farm visits was just as fun as the first!  Maine seems to be a great place for inspiration and creativity.  I’m so impressed with the places I’ve visited the past two years.  If I lived here I really enjoy having more exposure to these creative people!

Hope Spinnery:  How lucky for me to finally visit this mill that I’ve heard about for years!  It’s in a secluded spot just inland from Lincolnville, nestled in the woods with a rambling garden surrounding the mill.  The upper floor is a wonderful showroom, while the mill equipment is on the lower floor.  I did not get to meet Bill Huntington who runs the mill since he was off-site teaching a workshop. His mother was on hand to welcome visitors and answer questions.

hope spinnery bldg

In the showroom I enjoyed looking at the rovings and yarns, all colored with natural dyes.  Stunning! 

 

Weaving a Life: Susan Barrett Merrill  Another gem of a studio, hidden in a lovely secluded spot!  Susan is an artist worth knowing!  I must find a way to bring her to NY/NJ so others can experience her charisma and her artistic ideas about weaving and community!

She does amazing things will pulled warp tapestry, creating these marvelous masks.  Maine 8.7.10 011

Maine 8.7.10 013

Some of the masks have an entire community of figures surrounding the mask, and are fascinating creations in themselves!  Susan’s ideas and her active involvement in bringing weaving into everyone’s life and managing community weaving projects is very exciting!  She generously gave me a copy of her book, Zati: the Art of Weaving a Life, and I am so touched by it. 

Susan has accomplished quite a lot toward her goal of bringing weaving into communities through making Journey looms we’ve all seen in recent issues of weaving magazines as well as writing this book and making several DVDs.  Somehow she still finds time for doing her own weaving and creating these incredible masks.  Maine 8.7.10 021
Her method of weaving ancient pictographs or keyforms is the core to her philosophy about understanding our own journey and inter-connectedness.

I hope I can bring her to NJ to share her knowledge and creativity with weavers from my own community!

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