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Well, it’s another beautiful summer in Maine, and I’m so lucky to visit other amazing fiber farmers and fiber artists’ studios!
This year’s plan was a bit more involved than previous years, and it was a fun adventure! My husband wanted to attend a rendevous for the Seven Seas Cruising Association on Islesboro so we worked out a plan to take the ferry to Lincolnville on two of the weekend mornings. The first morning we hitchhiked partway and got a cab partway to get back to our car in Rockland. Then, at the end of the day, I left the car at the ferry terminal so it would be handy for our second day of sightseeing.
This is the eating area of the snack bar at the ferry terminal on Islesboro. It’s about 7am, and the fog bank is rolling away to reveal the Camden Hills and the beautiful day ahead!
It took two hours from the time the ferry left ‘til we had our car, although the ferry ride was only 20 minutes! We also got picked up hitchhiking a lot faster than when we waited for the cab in downtown Camden!
Day one of fiber sightseeing included Eolian Farm where no one was home, too bad for me!
These photos were taken outside Swans Island Blankets on Rte. 1, just outside of Lincolnville. What a stunning 18th century farmhouse they use for their showroom! 
We saw the looms as well as the dyeing room.
Two Sons Alpaca Farm in Damariscotta was the farm highlight of the weekend for me! Owner Ricki Waltz was very happy to talk about her animals to us, a fascinating blend of alpaca husbandry and tales of the various personalities in her herd. The babies were adorable and had quite distinct personalities right from the start!
Timberdoodle 2 (alas! no website!) is a lovely studio overlooking the water near Cushing. It’s a tiny, perfectly appointed showcase of Kathryn Woodstock-Lynn’s lace spinning and knitting! Using traditional Shetland techniques, learned from such venerated knitters as Gladys Almedro, Sharon Miller and others, she knits lace shawls and wraps of her own design. Her spinning is exquisite and so is her dyeing! There were two large hatboxes of yarns for sale, each with enough to make either a shawl or a scarf. One box held natural colored yarn, the other was full of her hand dyed creations. She blends acid dyes into a stunning array of colors. I dearly wanted a ‘red’ but did not have the pocketbook for it this summer. I did buy a Shetland/Oxford mix dyed an indescribable mix of pink/lavender/tan ….just a small ball that will make a lovely scarf.
Katharine Cobey. When I entered this studio I instinctively knew that I was in the presence of an artist, and that her studio was probably going to be the highlight of all our travels this summer! Her studio and its setting along the water is as artistic as Katharine herself. The wall of glass that faces the water must provide an ever changing inspiration to her spinning and knitting. When I entered Katharine was reclining in an overstuffed chair with ottoman, knitting away on a current project. Her large Rio Grande ‘sitting great wheel’ was nearby, and one of the first things she did was give me a demonstration on how it works! I’ve always wondered how one could sit and spin at a great wheel, and after seeing Rachel Brown’s simple technique which Katherine does so well, I am awestruck by what a simple feat it is to change from spinning off the spindle to winding on without stopping the wheel. Thank heaven for Rachel Brown! Katharine made it look utterly simple, but when she encouraged me to try it I quickly learned that I’d need several hours (or days!) to get the hang of it!
Part of Katharine’s studio is a showcase for some of her work. There was a display of knitted mantles arranged in a circle and exquisitely lighted called Ritual against Homelessness. They were beautifully moving. There was also a wire-knitted form on the wall that was wonderful. The form itself was interesting and was greatly enhanced by its shadow. The combination of real form and shadow were terrific together.
On leaving, Katharine handed me one of her postcards which is when I realized I knew of her! I had seen Boat with Four Figures at the Portland Museum a few years back, but didn’t realize she was the artist! I’m thrilled to have met her!
The acid dyed skeins and one sock blank skeined double. Colors used in these skeins are “bright red,” “cranberry,” “maple sugar,” 
