ArgoKnot

weaving

Try This at Home

Well, I have managed to use synthetic dyes completely unsupervised in my own house.  It’s taken me at least 20 years to get up the nerve and confidence to do this.  I know….  there has never been a logical reason for this, but it’s been a huge hurdle for me to attempt this at home!

I sectioned off about 1/2″ of warp at both selvedges to paint a solid color with the burnt orange.  And then I sectioned off an inch to paint in a pseudo-ikat effect.  Each of these sections was wrapped in it’s own bit of cling wrap to prevent any co-mingling of colors.  Finally, I painted the main, center section.

After a curing period of about 6 hours wrapped in plastic, I uncovered the warp to let it dry.  The far end of the warp is now suspended off the table for better air circulation.

Project Hiatus…

Life, again.  You never know when life is going to take over and make all your plans seem positively ridiculous…..as impermanent as a shadow in fading light.

So Bob and I have been at a standstill for the past few weeks.  He’s behind on getting Pandora ready for its next season of long distance sailing, and I’m behind in using my precious land time to fulfill my own projects.

In honor of Labor Day we are having a quiet day at home (it’s raining so there is no pressure to be out at a picnic or parade this year).  I am returning to my silk warp from the NEWS conference.  I have prepared my folding table and loom with drop cloths to protect everything from dye, and I have been looking at my MX dye charts from decades ago…  Unfortunately, today is not serving up the best light for choosing colors.  Hence, I’m taking a break here to document this project!

What is left of my warp is not long enough for a scarf.  I would have bet money on this being the case, so all along I’ve imagined this last piece being a narrow wall hanging.  My design choices are limited by the threading I’ve already established which is an advancing twill.  I can weave it in sharp advancing points or in undulating advancing hills.  I want to try separating out an inch of warp at each side for an ikat-effect black and white block design to frame the main design in the center.

Now I will begin mixing colors.  I am considering several reds, from a cool cherry red to burgundy to a plum type of red/purple and a deep dull orange in the pumpkin range.  I also want black, and I’ve got the ‘new’ black….hoping it is deep and true as advertised!

And here is a gift from my not so friendly weaving cohort that greeted me on my morning walk.  She also waited out the onslaught of life (in the form of a violent thunderstorm and heavy rains last night) before creating her glorious web sometime early this morning.  I hope I will be as successful!

Putting Inspiration to Use

Today I am working on the warping assignment for my upcoming class at NEWS (New England Weavers’ Seminar).  The class is called “Freedom of Expression,” and it will be taught by Sarah Saulson from Syracuse, NY.

Here is the class description from the NEWS catalogue:
In this dyeing and weaving workshop, we will have lots of spontaneous fun painting warps with fiber reactive dyes, after the loom is warped. This wonderful technique allows weavers to work with color and pattern in a loose, free, expressive way, creating large-scale abstract forms and opens the door to a variety of surface pattern techniques, including stamping and stenciling. We will paint enough warp to explore the possibilities of the technique, and for a scarf. We will learn how to mix our own colors working from primary colors/hues.”

The class materials include bringing an image to serve as the cartoon, or at least as the inspiration, for our warp painting.  I am having trouble narrowing down my images to one or two.

I have been taking lots of photos of my garden recently, but I would NEVER think roses should be my design inspiration.  All that pink and green would surely set my teeth on edge….far too cloyingly sweet for a  handwoven fabric! Then I happened to see this fabric on Cally Booker’s blog.  Just goes to show that I should never say ‘never.’

Here are some of the images that I may try to explore in dyeing a warp.

A Kasuri dyed panel that I’ve had for years

A large painted plate

Several wood block prints, including the nasturtiums I’ve been playing around with for a tapestry design

It might be quite nice to have bright blue and dull blue/green mixed with saturated oranges and golds.  But what would I use for weft??

The purples, greens and golds in this image really appeal to me.


Clearly, I’m intrigued with the possibility of combining blues with a range of orange/golds.

My warp is a natural colored silk from my stash.  It is has a beautiful sheen and a slight slub, and it is somewhat finer that 20/2 silk.  I am hoping that 30 epi will be a good sett for it.  If not, well….. I may have an unfortunate experience. There is not time to sample!….and I realize that is a BIG risk.

I was not able to get good lighting in my studio when I took this photo.  The silk is not this golden.

I am taking a break at the half way point in making the warp.  Now I can get back to it.

Time Warps

“Time Warps: Textiles from Today’s Weavers.”  What a catchy title for the biennial exhibition of works by the Connecticut Guild of Handweavers.

I’ve been looking forward to seeing this exhibition since I got the first announcement back in March.  Nothing like cutting it close, since I am going on the last day it is on view!  Whew!

This is from the Connecticut Historical Society’s event page on their website:

Time Warps: Textiles from Today’s Weavers

April 20, 2013 – May 17, 2013

This juried exhibit of handwoven goods displays the work of contemporary weavers who use both historical and modern techniques and designs. The Biennial Show organized by the Handweavers’ Guild of Connecticut includes articles of clothing (scarves, shawls, jackets), decorative pieces (wall hangings), and household items (table runners, rugs, towels, blankets). The work is produced by members of the Handweavers’ Guild of Connecticut, an organization of handweavers, spinners and fiber artists from all levels of experience who are dedicated to the education, preservation, and promotion of handweaving and spinning.

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What they don’t mention is that Nancy Hoskins was one of the two jurors for this show.  And what a wonderful surprise to see two of her pieces hanging in the show, both Byzantine portraits done in samitum.

There were two rooms of woven items, everything from tailored clothing, wall hangings, rugs, shawls, table linens, even a couple of wonderful soft sculptures.  This is what greeted me when I entered the first room.

The rugs are particularly well displayed in these elevated cases on the floor.  The items on the walls are displayed coming out of frames, which is a great idea, but would have been considerably better if the frames had been chosen to match the width of the items.  Some of the shawls are ‘crumpled up’ in the frames, and I think that looks messy.

There are some wonderfully creative works on display.  The two wonderful soft sculptures are Penelope sitting on a stool, holding her shuttles, with wild, jet black hair sticking straight out from her head and wrapped in yarn to make little pigtails.  (I would love to show you, but I really can’t without permission!)  The other wonderful soft sculpture is a felted owl standing on a perch.  He is beyond description!

I was so inspired by the work in this exhibit!  I’m not sure you can imagine what it felt like to walk through two rooms full of handwovens when I’ve been in such a very different living situation for almost 9 months.  All that intense color and texture and fiber.  It was a rush!

And tomorrow I will go to the last guild meeting of the year (my first and last this year).  Bring it on!

Thoughts of Home

It is truly springtime in southern New England now, and I’m feeling a bit homesick.  I heard that the peepers are calling at night, and the forsythia and daffodils are in bloom!

Bob happened to get the New York Times on Sunday, and saw this editorial, “The Rural Life: A Box of Sheep,” by Verlyn Klinkenborg, which he sent to me.  It put me in mind of springtime all across the continental US.

Klinkenborg wrote: I set the box on the kitchen table, opened it with a knife and folded back the newspaper inside. The scent of sheep rose like a genie from a bottle — a genie who used a lot of lanolin. This was the fleece from a Cheviot sheep, sheared only a few days earlier.

I can see that flock of sheep, moving out into the fields now, at least during the mild days, feeding on the lush new greens of spring.  The ewes are lambing so there are frolicking little wooly creatures in those fields as well.  I remember the little lambs that Susan and I held in our arms at Kinderhook Farm in New York state. In my new little part of the world on the Connecticut River, I have seen a nearby sheep farm and an alpaca farm.  I can’t wait to visit!

I’ll be arriving home in time to visit the Connecticut Weavers’ Guild biennial exhibition in Hartford.  There will be one more guild meeting for me to attend before the summer hiatus, and you cannot imagine how excited I am to reconnect with weavers!  In July I’ll be going to the New England Weavers’ Seminar.  My landlubber life is starting to call to me!

Meanwhile, life here is still quite fascinating.  On our last day in Little Harbor we visited the smallest blue hole I’ve ever seen! The water around the hole was barely ankle deep, yet in the hole we could see yellow tangs, parrotfish, sargent majors, and some varieties we don’t yet know!

We spent some time with Bret and Kristin and saw the pieces coming out of their plaster shells.

On our last morning in Little Harbor we took a walk along a residential road.  One property had quite an elaborate tropical garden.

The weather is decidedly different now, and we’re not sure if it’s because we are now in the Abacos or because it’s now April….or both!  We’ve had some terrific squalls that brought lots of rain, the first we’ve had in almost four months.  On our walk we found some orchids that we think are Epidendrums that are just now setting buds.  I guess the wet season will be here soon….and then the hurricanes!

We have spent two days in Marsh Harbor, provisioning, doing laundry, and  Bob found a barber!…his first haircut since December!  He is thrilled, but I thought his longer hair was quite cute! While Marsh Harbor did not inspire us to take photographs, I am thrilled beyond words to now have onboard two avocados, several tomatoes, and a green pepper!  Can you say guacamole?? We may now have enough lemons and limes to last ’til I leave! Even better than that are clean sheets and towels!  And Marsh Harbor has a lovely spot to relax called Curly Tails!

Yesterday we wandered into Curly Tails for the second time in late afternoon and saw on TV the coverage of the Boston Marathon tragedy.  Being in this simple place, where people have so little and yet, on the whole, are so thankful for their little piece of home, it seems impossible that there could be such malice in the world.  I cannot fathom it.

Shortly we will head to Hopetown.

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