travel

Our first grandchild is arriving in only 3 weeks, if not sooner.  I am over the moon with anticipation at seeing the child of my son and his wonderful wife.

Can you imagine how I’ve been knitting for this new little Osborn?  First, a sweater by Stephanie Pearl McPhee called “Nouveau Ne” that made my heart race.  How perfectly she has interpreted the delicacy of babyhood without designing something too feminine. Little rows of brioche stitch separated by a garter ridge…lovely!  You see, we do not know what gender this little Osborn will be, so this pattern strikes the perfect note of sweet babyhood without femininity.  I think this sweater is just luscious, made even more sentimental to me by my addition of buttons made from shells that we collected in the Bahamas, where this baby’s mother and father visited us for two winters in a row. The yarn is a wonderful blend of superwash merino and silk.

Then came a baby blanket, a lace design by Eugen Beugler called “Lace Plumes.”  I don’t think it’s too feminine of frilly either.  It is a slightly heavier weight of superwash merino and silk.  Only the finest for our new Osborn!

Little Nugget (as we’ve been calling her/him for some months now) will be arriving anytime between now and December 14 (you may ask how I know that!  …because if Nugget doesn’t arrive by then she/he will be brought into the world on the doctor’s schedule, due to some conditions that are a little worrisome), so of course Nugget needs a Christmas sweater! And Nuggets’ mom has asked for knitted baby pants to go with a Christmas onesie.

I’ve just finished the pants but will wait to adjust the elastic waistband when I know what size to make it. I liked the proportions of this knitted fabric which was made with Cascade “Forest Hills.”

Yesterday I started the Christmas sweater, a design by Sorren Kerr called “Anders.”  It is adorable…. but it called for sport weight yarn.  Hmm….

..I’m not so pleased with how the yarn looks at this scale.  It seems a tad bulky for a baby.  So I started it again in the same yarn I used for the baby pants–Cascade “Forest Hills.”  This yarn is a 50/50 blend of merino and silk.  It is not superwash so there could be some disaster in wait on its first wash.  I’m willing to take that risk.

Here’s the difference between a sport weight version and my lace weight version.  I have re-written the pattern to get the size right in the lace weight yarn.  I like it!

I got the Ewe (love) Ewe at Knit New Haven when I visited the Andean weaving exhibit at the Yale Art Gallery back in September.  I think this yarn would be fine for a toddler or pre-schooler so I’ll just save it ’til then.  Meanwhile, maybe I’d better see if I can get another ball in the same dye lot so I have plenty for that larger size.

So….just saying….I prefer fingering or lace weight yarn for babies.  This means I have to re-write the whole pattern for Little Nugget, when time is short.  Still, what a nice way to spend my time as I await the big arrival.

 

 

 

Where has the fall gone?  To traveling…. for Cuba talks, for visits to the publisher of the “Archie book,” and to our son and his wife who live in Maryland.  I can barely keep up and while there is so much I wanted to write during this busy time, I now feel burdened by chronicling all that has happened in the past two months.

Perhaps I just need a photo journal of what has sluiced over the dam in the past weeks.

In September I visited  the Yale Art Gallery twice for the exhibition on Pre-Columbian textiles. I was most impressed with the edgings on many of these textiles, even beyond the incredible weaving which we still do not fully understand!

Look at these 3-dimensional bird figures!

It was powerful to look at these textiles that have survived the centuries, some of them even a millennia.  It was not always obvious which ones were from the current era (meaning 6th through 14th centuries) and which ones were truly ancient. Could anyone stand before these expertly woven, richly colored and imagined figures without thinking of the hands that wove them, the ever succeeding generations of hands that reinterpreted these cultural symbols, and the climate and care of handling that have preserved these textiles for so long.

There have been glorious fall days for walking along my favorite river, but not any time yet to put my own gardens to bed.  Funny how chores don’t go away; they just wait for us to finally pay attention to them.  Autumn skies dominate the views at this time of year.

I photograph this garden gate several times a year.  I love the changing seasons in the garden it encloses, from roses to hydrangeas, and the lichen that grows on it.

At the height of the fall color I had a chance to visit Lavender Pond Farm and see the fields of purple flowers against a background of autumn trees and a sky full of puffy white clouds.

Bob and I were gone more than half of the month of October.  We visited Archie Brennan and the Schiffer Publishing twice during the month and gave a number of talks about our extended visit to Cuba last winter.

Schiffer always does a such a nice job of welcoming us.

The camera equipment they loaned to us in order to do our photo shoot was really massive.  Bob is repacking the car in order to fit the mammoth carrying case of 3 strobe lights and 3 reflective umbrellas in our little station wagon.  The publisher is located in a beautiful farming community near Lancaster, and they have a lot of artwork on display in the surrounding fields.

It was a daunting job to photograph the tapestries that still reside in Archie’s possession.  We had two long days getting set up to take the photographs, take the photos, and log all the information into a spread sheet.  We are pleased with how well it went, and Archie was quite a trooper.  We could not have done it without the help of a local friend and Wednesday Grouper and her partner.  Huge thanks to Alta and John who have now helped Archie get all those tapestries back into storage.

The week before the photo shoot Archie showed me his works and reminisced about many of the pieces. He has certainly lived a fascinating life and has countless interesting stories about every tapestry he has made.  What a creative mind he has! You can partially see that we are surrounded by works still in packaging from storage.

Getting down to business!  John and I are holding up “The Lymerer,” a reconstruction of part of the “Hunt for the Unicorn” series.

Archie and I are tired but happy at the end of a long day.

There is lots more work ahead on this project, but this was a major accomplishment on the road to having a book!

Bob has now given more than a dozen “Cuba talks,” and I have participated in a small way in some of them.  He has written an article for “Blue Water Sailing,” and I have an article in the current newsletter of the New England Lace Guild.  Every time I see our photos from the trip I still get a thrill.  As Bob says, we lived it once and can tell the story forever.

At this particular event, there was a Cuban themed dinner to go with Bob’s talk.  We wanted our picture taken with the chef!

And or course, our personal lives go on, filled with lots of family happenings.  We are now only a month away from welcoming our first grandchild into the family fold.  There was a lovely shower for the mother to be in October, and we attended that in between our trips to the publisher and to Archie.  I have been knitting like any enthusiastic grandmother and will soon be finished with my first attempt at knitted pants.  My good friend Mary, who often factors here as my lace making mentor, has shared an idea of hers for doing embroidery along the neckline of a onesie.  I will have to embroidery at least one onesie to go with the knitted pants.  Then there will be a Christmas sweater too.  It’s all fun and very therapeutic as we wait for Baby Nugget’s arrival.

There has also been a wee bit of weaving.  Well, not actually weaving, but preparations to weave.  I have taken quite a hiatus from my next Just Our Yarn project of weaving yardage.  I’m about 7/8’s done with dressing the loom.  Initially this yardage was planned for an origami top, but who knows.  I just want to weave and can barely ever focus on what the fabric might become.

Later this week I will participate in a workshop on rep weave with Lucienne Coifman,who recently published a book on this technique.  She is a well known teacher in Connecticut, and I’m looking forward to learning her technique during the class.

She requested that I make two warps for my assigned rep structure, and she also insisted that I warp front to back.  Well, it was a challenge dealing with two layers of warp and going front to back which I haven’t done in about 30 years.  Thank heaven I have a good friend who has done lots of rep and always puts her warps on front to back.  Otherwise, I might have been pretty embarrassed when the first day of class rolls around.

First warp, solid grey:

Second warp is shades of purple into red:

Getting the two warps on my Baby Wolf. There is only one thread that broke during winding on, and it is hanging off the back in the midst of the grey that is on the lower left.  I will rejoin it when the other broken end shows up during weaving.  I am ready to go!

So, lastly I’ll end with a couple of personal notes.  Bob finished renovating the master bathroom–yahoo!  It only took 4 1/2 months!  It’s a lovely place for displaying some of our shells from the Bahamas and Cuba.

I framed my tiny tapestry “Postcard from Home: January Fog on the St. Mary’s River.” The name is certainly longer than the size of the tapestry!  After it’s trip to the Orkney Island and a bit of Scotland, it now resides in our older son’s living room, on a table he built himself.  I should talk about his stellar cabinetry making sometime soon. I should  have taken a photo that showed the beautiful walnut slab he used to build this table.

There was one glorious day when I joined a friend on a trip to New Hartford and stumbled on this sewing/quilting/felting/spinning shop that had a wall of merino rovings to choose from. It’s called Quilted Ewe.

Slowly I’m getting ready for winter and hopefully there will be some weaving before we head south for warmer weather.  Meanwhile, my main focus will be the “Archie book.” The text is done and many of the photos are already keyed into the text.  Just need to keep plugging away at it.

 

 

After a winter of dreaming about weaving, it was hard not to get right down to it when I returned home.  During the 8 weeks of waiting for surgery, then recovering and waiting for the pathology reports I distracted myself with knitting.  Last week I finished the warping process and got down to weaving!  Boy, it feels great!

Some weavers have asked for more info on this project, so here it is.  The warp and weft are two entirely different colorways of Just Our Yarn “Almaza,” which is an 8/2 tencel thread.  One colorway is a bit on the cool side, with blues and purples, jazzed up with a bit of acid green and soft roses.  This is my warp.

The weft is a rather bright analogous colorway of watermelon, coral, pale peach, and cream that is very slightly yellow.  It looks like candy.  It’s NOT a colorway I would ever buy on purpose!  And yet I did, at the suggestion of Cathie and Diane from JOY.

Here is a bit of plain weave showing the color interactions.

The weave structure and the two very different colorways are creating an amazing fabric!

I planned the fabric at 35 ends per inch to weave a fabric with enough body for a garment.  If I were weaving a scarf I would have used fewer ends per inch.  My weave structure is a blend of plain weave with lace floats in the warp and weft.  I am using one of the designs in the book Sixty Scarves for 60 Years that the Greater Baltimore Weaving Guild published a few years ago.  The name of this pattern is “Raku” by Carol Bodin.  I am sorry to learn that this book is now out of print.  Time to consult your guild library!

Carol Bodin describes this structure as a lace overshot.  I can’t follow that.  To me it seems like a lace structure with advancing lace modules of 1-2-1, 2-3-2, 3-4-3, 4-5-4…etc with a plain weave structure surrounding the lace elements.  Make sense??

I put the basic weave structure into my PCW program which I wrote about here.  Then I had to make the BIG decisions.  The pattern moves across the warp in one direction only.  Did I want that or did I want a mirrored repeat at the halfway point across the warp?  Did I want to mirror every pattern repeat?  After sampling these ideas in PCW, I decided to leave the structure in its simplest form.  Mirroring every repeat made a very busy fabric that looked like a headache waiting to happen!

The width I have on the loom is 16″ which means I’ll be using two lengths of fabric for fronts and backs.  I can mirror the weave structure when I put the garment together.  To make any mirrored design elements in the fabric would have made the overall design too fussy.

This is less fussy:

I’ve woven 3 1/2 yards of the lace structure, and now I think I’ll switch to plain weave for the next 2 1/2 yards.  This way I’ll have some complex fabric for the body of a jacket and some plain weave for front bands and sleeves.  It would have been so smart of me to choose a garment pattern before I began to weave, but that’s just not the case.  This is a case of wanting to weave the fabric and the devil make care what it becomes!

When I’m not weaving I’m enjoying the garden.  August is almost here, and the heat is starting to build.

I’ve had a couple of wonderful experiences that have inspired my weaving ideas lately.  More on that next time!

 

Area 4 of the Connecticut Guild of Handweavers is setting up a monumental weaving display in Old Lyme, at the Historical Society on Lyme Street.  This location is the old grange building.

One of our members, Stephanie, has temporarily brought a large Clements loom to the building in order to demonstrate weaving traditional coverlets for the next few months or longer.  It is a behemoth of a loom, with a 9-foot weaving width!  It takes four people to weave:  two people sit on the bench and coordinate working the two sets of treadles, while another two people have to stand at the sides of the loom to throw the shuttle, catch it, and send it back.  This will be a challenging exercise in team work!  I can’t wait to try it!

Right now we are winding a 9-ft. wide sectional warp of moderately fine cotton.  We have 54  2″ sections to wind.

As you can see, it takes a few of use to beam the warp as well.  It will certainly be a project that involves all of us helping out in various ways.  Several members plan to weave coverlets for themselves, and the rest of us will be needed to stand in as the team of four weavers.

Jody got a photo of me at the other end of the loom.  The loom is on a stage so there is terrific lighting.

We are meeting on Tuesdays and Saturdays to work on this, and we plan to be weaving the first coverlet by the last week in July.  If you are in the area, stop by on one of those two days!

Meanwhile, at home, I have been working on an old Torchon lace project from a few years back.  I cut off about a yard of this lace a couple of years ago to embellish a linen tank top.  It’s a small lace edging that would be perfect on a baby garment. With the baby arriving in December, I need to churn out this lace, especially if I’m also making the garment to go with the it!

This has led me to time how long it takes me to make this little lace edging.  Two repeats of the pattern is one inch long.  I can do two repeats in about 25 minutes, give or take.  Hmmm… that amount of time sounded pretty discouraging to me until I then calculated that one yard of this edging would take about 15 hours to weave.  That sounds much better to me.  I’ve been working on it a couple of hours a day since Saturday at my monthly lace meeting.

When I cut it off for my linen top a few years back I only left about four inches attached to the pillow.  Today I measured it and found that my efforts here and there over the past few days have advanced the edging to 20″!!  That should mean that I have less than eight hours to go!

Last Friday, when I attended Kathi Spangler’s funeral mass, I met three very intriguing women in Kathi’s life:  her daughter, her sister, and her mother.  I was moved by how much they looked like her, how much of her I could feel emanating from each of them.  It was quite comforting to know how she lives on in each of her close relatives.  Of course she lives on in each of us, but it shows in her female relatives because you can see Kathi looking out from their eyes–young Kathi in her daughter’s eyes, a very familiar Kathi in her sister’s, and the Kathi we will never get to know in her mother’s eyes.  These three women were wearing scarves Kathi  had made for each of them, and the women of our guild had a good showing of Kathi-inspired ‘surprise’ scarves.  It was a moving celebration.

One day last week, two friends stopped by my house for a bit.  Jody returned my little container of limpet shells that I collected in the Bahamas, and we spread them out on the kitchen island to pick out a few buttons for the first baby sweater I’ve knitted.  Here they are!

The little limpets on the bonnet will be used to attach a ribbon on each side for tying.  I just need to find a good color of cream …or maybe one of the warm colors in the limpets…for the ribbon.

In my studio I have some yarns that Kathi shared with me that are waiting to become fabric.  I will enjoy thinking of her as I dress the loom and weave.  Right now I’m struggling to thread the pattern and wondering what has happened to my brain.  I’m making a LOT of mistakes in what should be a simple huck threading.  I’m hoping its just a temporary residual effect of anasthesia and not that I’m truly becoming feathery…

 

Regret is an emotion I try not to nurture, but I almost named this post ‘regret’ — I’m fighting the urge to give into it.  I got the shocking news last night that one of my local area weaving friends died…. unexpectedly to me.  I did not even know she was sick.

Some of you know that I am a relative newcomer to this area, so I haven’t known the local weavers here for very long.  Some of them have been so generous in including me in local events and welcoming me into their magical circle of friendship.  Kathi has been that kind of friend to me.  In the small amount of time I have lived here, only four short partial years, Kathi has been a good friend, and I have seen first hand what a marvelous weaver she was.

In this photo she is wearing one of her handwoven scarves, which reminds me how she loved jewel tone colors like what she is wearing here.

When Convergence was in Rhode Island, in 2014, she was in charge of setting up an exhibit that would greet visitors who entered one of the sites off the conference grounds.  It was the entrance to a building downtown Providence that, I believe, is part of URI.  The exhibit on display within the building was ATA’s small format tapestries, and all the windows at the entrance to this building were filled with various kinds of weaving done by Rhode Island guild members.  It was a visual feast and it let you know immediately that you had arrived at the right location.  It was a grassroots effort to get more weaving in public spaces, and it was beautiful.

One day last fall Kathi invited me to meet her in Rhode Island, where she lived.  We met for lunch and then she took me on tour of URI’s textile department at the Kingstown campus.  First she showed me the exhibit on display in the gallery, called “These are a Few of My Favorite Things,” which was a lavish collection of pieces chosen by the staff and the curator, Margaret Ordonez.

I hope Kathi realized how much I loved this entire experience.  The exhibit included so many amazing textiles from the past several centuries that included handwork from many cultures.  We met Norma Smayda there who was visiting with a few of her students.  When Kathi introduced to me Ms. Ordonez, we were treated to a tour of some of the textiles currently being restored by students and also took a look at some of the classrooms.  Boy, if I could do it again, I’d be a textile student at URI!

Kathi did a lot of work for the Connecticut state guild, and this is something I can barely record since she was involved long before I ever moved here.  While I have lived here she was the head of a committee to grant scholarships for weavers to attend various conferences around the country.

Last fall our local group had a long weekend workshop with Sarah Fortin.  We all brought handwoven yardage that we then assembled into jackets based on patterns that Sarah had developed over the years.  Kathi’s jacket was one of the most interesting.  She had woven a variety of twills on one warp using neutral creams, greys and blues.  Because she had changed her treadling throughout the yardage, she had quite an interesting mix of pieces to go into her jacket.  I kept hoping I’d see her wear it one day.  I never saw it finished.

My local weaving group remembers Kathi for her easy going attitude and terrific sense of humor toward trying new techniques.  I was lucky to take two workshops led by Kathi where we made what she termed “Surprise Scaves.”  For these workshops Kathi brought a rainbow of ProChem MX dyes in little squirt bottles, a large pot black acid dye, and a pot of dye discharge.

The process she taught was folding silk chameuse scarves (dry!) in shibori style manner, and binding the folds with rubber bands.  We then used the squirt bottles to apply color to our folded scarves. We set the color on our dry scarves with vinegar from another squirt bottle  After that we put our folded scarves in the hot black acid pot.  Then we took off the rubber bands and readjusted them in a random way and dunked our scarves in the exhaust bath.  After removing and cooling a bit we undid our little bundles and everyone had a stunning scarf!  It was completely unpredictable and yet also magical!  I participated twice in this workshop, but but the time I joined this group this was already a popular workshop, so the group does it almost every summer.  In fact, we plan to do one in the near future in remembrance of Kathi.

This is not a great representation of her ‘Surprise Scarf’ technique.  I was looking for a photo of all of us happily squirting dye while scarves were drying on the racks, ruffling in the breeze….alas.  Maybe someone from the group will send me a photo.  Meanwhile:

I know that Kathi was very active in both guilds in Rhode Island and Connecticut, so many of those members have far more memories of her than I do.  I regret that I will not get to know Kathi  longer.  She was one of my favorite friends, however new our friendship was, and she was also one of the most creative and experienced weavers I have known.  I am trying to focus on how lucky I am to have gotten to know her, however briefly.  Her funeral is Friday, and I intend to wear a surprise scarf to the service.