ArgoKnot

Author name: ozweaver

Three Sweaters

A week or so ago, I realized that I have been knitting for 50 years.  I don’t really know if it’s this year, or last year, or next year, since I’m a bit fuzzy on exactly how old I was when my grandmother taught me. But it is somewhere near my halfcentennial of knitting….my golden jubilee.   I need a celebration!

What would make a better celebration than knitting a project, or projects, that are truly captivating…. enthralling…. compelling…. not to mention beautiful!

I’m already knitting one that has kept me happily intrigued for a couple of months now.  It is a pattern by “Nadita” called “Soo Feminine.”  It is a fun short row technique called “swing knitting,” which has been quite popular in Germany for some time and is certainly taking off in popularity here now too.

This might be even more fun to knit than it is to wear!  But I won’t know that until I finish!

Another project jumped into my arms while I was visiting Harrisville Designs on my recent trip to New Hampshire: a Vivian Hoxbro kit!  All of Vivian Hoxbro’s kits, which use Harrisville’s “New England Shetland,” were on sale for 30% off original prices!  I love Vivian Hoxbro!  Her designs are flattering on me, and the knitting is fun, involving color changes and multi-directional knitting.

This design is called “Ann” and can be knit as a jacket or vest.  I’m doing the jacket in the purply/plum colorway shown on the vest above.

And lastly, there is Alice Starmore, queen of color!  This is her “Mary Tudor” design.  What I love about it (aside from the obvious, duh!)–  all her designs are a masterful blend of colors on a design that perfectly balances the horizontal-ness of the knitting and color changing with a strong vertical-ness to flatter the body–but as I was saying, what I love about this particular jacket is the button band and collar, which depart somewhat from traditional Shetland design.  I think those two details make this sweater absolutely elegant!    Decades ago I knitted her Oregon cardigan in the blue colorway.  It is probably my most precious handknitted item.

Aren’t all these sweaters beauties?

“Soo Feminine” and the “Ann Jacket” are on the needles now.  The yarn for “Mary Tudor” has arrived and I’ve been sighing and moaning over all the little balls of precious Shetland wool.

But the pattern book has not arrived.  Wouldn’t you know I have almost all of Starmore’s books, but not Tudor Roses.  Ugh! I cannot believe I’m one of the suckers who paid over $100 for a knitting pattern book.  I had to do a lot of justifying to make peace with that.  You know the rationalizations, I’m sure!  It’s less than therapy, it’s better than some other addictions, it’s feeding my creative spirit…etc…etc… and it’s part of my golden jubilee celebration!

Summer is for Workshops

Getting ready for my first summer workshop!  A trip to New Hampshire for a day of indigo dyeing.  Luckily no mordant is needed for indigo dyeing, but my yarns must be clean and free of sizing and dirt, so I gave them a good soak in Eucalan and hung them out to dry!

Harrisville Designs

I started the weekend with a trip to Harrisville Designs.  What a scenic spot!  The building further in the distance houses the retail shop and the workshop studios.  Other buildings house the spinning operation for the yarns and the woodworking shop for building the looms.

Harrisville Public Library

This was the first sweltering hot day of the summer, so it was lovely to be in a town so full of water.  The library sits just a short walk from the Harrisville Design buildings and is on a large body of water called Harrisville Pond.  Such still water here funnels into a stream that rushes past the mill buildings in the previous photo.

A delightful place to have lunch, overlooking the Harrisville Design buildings, the rushing stream and the distant mountains!  What an idyllic spot!

The dyeing workshop took place at Long Ridge Farm in Westmoreland, New Hampshire, owned by Nancy Zeller.  The studio is on the right and includes a beautiful balcony on the back where we had lunch in the canopy of the surrounding trees. The barn is on the left.

Nancy Zeller (center) instructs us on making an indigo vat

The next morning was the workshop at Long Ridge Farm in Westmoreland, New Hampshire.  Another idyllic spot, with beautiful views of mountains, gardens, and sheep!  Nancy Zeller owns this bit of heaven and runs various workshops from her studio and barn.  We started the day in the studio, pictured here, but moved outside when the going got messy, and then moved into the barn when a thunderstorm passed by!  Through out it all, Nancy remained calm and organized!  She is a terrific teacher!

Mixing the stock solution from powdered indigo from India.

The color change: blue on top where the stock has oxygen, and yellow/green beneath where there is no oxygen.

Ready to Dye!

After the addition of Thiourea Dioxide and Lye (both of which get mixed separately with water in their own container before being added to the vat) we checked the color of our new indigo vat.  Yellow/Green color along with a Ph between 9 and 10 meant we were ready to dye!

My friend Susan standing near the growing skeins of indigo dyed yarns.

Look at all our gorgeous skeins of blue!  My friend Susan joined me for this workshop and she brought lots of cotton skeins which turned purply blues.  My skeins of merino and mohair and mohair/merino blends turned various shades of French blue!  It was so exciting!

The Artist Loft B&B in Brattleboro

During the weekend my friend Susan and I stayed at the Artist Loft just over the border in Brattleboro, Vermont.  What a lovely spot.  The large picture window overlooks the Connecticut River and the scenic bridge that crosses it. (You can tell I did not take this photo since there was no snow during our visit.)

View from the Artist Loft

Our stay was enhanced by a bit off shopping in Brattleboro.  The fabric shop Delectable Mountain Cloth is a must!  It is full of beautiful textiles, and I believe they are all natural fibers.  The food in Brattleboro was also a high point of the weekend!  Dinner at Fireworks and breakfast at Elliot Street Cafe were both great. The ultimate dining experience occurred at Burdick’s Restaurant in Walpole, New Hampshire!  That is a destination in itself!

Back home with my newly dyed skeins drying in the birch tree.  It was a great workshop, and I highly recommend Nancy Zeller as an instructor!  Her farm is a wonderful destination and she is a thorough and organized teacher.  What a terrific weekend!

Settling In

I started a post on moving day, April 18th, and thought it could be a work in progress following  leaving my New Jersey home and arriving in my new home in Connecticut.  Few things ever go as planned, do they?

The first hurdle was that there was a bad cable line at our new house which prevented us from having internet service for a couple of weeks!  By the time we had it, I was really buried in unpacking/organizing/cleaning chores.  It’s been a long six weeks, but I’m feeling quite settled now.

I love my new little part of the world.  Everywhere I drive is full of inspiration; every morning when I wake up I’m happy to be here.  I know what a blessing that is!

My studio is almost set up.  The looms are in place, the bookshelves are full.  With a bit of patience I can sort of find all the tools and yarns I might need to finish several works in progress and even start the projects I’ve been designing in my head.  But I’m a long way from finished.  I’m not sure if I’ll ever get completely settled!  The hard truth is that I just have too much stuff.  Don’t we all?

In my perfect studio dream I will have a stone terrace outside the door (oops!  not in the photo….it is right next to the window) where I can admire my perfect garden, where all the flowers bloom in profusion with no pests, where I can sit and spin on perfect spring and summer mornings.  My looms will all be warped with projects that will become treasured heirlooms.  I am dreaming about a peaceful life here.  I hope I mostly make that happen!

This photo (above) is looking toward the wall of shelves and cabinets for my tools and books.  You can just see a bit of my Baby Wolf which sits around the corner from the two larger looms.  I have a lot of tweaking to do with this storage area.

So I christened the room today by actually working here, instead of unpacking and arranging.

In the near future I hope to knit and spin here!

….or better yet… in the imagined perfect garden….

Precious Materials

Last week a friend of mine asked if I wanted to join her for the monthly meeting of the Westchester (NY) weaving guild.  They were having a guest speaker; she couldn’t remember whom.  She thought he was a tapestry weaver and a member of the “New York study group.”  I wracked my brain!  I should who this man is!…..but I didn’t!

So I went.  And of course I knew him when he arrived to speak.  It was Stanley Bulbach, who also happens to be a member of the Textile Study Group of New York. I’m so glad I took advantage of the opportunity to hear Stanley speak and to see a few of his rugs in person.

Stanley Bulbach

As many people may know, Stanley spins his own yarn.  I did not know that he does this on a homemade spinning wheel that is based on a bicycle wheel he upcycled for the purpose!  He spins yarn from Lincoln fleece, which is long and lustrous, and when he wants something other than the natural colors of this fleece he turns to natural dyes for additional color.  His rugs really glow, something you cannot imagine from a photograph  They are beautiful!

I know you can’t see his rugs well in these photos, and I’m sorry about that.  Trust me that my photographic ability wouldn’t do them justice anyway.

What I want to say about his rugs is that they have a presence.  Even if I didn’t know that he’d done all the fiber preparation by hand, that he’d created the yarns by hand, that he’d woven the rug entirely by hand…. I know I would still feel the presence of something extraordinary about them. …which leads me to the title I gave this post: there is something precious in the quality of work done by hand with precious materials.
 It shows.

He also spent a good deal of his presentation on the need for textile artists to better advocate for our chosen field.  Of course we do!  I am a perfect example of someone who has not recognized this facet of working in textiles, and since I am so ill equipped to cover this subject I’ll just pass you along to Stanley’s website.

(His photographs don’t do justice to his rugs either)…

Alchemy

Natural dyeing is still gathering steam throughout the US.  
When we leave here I hope to take some weld and madder with me to start a new dye garden in Essex.

Photo from NYTimes of Sasha Duerr's dye liquors

At the end of summer,  I hope to find some local plums to make Damson gin! (Can you guess I’ve been watching Masterpiece Theatre’s “Marple” while knitting?…the one with Geraldine McEwan!)

And a visit to the NY Botanical Gardens in the Bronx yielded a day of intense color and a rise in my own creative sap by seeing the glories of spring!

 

I have an armillary sphere in my garden, and now I want to display it like this, on a pedestal, and grow a vine through it!  This was my ‘take away’ gem of the day!


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