Bob asks me this almost every day during the winter when we are in the Caribbean. I answer that I always need a sweater, but that it’s too hot! He is teasing me about all the knitting I do while onboard. I finished my Purl Soho “Cuff to Cuff” sweater about a week ago and have been waiting for milder temperatures in the evenings in order to put the sweater on to take some photos. The almost perfect evening came about two days ago.
I don’t have a desire to wear this sweater again until I am home! It is comfortable, although not so much in 80+ degrees. I think I will enjoy it in the milder April weather at home in Connecticut. I looked at the little thumbnails on our camera and declared that we were done with photos. When I saw the images afterward I realized that there are still a number of locking stitch markers pinned to various places where I was noting the shaping. Ugh! Just my luck! It’s just too hot to retake the photos!
Here is a detail of the side shaping I did. It starts with side slits, then the side seam tapers up to the armhole through the use of short rows. You see the stitche marker I used to keep track of the center underarm. Oh well!
I have been thinking about a collar, but for the moment I’m just going to move on to other projects. I will have the option to add a collar, but in my experience, once I start wearing something I rarely continue to tweak at the design. I brought along a vest pattern and yarn from Kate Davies Designs. The pattern is “Con Alma.” I love the color she knitted for the images on her website–a happy orange that reminds me of the center of a daffodil! I will add a different kind of side shaping for this design. The yarn has wonderful bits of other bright colors, in its tweediness. The yarn is “Milarrochy” which makes me think “Milarkey,” so that is what I call it. The color is ‘Asphodel.” It is knit in the round from the bottom up. Instead of steeking, the pattern is knit back and forth from the armholes upward to the neck. I am enjoying knitting the lace details on the center front.
We are in a small ‘anse’ which means ‘cove’ in French, or perhaps in French creole. I need to check on that (French). The small village is called Grande Anse d’Arlet, and it is somewhat south of Fort de France. There is no hint of Carnivale here, just what we hoped! There are no ferries to rock the harbor every half hour, no drumming, no parades. There is a long beach to walk and some beach cafes. The mountains in the background are dramatic, but not so high as Mt. Pelee, so we don’t get constant rain showers as we did in St. Pierre. We are anchored somewhat to the right of that pier coming out from the beach, although we are not in this image that I got off the internet!
Grande Anse d’Arlet is the blue dot on this map, although the village is name is missing. As you can see, we have moved directly south of the festivities in Fort de France.
I’ve been drawing designs for my next small tapestry. That’s a bit of a challenge–always is. I dread drawing and then after several false attempts I begin to enjoy it, as I get closer to something almost worthwhile. I wish I’d brought some colored pencils, just to get a sense of color and depth. There’s always something missing onboard.
I am ready to weave, but no definite image yet. I want this finished so I can bring it home in my suitcase as a small textile, not as a cumbersome copper loom! So time is short. If my drawing skills were better I’d be weaving already. Meanwhile, in only a month I might be able to wear sweaters again! With luck, I’ll have two new choices in my wardrobe.
There’s a background to every part of our lives, isn’t there? We’re focused on things, but plenty of other stuff is whirling outside of our field of focus. I am on the final rows of my Purl Soho “Cuff to Cuff” sweater in a shade of Mediterranean blue that I love. It conjures up memories of my time in Greece from almost 50 years ago, and it also is the shade of many shutters and trim on Caribbean houses. I wanted to change the silhouette of the design by adding shape to the side seams. My first attempt was a failure!–although I thought it was so clever. I picked up and knitted stitches all around the front and back side seams, and then did double decreases (sl1, k2tog, psso) at the center stitch of the underarm. I did this for 30 rows, and it did not do what I expected. So much knitting, and then I tried it on and sighed. Not good at all! I needed to sleep on that small debacle for a night, then luckily the next morning I woke up ready to get down to another possibility. I ripped it out quickly, and the 2nd idea went much more speedily and looks much better. I did short rows that tapered up to the point of the underarm. It only took about 22 rows, and because of the short rows the number of stitches overall was less than the first attempt. I tried it on and liked the look!
This is the background in which I’ve been knitting. At the point of this photo Bob and I were leaving the tiny villages sprinkled throughout Les Saintes and heading for St. Pierre, Martinique, the home of the infamous volcano Mt. Pelee.
A few more days down the road (uh…sea) finds us now anchored in Fort de France, the capitol of Martinique since Mt. Pelee erupted in 1902, and destroyed St. Pierre (we spent almost a week there). Fort de France is both historic and modern. We are anchored right near the 17th fort of St. Louis. It was started in 1683, and finished in 1710. Bob and friends keep quoting the French from “Mounty Python’s Search for the Holy Grail.” Hmmm….
When we go ashore to the dinghy dock we are in a large park where people gather with their children to use the playground equipment, or they gather at the beach–that tiny strip of sand in the far left foreground– for swimming.
There is a gazebo in the park where drummers gather in a drumming circle every day. We can hear the percussion onboard Pandora, all evening and into the wee hours in our sleep. I think these sessions are practice for Carnivale that starts tomorrow.
I have mixed emotions about being here during Carnivale. Two years ago, this is where we were were, amidst thousands of revelers, when we learned that the world was about to shut down. We sailed south to St. Lucia when all the Windward and Leeward islands closed their borders. If we’d known this would happen, we would have sailed north to Antigua. But we couldn’t know. It took us about a month to get north to Antigua, when the border there opened for a brief 3 days, and then another two months or so to get to the USVI and then to Florida. These are not good memories for me, so being here gives me a certain level of angst. In spite of French curfews here of 11pm, newly extended from 8pm in mid-February, it seems like Carnivale will be just as crowded and chaotic as past years. Will the revelry go on until about 4am, as in past years? I’d rather get out of here to some of the remote coastal villages.
Down here we live with scattered rain showers, especially if we are near islands with rainforest, and showers always mean rainbows. Bob has about a thousand photos of rainbows, just from this year.
Our friends on Hero, Stephanie and Jim, took a photo of a rainbow encircling Pandora. You’d think that might bring us a bit luck, but if that’s true, what we got was a bit of bad luck. Bob lost his wallet in the big city of Fort de France. We don’t know if he lost it on land which could be very bad…. or if it possibly fell out of his pocket while we were in the dinghy. If it’s lying at the bottom of the harbor we are not so worried.
And we thought for certain that this photo, also taken by our Hero friends, with the end of the rainbow right on Pandora, would bring us luck finding Bob’s wallet or a pot of gold. We’d take either. No luck for us! Note the double rainbow which is also a frequent occurrence everywhere in the Caribbean.
So we lurch ahead. Bob has no driver’s license now, no credit cards, no ATM card, and no medical cards. We lost the cash we had, about $200 in euros and a little US cash. It’s inconvenient for sure. Yesterday Bob asked at a hotel if we could have a small package sent by DHL, but the concierge emphatically said, “NO!”–even wagging her finger at him and looking angry at the suggestion. These are trying times for being a stranger in a strange land. I don’t fault the hotel at all for not wanting mail from anyone not staying there. The banks here are only ATMs, with no actual human employees. We’re not in Kansas anymore. My ATM card and credit cards are all the same accounts as Bob’s, so it’s still a dicey situation, but we are going to use them until we can’t. Bob checks our visa account every day to see if there are any charges not made by us. I guess we’ll be holding our breath until May, when he gets home. Although I’ll get home in April, I can’t cancel cards that he needs to use!
That’s all the news from here that’s fit to print, with a bit of background beauty thrown in for fun. It’s a beautiful backdrop to my many concerns and worries at the moment.
For the past couple of weeks I have been consumed with hearing from folks who’ve just received copies of Archie Brennan’s autobiography/memoir. I’ve been holding my breath on the copies sent to far away places, like Australia, and also following those in the US who pre-ordered the book at Schiffer Publishing and at Amazon. All is going well. It seems like a lot of people have ordered. I sure hope the publisher thinks sales are going well.
Meanwhile, real life continues. Bob and I are spending the winter onboard our sailboat Pandora, after an 18 month hiatus due to the pandemic. This year we will not visit quite as many places in the Eastern Caribbean due to rising cases on some islands. In spite of our best efforts to stay safe, we have been in Guadeloupe now for a week and learned that this island’s Covid cases have been rising dramatically. We first landed in Guadeloupe at a small village on the northeastern coast called Deshaies (pronounced DEH’ eh, or DAY’ A for those who love diphthongs!). I wasn’t particularly worried there because the village is so small. There is an 8pm curfew all over the island these days, so restaurants close up around 7:45 so everyone can get home. We ate a few lunches out because of that, and we did some touring in the area during the daytime.
One day we took a shuttle bus to the nearby botanical gardens that we visit every time we are Deshaies. Luckily the shuttle bus was empty except for the driver and us. One of the highlights of the gardens is their restaurant. Our friend Tom, aboard Rally Point, joined us for the day.
Of course, the main highlight of the gardens are the gardens!…and the birds! They have a wonderful array of parrots in the gardens, both in an aviary well are out in the open (perhaps their wings are clipped). There is also a fenced in area of flamingos. This year the flamingos have great color.
We are staying more connected to our cruising friends this winter, traveling together to different ports. Is this because we all missed each other last year? I’m not sure, but so far we have stayed in a traveling clump. Since the evening curfew makes dinner a bit challenging we have enjoyed a few lunches with our friends. I love this spot in Deshaies called La Mahina. It’s painted white with Mediterranean blue trim and has such lovely views out the unglazed windows!
A few days ago we sailed to Pointe de Pitre, the capitol of Guadeloupe. We’ve never been to this port before for two reasons. It’s a huge port, and it’s industrial. On one side of Pandora we look at a lovely shoreline with only one dwelling and a mountain in the background; to the other side we see a busy port with cranes and containers and ships loading and unloading. The city of Pointe de Pitre is quite large. It’s not our best choice, but we are trying to be careful!
The highlight of Pointe de Pitre is the river that divides the two islands that make up the island nation of Guadeloupe. It’s a navigable river for most smaller vessels, but the two bridges that span the river are no longer operable as draw bridges, so that has closed off travel on this river. The chart below shows the Riviere Salle is in the middle of the two wings of the butterfly that make up Guadeloupe. There is a red triangle showing the entrance to the river where we began our journey.
Cruising sailors can still take their dinghies along this river, along with paddle boarders, kayakers, and small power boats. Luckily the local coast guard patrols these waters to keep speeds down. During our visit up the river, the coast guard stopped two jet skis who were speeding past us.
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We made a day of exploring Riviere Salee with couples from three other boats in our group. The river and the small canals and byways along this river reminded us of so many places. Traveling through mangroves we remembered our winter in Cuba, yet some of the byways actually looked like lakes in the Adirondacks on a summer day. It’s a beautiful area.
As we explored a number of small byways, I was intrigued with the sky and mountains in the distance. It was a wonderful experience! In the middle of the day, we stopped in a larger open space to tie all our dinghies together at the bows, which made sort of a 4-petaled sunflower raft-up. We opened our picnic lunches and relaxed and talked.
It’s quite a contrast to explore these little tributaries off the river and yet be anchored in such a big industrial harbor. Getting back to our boats in the large harbor during the afternoon strong winds was no simple feat. That’s the thing about living the simple life–there is always a price to pay for the good times. Sometimes that price is pretty high.
I’ve been trying to turn my attention to projects. I’m on the last leg (no, really the last arm) of a sweater I’m excited to finish. It’s quite a simple design, from Purl Soho, that is knit from cuff to cuff. In past sweaters of this design I have knit the entire sweater in one piece, but this design is knit in two pieces: a front that is cuff to cuff, and a back cuff to cuff. The two pieces get put together by picking up stitches along the selvedges and doing a 3-needle bind off. Doing this 3-needle bind off gives a smart edge to the seams which you can see in the photo below. I am going to add a long gusset to the side seams, using a technique from one of Vivan Hoxbro’s designs from years back. I don’t remember the name of that knitted jacket, but I enjoyed the clever way she joined the center back. I will pick up stitches at the side seams and do a double decrease at the underarm every other row until I get the A-line shape I want. This has been a slow project because it’s all just garter stitch…ad infinitum. But the finishing details could make it a quite a lovely design. I hope so!
The color I’m using is a slightly different blue than shown here. It’s more blue, less green, but still a warm sort of barely turquoise. I’m almost to the last sleeve which should go quickly.
I’ve made progress on the basket, but it’s still not done. I probably have two more sessions of weaving to finish it. I’m saving that indulgence for a perfect day. It’s so enjoyable to weave a basket!
If I don’t make a plan for a small tapestry soon I’ll be lugging my frame loom home empty! I don’t want to do that! It was hard to get all my supplies onboard this year because I didn’t do it before Bob left to sail to Antigua. I didn’t want to decide what to bring so long before I’d actually be here. But packing two large suitcases of supplies, and schlepping them through JFK twice (due to flight cancellation) was SO not fun. I need to make good use of the supplies I lugged all the way here and with such inconvenience! Wish me luck.
This is my reality right now: living in a tropical paradise, with a good dose of hard work. Today I am doing laundry which will hang out on our clothes line in the cockpit. I know I’m lucky to have a washing machine onboard. Without that, laundry is quite a big chore that I might enjoy describing someday…but not today. I will knit and try to conjure something for dinner on our tiny stove that is now having problems. Bob worries that if I cook too long our last solenoid on our propane tank will melt, making cooking even harder to do. He installed the last spare solenoid a couple of weeks ago, and hasn’t been able to buy more spare solenoids in any of the chandleries along our route this winter. He’s hoping for luck in Martinique, or we may be relegated to cold meals! Fingers crossed. It’s time to hang out the laundry.
The biggest news I am compelled to share–a real book! Something I can hold in my hands!
What a thrill it was to find a package from Schiffer in the kitchen yesterday when I returned from a day out at the Wadsworth Atheneum! I thought the museum exhibit was exciting, but I had no idea what further excitement lay in store! The book is a pre-release copy. Only a few were shipped by air to Schiffer for promotional purposes. The rest of the books will arrive by ship whenever that is possible. No one can guess that anymore. The original release date was Sept. Then it got moved to early December. Now it will be sometime in the new year…with luck.
The book is bigger than I expected. I knew it was over 300 pages, with lots of photos, but I didn’t expect it to be this big.
The Schiffer team, headed by senior editor Sandra Korinchak, worked hard to get the colors as close as possible on the photos. I’m sure they were sick of my phone calls and worries, and they had to work with some considerably old slides that have changed color over the decades. Remember Kodochrome and ektochrome? Yep, those were the good old days of film.
I lost a lot of sleep over the images for the book. I am thrilled that they are quite good. The Schiffer art folks had a lot of work to do without ever getting to see the actual tapestries. There was a lot of sleuthing, and although I’m tempted to go on and on about that, for now I’ll spare you. Shortly after I took a quick look through the images, I weighed the book. I was just that enthralled with how heavy it feels. It’s 5 pounds.
It’s strange to be taking photos of the real book. It has only existed in my mind and then in pdfs from my editor. Now a real book is on my kitchen table, where so much of my life takes place. My son calls our dining table “Mom’s studio: the sequel.” A lot of straightening up goes on before we eat dinner here most nights. Now I’ve even placed a couple of small side tables near my chair so I can just move my stuff from the dining table to the little tables. This is what often happens. On this day I happened to be in an online bobbin lace class to study and sample making Ipswich lace, led by Karen Thompson. It was a bit difficult to move this when dinner was ready.
Most days for the past year+ the table has been cluttered with stuff pertaining to Archie’s book. I’m thrilled that those days are past. I got this pre-release copy almost two years to the day after Archie passed away. I could never have imagined how long a process this would be.
Those sweaters I mentioned in my last post have not been touched yet. The pattern for the autumn leaves in Rauma wool is definitely awol. What a shame. It’s going to take some effort to develop my own pattern based on what I’ve already knitted with no records! I did find the stitch pattern, so it could be worse. It’s only a bit of math. I just have to do it.
I should be talking about tapestry, shouldn’t I? I’m just still not ready. It’s like the feeling when you finish a good book or a good movie, and you just can’t start a new one right away. I need a bit of time to process that Archie’s book is a reality before I can focus on my own tapestries. I thought I’d dive right in, but that’s not how I feel right now.
Instead, I’m focused on knitted sweaters, and an unfinished basket, and bobbin lace. I’ve gone down a few deep rabbit holes. Today I saw this sweater on facebook–a sweater that depicts bobbin lace. It doesn’t get better than that!
The pattern is free, so if you’re a knitter go get it! Here is the lace that inspired the sweater (also from facebook).
And now that I’m getting quite off topic from the book, I’ll show you my lace from Karen Thompson’s Ipswich class. Ipswich is traditionally done with black silk — not my favorite look by a long shot. And it’s hard to see. But this class has been a good experience, learning about the first documented lace from the new United States, circa 1789, based on samples in the Library of Congress. Alexander Hamilton (the first Secretary of the Treasury of this fledgling country) kept records of the various manufactured items in the 13 new states, and his records, including samples of about 20+ laces made in Ispwich, Massachusetts, are in the Library of Congress. In spite of the current connotation of the word “manufacture,” remember these laces were made by hand, usually in the home of the lace maker.
Back on track–tomorrow will be the 2nd anniversary of Archie’s passing. I miss him on a daily basis, as you’d expect since I’ve spent so much time reading his words and looking at his tapestries. This year I’d like to think that there’s a little silver lining, that now there is a way for weavers to see so many of his works and his creative thought processes collected in one place. But I can’t predict the future. This is what I wanted for him, a way to connect with all the weavers he taught and befriended over the many decades of his career, and a way for those who never met him to get to know him. That’s my wish. I hope it comes true.
For those of you who got here early you may now see that I’ve changed the title. I thought better of my choice of words almost immediately! Archie Brennan and I started down a path more than a decade ago to create a book chronicling his fascinating life, and that path has reached its destination. Based on what little I knew about him in 2002, when I joined the Wednesday Group, I thought he had lived quite an exciting life. I saw him as someone who took chances, loved adventures. As he hand-wrote his memoirs and gave them to me to transcribe, I realized how limited my idea of adventure was. He led a most adventurous life!
A love of adventure and the unknown is probably a good ingredient for living an examined life. Examining life is a good ingredient for having an open mind while also developing strong opinions about what works in your own life. This is exactly how I view Archie. He was easy to talk to because he was genuinely interested in others, not just artists, not just tapestry weavers. He was fascinated to learn about whatever motivated another person to live the life they lived. Since he felt that his chosen profession was no different, and certianly no less important, than being a farmer or a mason or anyone else who worked with their hands, he was able to listen to others and know them on a level that most people just don’t ever reach.
My journey with Archie to produce his book is coming to an end. In terms of the actual, physical book, it’s done. It went to the printer in late August. The publisher expects it to be available in December. I don’t know what the future may hold. Of course I hope to talk about the book in any setting that might occur. There are over 300 images in the book and wonderful stories. I always knew that this book had to be an autobiography; no one could tell Archie’s story as well as he could. Along with being such a great visual artist that man could tell a good story. He was Scottish, after all.
Now my own future is wide open. I have neglected my own tapestry weaving, along with the fabric woven projects, spinning projects, and countless knitting ideas, braiding ideas and other handwork projects that have defined my adult life. While Archie’s book progressed and stalled over the years, I could not focus on my own work. Today I will sit at my spinning wheel with some natural black Shetland that I’ve wanted to spin toward a sweater that has lived in my mind for too many years.
There are three sweaters taking hold of my imagination, and memory. Two are about 10 years old and are neglected “works in progress.” I began both of them with the idea of celebrating my knitting jubilee. Now I’ve been knitting for another 10 years since then–60 years. It’s time to make those celebratory sweaters. They were featured here in my blog almost 10 years ago.
This is Alice Starmore’s Tudor Rose design. In my own project, I am just above the armholes.
This next sweater is the one that is calling to me to finish first. It’s based on a design by Ruth Sorensen, but I no longer know who might have tweaked the version I was knitting…maybe Ruth herself. It’s been 10 years, and the pattern is now gone from my Ravelry library and gone from my computer files. I’m a bit stumped at how that happened. The pattern is no longer available, so I can’t just buy it again. It’s a dilemma.
I bought Danish yarn called “Kauni Effekt” to use for this design. The brilliance of getting these amazing colors together is buying handpainted yarn and then using it as yarn A and yarn B. I just needed to make sure that each skein started in a different part of the color sequence. No need to change colors every two rows, as in a standard Fair Isle design. The yarn does all the work, and I just knit. I sure hope I can recover the pattern somewhere in my files. There is a slim chance that I printed it, but it is not with the sweater materials. I will have to excavate my knitting notebooks, and that is no small feat.
The third sweater is a new pattern from Sunday Knits called Tia Teva. I really splurged and bought the yarn for it as well. Go me! My sweater will be a medium and light grey/blue.
This is SO totally clever! Don’t you agree? Stripes that undulate to allow for stranded work insertions. Carol Sunday is so creative! I hope I can finish the other sweaters before I start this one.
Oddly, that brings me back to Archie. He had so many ideas in his head at all times, yet he never worked on multiple tapestries at once. He might be drawing sketches for several ideas he wanted to pursue, but he didn’t warp up a new tapestry until the current one had been cut off the loom. I need to do that. I really do. Thinking about that reminded me of a question someone once asked him after a presentation he’d given. The person asked what was the most difficult tapestry he had ever woven. He replied, “It’s always the one on the loom right now.”
I’m excited for this book to become a reality–at long last. I’m also excited to now have time for my own work, with Archie’s wise words scrolling through my head after years of reading and re-reading them, arranging them and rearranging them into chapters. I cannot count how many times I’ve read the manuscript, but his words have continued to remain as fresh as the first time I transcribed them. Now I am free to implement his wisdom into my own work.
