ArgoKnot

Author name: ozweaver

On Impulse

Taking a trip on impulse, buying something new that crosses your path, or getting together with friends on a whim are wonderful opportunities for inspiration and finding deeper meaning in the things we choose to do.  October has been full of wonderful opportunities, and I feel lucky that I gave in to a number of impulses this month.

Last weekend the New England Lace Guild arranged for a tour and some presentations at the Textile Museum in Willimantic.  There are only two part time employees at this museum, and although neither of them has a background in textiles, they are both committed to the history of this town and to keeping the records of the textile work done in this part of Connecticut.  We had a tour of the museum and two terrific presentations on the history of the mills in the area and the working conditions and lifestyle of the mill workers.

Here is our group standing outside the museum building which used to be the mill store for the American Thread Company, where they sold cotton threads and yarn.  Some of our group remember coming here as children when their mothers shopped for thread and yarn.

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In the photo above we are looking across the street to the mill buildings, situated along the Willimantic River.  This mill was made of stone and has weathered almost two centuries quite well.The museum houses the equipment that was used to clean, comb and spin cotton threads and yarn, as well as some of the equipment used in other mills that wove fabrics.

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Naturally, I was most intrigued with taking photos of the looms.

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….and the collection of vintage sewing machines.

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Note the vintage wooden thread spools.  The museum has a machine that made these spools.

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The attic is a stunning room that houses the archives and library of the museum.

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It was a beautiful fall day with wonderful views from every window!

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As luck would have it, later that week at our regular bobbin lace study group, Mary had found a website for a sewing pattern company in England that uses names from the age of textile mills to promote their designs.  The company is Merchant and Mills in Rye, Sussex County.  The  clothing designs are modern, but the names are historic–such as the “landgate,” the “foreman,” “Ellis and Hattie.”  They also have a couple of patterns for traditional work bags from that time period.  On impulse (no surprise!) I ordered one of the patterns.  They have beautiful fabrics too, but the shipping is pretty steep so I refrained from ordering anything heavier than a paper pattern.

This weekend one of our local guild members hosted a Japanese tea ceremony (Chado) at her house.  She has met a Japanese woman who has started taking weaving classes.  The Japanese woman is married to a man who is not Japanese but has become intrigued with Japanese culture and has been studying tea. Anthony and Noriko conducted the tea ceremony wearing Japanes kimono.  The clothing alone would have entertained us and stimulated a lengthy session of questions, but the tea ceremony took it all to another level!

The ceremony took place on Sally’s enclosed porch that has beautiful views of her gardens and the surrounding woods.  On this late October day, the sun was as brilliant as the golden leaves floating down from the trees.  Anthony brought all the accessories to make this event special, including the shoji screen and tatami covered table and the tea stand.  The vessel heating the water is a cast iron kettle set on a bronze base.  The light coming through the shoji screen was beautiful.

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Here are Anthony and Noriko together during the ceremony.  It was quite a feat for Anthony to prepare about 15 cups of tea for us because each cup is brewed individually.

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Here is a closer look at their kimono!

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We were all intrigued with the tools and implements used in the ceremony.  Everything has has a function while also being an example of beautiful craftsmanship.  One of the implements used in the ceremony is a small ceramic stand that holds the lid to the kettle while the host is pouring the hot water into the tea cup.  The stand he chose to bring for our ceremony was fashioned to look like a silk reel.  It was a delicate thing, and he chose to bring this particular piece to acknowledge that his guests were weavers.  This is the kind of attention to detail that is at the core of a tea ceremony.

Perhaps the item I loved most was the small silk drawstring bag that held the tea caddy.

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I love the Japanese sense of color! I love the way the braid has been laced to the bag, and the braid itself is so ingenious!

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Can you see that the bitter end of the braid is twice as thick as the rest?  I believe the braid was started leaving a length of unwoven silk at the beginning, braided in the narrower design.  When the length needed to encircle the bag had been woven, the two ends of the narrower braid were brought together to finish in a thicker braid.  The drawstring can be closed by making a loop in the thinner part of the braid and slipping the thick end through the loop.  When the drawstring is tightened it will not come undone.  I also think the braid has to be inserted through the lacing before the braid is finished, when the two ends of the thinner braid are brought together to begin the thicker braid.  I’m not an expert, but this is how I would attempt to do this…..and I hope to give it a try next spring when I return home!

Our hostess for the tea ceremony venue also surprised us with a hot meal after the ceremony!  This gave us some additional time to get to know Anthony and Noriko a bit better and ask them questions about Japanese culture and their traditional textiles.  It was also a wonderful time to be together and share a meal.  It’s yet another day spent with weavers that will be a treasured memory for all of us.

It’s almost time for me to slip my moorings at home and join Bob on our floating winter home.  He is in Hampton, Virginia, now, waiting for November 1, and a good weather window to sail to Antigua.  I will join him there in mid-November.  So I am beginning the process of winding down things at home–gardens, projects, preparing to close our house.  Sometimes when my list of chores gets overwhelming I start something new as an escape from the things I’d rather not do!  This week I found myself pulled to make more throw pillow for our boat–this time for the cockpit–our outside sitting area, what you might call our outside terrace, if you will.  Here are the fabrics I chose when I made an impromptu visit to the fabric store earlier this week.

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I am making two pillows that are 18″ x 18″ out of the shell fabric with the striped fabric used for piping along the edge.

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Here is one of them–a bit odd to see this summery shell fabric against a backdrop of fall decorations.  Today I plan to make two smaller, rectangular pillows (12″ x 16″) out of the coordinating striped fabric.  Photos to come soon, I hope!  Since Bob has already left, I will deliver these pillows and a trove of other things we forgot to put onboard, to one of Bob’s crew members.  He is renting a car and driving to Virginia on Tuesday.  It’s my last chance to put bulky things onboard.  The list is long, and I hope Jim is renting a BIG car!

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The last impulse of this impulsive month was a purchase!  I bought a tape loom on etsy.  It’s a little gem made by a woodworking woman who calls herself Handywoman.  She makes the looms out of cherry then embellishes them with images.  The one I’ve chosen has images of England and Scotland on each side, and there is even a carrying bag made out of flag fabric!  I can’t wait for it to arrive.  There should just be time for me to put a warp on it before I have take it with me.  I will have to plan my packing carefully to allow room for traveling with this loom!

It’s raining buckets today, so it’s a good day for chores.  I will make the last two pillows and then tackle some more lace for the christening gown.  Time to get down to work!

 

 

 

 

On the Weavers’ Trail

Over the weekend I visited the Working Weavers’ Studio Trail in Massachusetts, with my friend Jody.  We only had part of the day on Saturday, so we chose three studios that are about 1 1/2 hour drive from our part of Connecticut.  All three studios we visited were in Florence, Mass, just north of Northampton, the home of WEBS.

First we stopped at Scott Norris’ studio, which he calls Elam’s Widow.  He works mostly with linens which he dyes himself with fiber reactive dyes and mordants with soda ash and salt.  I am curious to try dyeing linen, and he generously offered to give me some tips to help me get good results. He weaves linen towels in several sizes, including large bath towels–in wonderful color combinations.

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Jody and I both bought plain weave hand towels, like the ones in this photo.  I also bought a silk handkerchief–can you imagine?  Such a luxury, that I’ll never actually use!  It happened to be a huck pattern that is similar to one I’ve woven myself as napkins, in 40/2 linen.  Here is a photo of the two together.  This pattern really sings in silk! I wish you could touch it too.  Amazing!

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Nearby was a wonderful old manufacturing building, called the Arts and Industry Building, that has been turned into artists’ studios.  Two weavers have studios there, Christina Hammel and Paula Valeta.  Chris’ studio is on the 3rd floor and the stairwell is part of the experience of visiting.  The stairwell is full of light where plants are growing, and the stairs and banisters are original vintage, well worn wood.

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There is a philodendron ivy that hangs from the 3rd floor and has grown all the way down the stairwell.

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Chris Hammel’s studio has lovely views of the far hills.  What a great place to work!

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Chris is an instructor at the nearby Hill Institute, and maintains her own studio in this historic building.  Along with items for sale, she had a display of various weaving techniques for visitors to see.  I loved these shadow weave table linens, especially the orange borders!

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I love the color choice in these towels and the little woven turtle in the book.

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This little top for a child has inspired me to think of things I can make for Tori as she grows.  At one point Chris had considered starting a clothing line of handwoven garments for children.  I will consider it a great accomplishment if I can keep my own little one in handwoven outfits!

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At the left hand corner of that photo you can just see a bit of shadow weave and some small woven bands, both Andean pebble weave and kumihimo.  Here is a better look.

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Along with looms, Chris has a taka dai set up in her studio.  Her husband made it for her from plans by Carol Miller Franklin.  My husband started building me a taka dai about five years ago, based on Rodrick Owen’s plans.  That project got set aside when we packed up and moved to Connecticut.  He has had problems with it anyway, since some of the details require metric tools that he cannot find here.  Carol Miller Franklin’s taka dai measurements call for tools that are more readily available here.  I am excited by the possibility of finally getting a taka dai of my own–even if I have to wait for Bob’s return to woodworking next spring.

A short ways down the hall and up a half flight of stairs brought us to Paula Valeta’s studio.  She also has large windows with views of the surrounding hills that are starting to glow with autumn colors.  She has created a wonderful display of her woven samples, using embroidery hoops.  This is a great idea that I plan to use in the future.

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If life weren’t so crazy these days, I would have taken the whole weekend to visit all seven studios on this Weavers’ Trail.  They plan to do it again next year, and I plan to make time for the whole thing!  There is nothing like a bit of contact with other weavers and a good dose of inspiration to fuel ideas for future work.  We saw weaving acquaintances from other guilds, and I had the happy surprise of bumping into my New Hampshire friend, Emily! Jody and I topped off the day with lunch at Paul and Elizabeth’s restaurant in Northampton.

This weekend I hope to have another dose of inspiration when I take a field trip with my bobbin lace guild to visit the Windham Textile and History Museum in Willimantic, Connecticut.  I may not be weaving much these days, but I am stocking up on inspiration for some future ideas.

 

The Toroise and the Hare

Sometimes it’s bit off-putting when my husband Bob recites his long list of accomplishments at the end of a day and then asks me what I did.  Most of the time I can only reply that I wove a couple square inches of a tapestry, or made one inch of lace.  Sometimes I feel more like a slug than even a tortoise!

If I had this conversation with other weavers and lace makers we’d all be high-fiving each other for getting such a LOT of good work done in a day!  Wouldn’t we?

The slow march to having enough lace for Tori’s christening gown is enjoyable time for me, except when someone else tells me the 10 things, or 100 things they’ve done in the same amount of time.

–Which brings me to the list I made ages ago on the relative amount of time it takes to do various handwork.  Here it is, in my order of fastest to slowest.

  1.  Machine sewing!  It’s down right warp speed compared to all the others!
  2. Loom controlled weaving.
  3. Kumihimo/Knitting….zoom, zoom–I think it’s a tie.
  4. Embroidery
  5. Tapestry weaving
  6. Bobbin Lace

Sometimes I get a little down that I am attracted to doing things that move so slowly.  Sometimes I don’t care at all.

During September and October we spent almost two weeks with Tori.  She is a bundle of giggles and smiles interspersed with an occasional stunning tantrum.  I love every minute of being with her!  Here she is wearing the Debbie Bliss sweater that I knitted last spring.  She has almost outgrown it, so it’s time to think of her next sweater!

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I often see a lot of Tori’s mother in Tori, but this photo seems all ‘Butler’ to me.  I see my father, my sister, and even me!–so, of course that means I see her father too.

It’s time to find the next knitted garment to make for her.  Years ago I bought the pattern and yarn for this Dale baby sweater.

I have had this pattern for years and have hesitated to make it, wondering if it’s a bit too busy for such a small person. I think it might be cuter as a dress, knitted from the top down, with raglan shaping so the shoulders fit better.  The ladybug pattern would have one repeat around the torso and upper arms and another near the hem of the dress.  I am leaning toward the bright green for the background color, with perhaps the little Fair Isle pixie stripes here and there with yellow background.  One ladybug pattern on the purple background, and the other on the bright aqua.  I have to take a look at the yarn I purchased for this sweater and adjust the amounts since I would be changing so much of the design.  Luckily Dale baby yarn is super wash so Tori’s mom won’t have to be too careful with caring for this.  I’m getting a bit enthusiastic, so I’d better make the plan and get the yarn onboard before we leave!

Meanwhile, I have started the actual christening gown now.  I have 49″ of the larger lace and am trying to make an inch or two each day now.  By the end of next week I should have all the lace finished!  The fabric that Kandice chose for the dress is stunning!  I originally bought white linen at Britex, but Kandice sent me a photo from Pinterest of a dress made of silk shantung that she loved.

It is beautiful fabric!  On our way down to visit them last week, I made a quick stop at Banksville Fabric in Norwalk and was thrilled to find they had it!  The dress in this photo is basically the same as the pattern I’m making, with a slightly fitted bodice and an attached gathered skirt.  Now can you picture this with my lace?  I might put the larger lace along the hem as well as at the lower edge of the bodice.

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Well, talk is cheap….I’d better get to work on making the last few inches of lace.  The tortoise only succeeds by keeping at it!

 

 

 

So Late….So Little!

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There is only week left to see this exhibit!  That’s bordering on cruel and unusual treatment for me to write about this so close to the end.  Sorry!  I loved the exhibit and just didn’t get to my computer in time.  Two weavers, Norma Smayda and Jan Doyle, have a beautiful display of work at Hera Gallery in Wakefield, Rhode Island.  It’s a women-founded, artist-run, non-profit endeavor that started over 40 years ago.

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Norma’s and Jan’s work hang well together, with Jan’s signature large, mantle-type coats in each corner of the room, while Norma’s undulating wall hangings flowed across two long walls.  Jan works in a traditional Finnish double weave, and she had some smaller pieces on the walls along with her impressive coats.  Here is Jan standing in front of one of her garments.

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Up close…look at all that work.  I can’t imagine how long it would take to weave this.  It is stunning!

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Here is another one of Jan’s coats/mantles wtih a self portrait on the wall nearby.  Now that’s a double weave masterpiece!

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Norma has been working with an ondule reed for several years now, and she has experimented with various weave structures while also writing a book about this.

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Norma’s book should be available in November.

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So, as you can see this mix of works made a striking exhibit.

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Back at home, I’m nearing the end of the lace I’ve been making for little Tori’s christening dress.  Bob and I will be visiting our son’s area later this week to participate in some of the events at the Annapolis boat show–in specific Bob will be presenting what he has put in place for the long distance sailors when they arrive in Antigua in November–so, after that, we will be spending most of the weekend with our family.

Today I made a mock up of three different sizes for the bodice so I can try them on Tori to see which size is the closest match for her.  Hopefully, there won’t be too much to adjust! I dragged the ironing board over to my lace pillow to see what the lace (still attached to the pillow!) would look like.  I am happy!

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I tried out the narrow lace around the neck, and the wider lace for the bottom of the bodice and for the hem of the dress.

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Here is the petal sleeve that comes with this pattern.  I don’t know if Mom likes the sleeve yet.  I think it is SO sweet!

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My rather obscure title refers to how late I am in writing about the weaving exhibit and how tiny little Tori’s dress will be, whichever size ends up fitting her.  It’s a challenge for me to sew on that small a scale!  Hence, so late, so little!  Off to Banksville Fabric on our way south tomorrow to hopefully find a beautiful white fabric for this dress, since the white linen I bought at Britex did not get chosen.

 

 

 

 

Weaving with Tori

We’ve had some whirlwind times since we returned from New Bedford — ten days on the West Coast, a week at home, and now a few days in Baltimore with our granddaughter.

Tori is quite interested in the Harrisville Potholder Pro loom that arrived in the mail just before we drove down here.  I decided to bring it with me.

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She likes the colors and running her hand across the warp.  I think she’s got potential! Meanwhile, Bob is not so enthusiastic.  He burst out laughing when he saw the box.

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The first words out of his mouth were, “Potholder PRO??? Is it possible to be a ‘pro’ at potholder making? Does it come with a wheelchair?”  Funny guy.  I have no idea why I’m attracted to this thing, but if it will give me some pleasure onboard or while visiting family, that’s no joke!  I’ve been wondering how I’d ever bring a loom to either of our son’s houses.  Well, this is a start!  I’m making one a bit like the one shown on the box, since it came with the purple, aqua, and lime green loopers.  I also bought a gigantic bag of loopers in ‘designer’ colors.  There’s a lot of potholder possibilities in those looper bags!

Anyway, before I went down this path, I had 10 days in San Francisco and points north with our younger son.  In San Francisco I visited two terrific shops– ImagiKnit and Britex Fabrics.  I can’t think of a more creative name for a knitting shop than ImagiKnit!  Their summer window display lived up to their name.  There were knitted ice cream bars on sticks, knitted cupcakes with elaborate frosting decorations, and a box of knitted donuts!  There was too much afternoon glare on the windows for me to get good photos, but you get the idea.

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It’s a big store, with two long rooms divided by fiber.  One room holds yarns made from animal fiber and the other yarns made from plants fibers.  They’ve been around for about 15 years, and it looks like a successful venture!

Then there’s Britex in Union Square, another shop that is not to be missed on any trip to San Francisco!

Can you say ribbons and notions?  Oh my!

To say nothing of floors of fabric!  They have downsized a little (I think) since the last time I visited, more than 10 years ago.  They are downsizing more in November, when they will move to a smaller building, although they will still be in the Union Square area, and you can add on a visit to the Apple store while there.

I got lovely white linen for Tori’s christening gown that will be accented with the two bobbin laces I’ve made.  I also got a fine white cotton batiste for the inner slip and some tiny buttons for the back of her gown.  Sewing will commence soon….

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During the week in between visiting the West Coast and now visiting Maryland, the first meeting of the year took place for the Connecticut guild.  The featured  speaker was Anastasia Azure.  I was lucky to get one of the last spots in her morning mini-workshop on weaving with paper.  She is known for her woven jewelry and larger woven pieces that are sculptural.  It turns out she knows how to have a lot of fun with paper too.  Check out the difference between her two renditions of the photograph below.

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We had a great time making our own small paper weavings that can be mounted on a greeting card.  Anastasia’s afternoon presentation was about her jewelry and sculptural work.  You can learn a bit about her here.  I remembered her name from someplace, and by the end of our morning workshop, I realized she had been the juror for HGA’s gallery exhibition when Convergence was in Providence, where Anastasia now lives.  She was the juror who accepted my tapestry of “Sunset on Wilson Cove” into that show.

On the home front…. organization continues to be one my biggest struggles.  I am just not good at it.  I always have to rely on others to spark ideas for how I can organize my own space.  Recently I got just that when I visited a friend from both the weaving guild and lace guild.  Clare’s looms sit out in one of her living spaces, enhancing the room.  That could never happen in my house.  I asked her where all the ‘stuff’ was that you’d expect to be right near the loom.  She said she has converted one of her bedrooms into a stash room.  She then gave me a tour of the cabinets and shelving she uses to organize her stash.  Bingo!  I went right home and told Bob.  My stash is not yet under control but it’s a LOT closer!

First, I got rid of the bins in my stash room and bought a wall shelf unit from Ikea.  These two walls had floor to ceiling mismatched, plastic bins that were quite an eyesore.  And even worse, whatever I wanted to access always seemed to be in the bottom bin, so I had to UNstack everything to get what I needed.

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Here are just a few of those bins piled up in the studio, waiting for the wall unit to be built!  You know the saying that to make things neater, you have to endure a much bigger mess.

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Ikea packages everything so concisely.  It’s to imagine that there is wall of shelving in those two boxes.  Actually, it was four boxes.

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Bob finished building this wall unit in less than an hour.  By the end of the day I had all the blue canvas baskets full of my stash.  I now have 25 canvas containers holding all the stash of wool, silk, cotton and novelty yarns that used to be in mismatched bins stacked to the ceiling.  My next purchase is going to be a flat file for all my shuttles and bobbins.  Thank you Clare for getting me motivated!

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Well, I want to get back to that potholder!  Tori has had a nap and an afternoon outing, so it’s time for both of us to get back to it!

 

 

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