ArgoKnot

Author name: ozweaver

>Where will you weave this summer?

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Yikes!….I wrote this two weeks ago and somehow didn’t post it….

A successful few days of weaving while on board our sailboat, Pandora, has me thinking about where other weavers work during their travels.  What comes to mind first is a wonderful travelogue tapestry by Susan Martin Maffei that chronicles a train trip she took from New York westward across the country.  It’s a multi-panel work with 2” x 2” tiny tapestries mounted on the panels, depicting the landmarks and landscapes of her trip. Susan has also brought small copper pipe looms on airplanes and woven while in flight!

I imagine many weavers must bring looms on vacation (floor and table looms as well as frame looms for tapestry), and I’d like to know where you will be weaving this summer!  If you read this, please consider leaving a comment of where you plan to weave while you are away from home!  I’d like to picture all the wonderful places where weavers will be working on their projects.  I might make a map (if I can figure out how!) showing all the vacation weaving places I hear about.  Or if you plan to blog about your summer weaving, send me a link! 

I have just returned home this morning from a trip along the Chesapeake.  It started in Williamsburg (by car!) with a visit to my parents and some friends, and ended with a week of sailing in the Chesapeake.  For my part in this summer weaving list, I can say that I worked on my current tapestry in St. Michael’s harbor, Maryland, and at a lovely anchorage off Gibson Island in the Magothy River, also Maryland.

St. Michaels harbor

St. Michaels harbor on the eastern shore of Maryland.

>Second Weaving Trip!

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Late last week I visited Shelburne Falls, Mass, with a couple of weaving friends.  It was open studio week at Vav Stuga.  We had made our plans too late to participate in weaving on the looms, but we were happy to make the trip to visit the town and check out this weaving studio!

 vav stiga

Shelburne Falls is known for its “Bridge of Flowers,” and we learned that the bridge has been turned into a small botanic garden, planted with trees, vines, shrubs and many perennials.  In May there is a lot in bloom!  Azaleas, wisteria vines, iris, Solomon’s seal, columbine, poppies….well, I just cannot name them all!  There were plenty of summer blooming perennials starting to bud! 

The Bridge of Flowers was started in the 1940s by a group of volunteers on an old trolley bridge .  For many years it was known as the “Bridge of Weeds.”  It is now supervised by a professional gardener, but still requires the hard work of many volunteers.  While my friends and I walked across, we saw one volunteer hauling numerous wheel barrow loads of black dirt onto the bridge. 

May Garden and Vav Stuga 004

May Garden and Vav Stuga 006

We stopped at WEBS on the way up and had a fun shopping spree!  Their spring sale was in progress, and we each got some wonderful things!  My most exciting purchase was two cones of tencel in complimentary colors to recreate the two-block twill fabric that was on Bonney’s loom when I got it.  That’s the fabric I wrote about earlier this month!  It will be wonderful to have my own version!

On our first evening in Shelburne Falls, we met the business manager of Vav Stuga who happens to be living at the Dancing Bear, where we stayed.  She mentioned that there was one cancelation for Friday, and after a little discussion, my friends agreed that I could take the spot!  Lucky me! So while my friends toured the town on Friday morning, I wove at one of the looms!  It was a rep weave project in colors that were just perfect for both my kitchen and my family room!  I loved the studio (sorry, no photos…but you can check out the website! I was too busy at the loom!), and I enjoyed weaving in this setting!  Now I hope to visit again for one of the week long classes.  Becky (owner), Susan (business manager) and Celeste (apprentice) do a wonderful job of creating a calm setting with lots of good weaving energy.  The studio and living spaces make you feel like you’ve just entered a Karl Larsson painting!  It’s lovely.

Here’s my runner!

May Garden and Vav Stuga 007

>Weaving trips!

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It’s full spring now, and I have just treated myself to two weaving trips!  I feel decadent, and it is wonderful!

First was a two day workshop and evening lecture at Jockey Hollow Weaving Guild, which is in a beautiful part of New Jersey, just west of Morristown.  This is horse country with lots of historical, colonial sites…not that I visited any of them since I was busy weaving!

The workshop instructor was Ruby Leslie from New Hampshire, and her class was titled “50 Ways to Weave Your Color.”  Seventeen students each got a warp from Ruby in the same colors but different color sequences with different weave structures.  We then had a very organized round robin of weaving over the two days.  It was great!Ruby Leslie workshop 042010 007

Huck Weave with dark weft on a shaded warp

 

 

 

Ruby Leslie workshop 042010 010

Advancing twill on a different shaded warp with dark bars between the color changes.  Woven with a dark weft

 

 

Ruby Leslie workshop 042010 009

Bumberet.  Lots of variation here.  Warp stripes in bright colors on muted background and weft, or more subtle colors when the bright colors sections are not raised.

 

Ruby Leslie workshop 042010 018

Color and Weave Pinwheels, using multi-colored warp instead of just light/dark. Weft also shades through the various pinks/terracottas and the various greens.

 

Ruby Leslie workshop 042010 013

Asymmetric plaid, woven either in straight twill or plain weave.

 

 

 

Ruby Leslie workshop 042010 014

Double weave, with color striping and dark weft.  There were two versions: one in cotton and one in tencel.

 

 

There were 17 looms, with six weave structures to try, so there were three each of 5 structures (bumberet, huck, adv. twill, plaid, color & weave) and two looms with double weave.  Everyone went home with six samples and some of us went home with 7 or 8 eight samples.  It was extremely well organized!  Ruby will be teaching at Convergence this summer, and I’m sure her students will be happy they chose her class!

While Ruby has lived in New Hampshire for many years now, she is originally from Queens.  She made a comment that she likes to receive tiaras from her students as a light hearted reference to her ‘royal’ roots.  One of the students really outdid herself by making Ruby a felted tiara late at night after the first day of class had ended! 

Ruby Leslie workshop 042010 027

Ruby in her felted tiara!

 

 

 

 

News of my second weaving trip to follow!

>A Weaver’s Legacy

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An amazing turn of events last week brought three weavers together after three years…

About three years ago, a good friend of mine died from complications related to breast cancer.  She was a very artistic woman, someone I admired.  She wore her handwoven clothes with enviable flair, and she knew how to accessorize.  When she could no longer sit at the loom she continued to knit accessories that were as striking as her woven items.Bonney Ford crop

(Well, this is not the best photo to demonstrate Bonney’s fashion flair, but do notice the t-shirt on the sheep                commemorates National Spinners and Weavers week!)

 

Her daughters held a sale before selling her house, and I got some precious items which always make me think fondly of Bonney’s friendship.  I have two shirts, commerically made, that look deceptively handwoven, a sterling jewelry pin of a castle-style spinning wheel, and Bonney’s 8S  Baby Wolf.

When I got the loom it had samples on it, lovely samples of what looked to me like a ‘Sharon Alderman’ fabric.  There were several small samples, separated by unwoven warp.  The warp looked like 20/2 mercerized cotton in a medium grey.  The weft was the same size cotton in ‘rust’ or ‘burnt sienna.’  The color difference between the warp and weft made a lovely iridescence in the fabric, giving the finished cloth the look of silk.Ruby Leslie workshop 042010 044

 

 

 

 

 

 

 

 

I thought of weaving off the rest of the warp, but when I went searching for what the treadling might be I did not find this pattern. Also, I did not have the weft.  Eventually I cut the fabric off the loom so that I could warp it for a weaving workshop.  I thought I might serge the fabric samples and give one to each of Bonney’s good friends in my guild, keeping one for myself.

But I never did it.  The fabric has lain on top of my serger now for three years….

During these three years my path has occasionally crossed the path of another New Jersey weaver from the Jockey Hollow Guild.  I heard her name numerous times through mutual acquaintances, and I finally met her during her guild’s holiday sale last December. 

Last week when I had again warped this loom in readiness for a weaving workshop from the Jockey Hollow Guild, Sally was the organizer, so our paths crossed again. 

At one point during the workshop Sally offered to tweak my loom into better working condition.  I mentioned that this loom had belonged to a good friend who had left this life.  I asked if she had ever known Bonney, who had on occasion attended meetings at Jockey Hollow.

Well, Sally did know Bonney. In fact, some time before Bonney’s final days, Sally had visited her to weave off some samples that were part of an exchange (indeed, a Sharon Alderman design). Shortly after that visit Bonney died, and Sally did not know what became of the samples or of  Bonney’s loom.  The participants in that exchange never got the samples.

Isn’t it interesting that I had wanted to give those samples to some of Bonney’s friends, but I just never could bring myself to cut them apart and serge the ends?…. and equally interesting that I kept hearing about Sally from a couple of friends.  I, too, had visited some meetings of Sally’s guild, but I did not met her until recently….  And it is interesting that we did not get to the subject of Bonney and her loom on our first meeting, but obviously it was meant to come about at some point.

I think Bonney knew it would happen, all in good time, and I think she smiled when it finally did.  I will miss seeing the yardage in my studio, but I’m immensely happy that it will go to the recipients who were always meant to have it.  It’s a lovely length of finely woven cloth.  Good weaving endures, friendship endures.  It’s all good.

>Weaving Mix and Match

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There is so much stuff going on here that I’m on a roller coaster that vacillates from highs of excitement to lows of panic when I think major things are falling through the cracks and I’m certain I cannot keep up!

The highs:  Archie’s blog is finally up!  It’s something I’ve wanted to do for months.  I have wanted to share some of the many photos and some excerpts from his writings. It just doesn’t feel right to have access to all this incredible stuff and not share it, ‘share the love,’ so to speak, throughout the process.  Meanwhile, others have contacted me that they have things to share as well!  That’s exactly what I was hoping! I installed a counter yesterday (should have done it from the beginning, a week ago) and found that there were 70 visitors in less than 24 hours!  Boy, do I love looking at that counter!

The Lows: none of the lows are bad things.  In fact, they are all wonderful things!  It’s just too much all at one time, and I’m certain I will lose track of some important bit no matter how many ‘notes to self’ I write!

I have tapestry work to do.  At the other end of my medieval lady’s head I’ve started my ‘talking pears,’ or ‘pair of pears,’ which is a Wednesday group project.  Various. 3.24.2010 006

This is the cartoon.

 

 

 

Next week I will participate in a workshop at the Jockey Hollow Weavers’ Guild, which meant I needed to warp a floor loom by the end of today.  The instructor is Ruby Leslie from Vermont, and the class is “50 Ways to Weave Your Color.”  I really enjoyed warping my Baby Wolf. I love to warp floor looms!  It’s very zen to me and feels as good as doing yoga!  On the flip side, I don’t like throwing the shuttle so much.  I’d like to dress looms and have someone else weave the cloth for me.Ruby Leslie workshop 042010 003

If you click on this to magnify it, you’ll get an idea of how well Ruby blended colors for this warp! It’s an 8S straight draw with a tie up for weaving lozenge shapes.

Ruby Leslie workshop 042010 006

Who doesn’t love a freshly dressed loom?  All the potential for beautiful cloth lies ahead, and none of the tedium of throwing the shuttle has dampened the excitement!

Oh, and there was another bonus to taking this workshop.  I needed the reed that is currently on my AVL!  In order to get it I had to weave off the last part of a warp I’d made for a minister’s stole a year and a half ago!  I had added a scarf to the length of that warp, and I just couldn’t throw the shuttle any longer, even with a good book on my ipod.  Needing that reed did the trick.  Photos of the scarf will follow shortly.  I will twist the fringes and wet finish this evening.

With tapestry weaving I have the opposite feeling about warp and weft.  I really don’t care for warping, weaving the header, putting in the soumak.  I only like the weaving.  I’d like to find someone who’d get the loom set up for me so I can just weave.

We leave for a week of sailing tomorrow which is why I had to get both the floor loom and tapestry loom ready by end of today.  When I get back I have three days of classes…a bit too much yinging and yanging for me.  In today’s inbox I got the next version of the ATB8 catalog that must be edited by early next week.  I guess I’ll try to edit while on board. 

Wishing for calm seas and smooth sailing,

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