ArgoKnot

Author name: ozweaver

Starting a Nantucket-Style Basket on a Mold

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Nantucket Basket Procedures

It certainly is daunting to consider making one of these baskets so I thought I’d record the process as a resource for my future attempts.  If anyone should stumble here and find help all the better!

My basket teacher is Judy Flanders, a member of the Westchester Basket Guild (NY) and a proficient basket maker and thorough, careful, patient teacher.  If not for her I would still be starting at the DELS website trying to figure out what I need!

Determining the Number of Staves:

1. Measure the rim circumference of the basket mold in millimeters. If you only have access to measurements in inches multiply inches by 25.4 to find mm’s.

2. Measure the width of the staves you have chosen to use (also in mm). To this number add 1.5mm for the space between the staves.

3. Divide the answer from #1 by the answer from#2.

Example: the circumference of my round basket is 800 mm. The staves I have are 6mm wide. Adding 1.5mm to my stave width of 6mm gives a total of 7.5mm.

800 / 7.5 = 106 or 107

This is just an estimate, but it gives me an idea of how many staves to shape.  I will add at least 10% to this number, so I will be shaping about 116 – 120 staves.

10″ round Nantucket mold with two shaped staves

Preparing the mold:  The hardwood on the base of the mold becomes the base of a Nantucket basket, with all the staves firmly attached into a groove.  This base needs to be protected during the basket making process.  I have removed the screw holding the base to the mold and inserted layers of cardboard that were cut to the same circumference as the base.  I have two layers of cardboard between the base and the mold, and one layer of cardboard on the outside of the base to protect it while I’m weaving.  I put the screw through all these layers and re-attached everything to the mold. Ready for inserting staves!

Shaping the Staves: the staves are tapered until they reach the shoulder, or curve, of the mold.  From that point to the rim of the basket they keep their full width.  The length of each stave is about 1″ longer than the edge of the mold.  For a round basket all the staves will have the same shaping; an oval basket would require different shaped staves for different areas of the curve of an oval. I am using two kinds of staves on this basket, and there is an example of each in the photo. Both have been tapered.  There will be eight walnut staves set at equal distance around the mold creating a dark stripe that matches the walnut base and rim of the basket. These positions correspond to the fine dark lines on the mold in the photo above. The rest of the staves in between these stripes will be maple.  I think this will be a striking basket design.

After tapering the ends of the staves that will be inserted into the base, each stave needs to be lightly sanded for smoothness as well as sanded down to a finer dimension in the tapered area.  I want to sand only enough to allow the stave to fit snugly into the groove of the base.  If the stave goes into this groove too easily and is loose it may come out at some point during the basket’s life which would be a hard repair to attempt.  If the stave is too tight it might not fit all the way into the groove which might also cause it to come out at some future point.

I taper the staves using a small hand plane.  I learned that the proper technique is to hold the plane stationary and move the stave against the blade.

I can sand the staves using a small sanding stand or using sandpaper on a drill press. I’m using flat staves in this basket (contrast that to the round staves I am using in my Nantucket purse) so I have to sand off just a bit of the sharp sides so that the staves won’t break my weavers as I pull on them during the weaving.

Sanding the tip of stave before inserting in basket base

June 9, 2011

Steam-bending the staves: Last night I began shaping the maple staves that will go between the walnut staves around the mold.  I’m making 14 maples staves to go in each of the eight sections of the basket.  I presume that will give me a couple extra in each section in case of breakage.

This evening I steamed the walnut staves and placed them around the mold.  Steam-bending involves boiling a pot of water (not a food pot!  I use a small dye pot) and adding the shaped staves to boil for 10 minutes.   After 10 minutes have passed I still leave the pot on the heat as I take out one stave at a time and place into the rim on the bottom of the mold, then quickly but carefully bend the stave to the contour of the mold.  After a couple of seconds I pull the rubber bands out around the stave to hold it against the mold.  Then I proceed to pull the next stave from the pot of boiling water…

NOTE TO SELF: Never boil maple staves in the same water as walnut staves.  Like its nutshells, walnut wood has a lot of tannin and will dye the maple staves the color of walnut!

Thank heaven for these large rubber bands.  I wonder what the sailors used traditionally.

Adding the maple staves

Next, I added one section of maple staves.  The contrast between the walnut and maple will be greater when the staves dry.

one section of maple staves completed

Time to check in with my teacher!  I only got 11 maple staves between the walnut staves, and I should have gotten 12 or 13.  I won’t proceed until I know if this is acceptable!

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Weaving Baskets…some progress

Nantucket purse (cherry), and small ebony Nantucket basket, both in progress

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I now have four basket projects in varying stages.  I need so much hand holding to make any progress that I fear none of these baskets will actually be finished any time soon.  Still, slowly, I’m learning a few things.

Here is one gem I  learned this week from my basket guru/teacher.  At home this month I had started weaving the ‘straight away’ on my Nantucket purse (on right in photo), and one quadrant of staves had begun to go off on an angle.  It was quite unsightly, drawing my eye right to the asymmetry of the weaving.  I was yanking hard to straighten those particular staves every time I came to that section of the basket, but it was not improving!  So I put the basket aside to wait for help from my teacher.  I thought she would tell me to un-weave, but she had a different suggestion!

It turns out I should never leave the basket ‘au naturel’ while I’m not working on it.  When I put it aside for any amount of time I should spray the staves with water, put on the heavy rubber bands, and then position all the staves as best I can.  The next time I weave those staves should stay straight, or certainly straighter.  At the end of weaving I spray and re-band for the next time.  It works!  I’m thrilled that I didn’t have to un-weave anything and that I’ve managed to keep the staves straighter now.  It’s certainly not a perfect basket, but I am happy with it!

I finished lashing on the rim of the  tiny Nantucket, but the day came to an end before I could attach the handle. Sigh... Why does time go so quickly at our monthly basket workshops?  I have the handle hardware assembled and waiting to be attached.  I don’t want to peen the handle rivets without some hand holding, so I just have to wait ’til June.

Lastly, I will spend some time this month shaping about 120 staves for a larger round Nantucket basket that I hope to weave while sailing in Maine this summer.  It occurred to me that weaving a basket could be a wonderful boat project.  However, due to my inexperience and lack of confidence, I want to have all the staves shaped and steam bent and in place around the base of the mold before I head off into the sunset to weave it by myself! I’ll start working on those staves today.

10" round Nantucket mold and "Japanese Wave Weave" covered vase

 

 

 

 

 

 

 

 

 

 

 

 

(Basket #4 is languishing, waiting for its rim.  It’s the tall cylinder that is a glass vase enclosed in basketry, woven with cane, waxed linen and beads in a pattern called Japanese Wave Weave.)

I really thank my stars that I have such a great teacher!

Wednesday Group Tapestry Retreat

The Wednesday Group held a 3-day tapestry retreat with Susan Martin Maffei and Archie Brennan at the end of April.  It was a wonderful workshop, an escape into the Catskills just outside Woodstock, NY, where we lived together at the secluded house of one of our members, sharing meals , working hard each day and sleeping ‘slumber party style’ each night.  We brought food to share, tapestries to critique, and lots of materials for weaving. Our hostess took great care of us with her fabulous cooking and generous hospitality.

First day lunch gathering

Betty Vera, who lives nearby, came to visit for lunch on the first day. She is half way down the table on the right side of photo.  Susan and Archie are at the far end.

We spent the three days reviewing tapestry techniques, mostly how to create smooth angles and revisiting the ‘stealing’ technique.  By the end we were all creating smooth curves with stealing.  I hope to write more on this shortly!  As a finale to the workshop, at our last dinner together we each brought a coin with our name taped to it and tossed it on to the generously full table of food. Now we will each create a small tapestry depicting whatever was within a short radius of our coin.  We spent the end of the workshop creating and practicing ideas for these small tapestries which might someday hang together as “Helen’s Buffet” or “Helen’s Feast” in honor of our hostess!

The highlight of the retreat was being able to buy the first copies of the long awaited DVD on tapestry techniques!  It is an 8-disc set that comes with a booklet.  Gary Benson and  Wed. Grouper Sarah Doyle have worked hard to complete this project. The DVD is in production now and should be available to everyone soon!

Brennan Maffei Tapestry DVD, 8-disc set

 

American Textile History Museum and ATB8

It was a beautiful weekend, although as cold as any day in Janurary, for visiting Lowell, Massachusetts to see the American Textile History Museum and the ATB8 exhibition on display there.

ATB8 is as good as I’d imagined!  I had edited the catalog so I’d seen large digital files of all the pieces, but there really is nothing like the real thing!  What amazing work!  It felt wonderful to see the works of a number of my weaving friends, and to see close up some of the pieces from weavers I do not know at all.  I came away so inspired to think about design and technique in new ways!

Bob and I walked along the canal and the trolley rails, where many of the mills have been turned into residences. There is even residential space available above the textile museum! The canals come off of the Merrimack River and supplied the mills with power.  I wish there had been time to see some of the residential spaces offered.  I’ve always wanted to live in a loft!

Booton Cotton Mill now open as museum and residences

 


 

petting the sheep!

Trolley station, Lowell

garden dress with lace inserts

"S" silhouette garden dress, cotton with lace inserts

Lace blouse, Arts and Crafts embroidery, tatted initials

Lace blouse detail

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Basketry

4″ Nantucket basket with ebony  base and maple rim.
It’s so wonderful to know craftsmen and artists in various fields.  If not for the basket makers I know I would never have had the wonderful experience of learning from Anne Lima.
This little basket took three days to make, and I have a long way to go on the finishing.  My reward for finishing this basket will be to attach the beautiful maple handle with ebony inlay!Ann Lima is a wonderful basket maker and teacher from Matapoisett, near New Bedford and Cape Cod.
She is the daughter of well known basket maker Gladys Ellis, who designed the “Matapoisett Basket” which combines a number of traditional basket techniques with stunning results!

Anne brought a tray of scrimshaw with her, made by a man whose name I must learn!  I had to have this little gem for a future basket.
 

Yes!  I’m smitten….

 

 

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