ArgoKnot

231 Mitred Squares

All these years while my Zig Zag ruana was stuffed in a zippered vinyl project bag, I thought I only had a few squares left to knit….maybe 15.  I remember thinking I was so close to the end.  And that’s why I always thought I’d pick it up again right after whatever current project was on my needles.  I could be wearing it in just a matter of days…

Yesterday I counted how many squares I have left to knit…. 86!  How could that be? Even on the chart it looks like I’m approaching the end!  So I decided to count how many squares I’d already finished.  I couldn’t believe I’d knitted 231 squares back in the fall and winter of 2002/2003.  That’s a LOT of little mitred squares!

I remember one of my knitting friends warning me that this project involved a LOT of knitting.  Naturally, I took no heed and can barely remember the warning much less who warned me.  I was happily knitting.  Now that I’m back to it, I am slowly remembering lots of other things too.

This was the fall that my older son went away to college.  I missed him terribly, but there was a wonderful silver lining that I had not anticipated.  My younger son and I suddenly had some uninterrupted time together.  It was the year that he toured colleges, took his SATs, wrote his applications.  We went on college visits together, and I brought along my knitting….this very project.  It had not grown to the dimensions it is now which make it somewhat cumbersome for traveling.  We visited schools in Pennsylvania, New York, and New England.  We had that unexpected time to become closer.

It was the last few months before he got his driver’s license so I was still his main companion in the car, and I was the one who accompanied him when he drove places with his learner’s permit, such as the physical therapist I mentioned earlier.

It seems to me that everyone takes notice of the wonderful time you have with your firstborn, before there are siblings who require you to divide your attentions. Surely it’s a mother’s point of view to romanticize this special time with a firstborn that no other child gets.  But I think the time I had alone with my younger 16 year old was equally precious….because he was aware of it too.  We both enjoyed getting to know each other more deeply, and he had my complete attention while he navigated the rite of passage out into the world and determined who he wanted to become.  It was a significant time of life for both of us, and I was moved to have time with Chris during this stage.

And all through that period I was knitting the ‘Zig Zag.’  Chris graduated from high school over 10 years ago.  He finished his undergraduate work in math and physics and is now in his 5th year of a doctoral program in physics.  He has become the person he planned to be.  He is almost finished writing his dissertation and will probably be out of academia in a few more weeks.  There is a lot of life that has happened while this ruana lay in its project bag, buried in my studio in New Jersey, and then my new studio in Connecticut.

Such is the life of a knitting project….everything completes itself in its own time.

Ups and Downs of Life Aboard

It’s no surprise that living on board a boat has its challenges….some things are just so easy at home and so hard on the water.  I have gone for months and years at home with no major equipment failures…..heat, water, appliances.  At home we expect these things to go on working for decades….  On board they break all the time.  You cannot get through a single sailing season without constant repair to major things….. why is that???

So, I won’t go through the laundry list of things that have gone kaput on Pandora.  It’s too long and technical for a weaving blog anyway.  But I will say that these problems fall heavily on Bob, so he has been under strain to find the source of our engine problems and our failed heating system.  We have been freezing the past few days as the temperatures have been unseasonably cold in Virginia and North Carolina.

I finished my niece’s sweater and have plenty of yarn leftover to make her a matching hat….I could almost make a second sweater! (Polly Macc’s Brother/Sister pattern)

But I have been SO cold that I decided to take out a bigger unfinished project so I could wrap myself in it as I knit.  It’s the fun Vivian Hoxbro wrap called “Zig Zag.”

As I began to take a close look at where I left off and how to get back into the zen of this pattern I began to realize that’s it’s been a really long time since I put this away.  I bought this kit when I met Vivian at a workshop at a friend’s house….we were able to arrange this workshop because the friend offered to meet Vivian at the airport on her very first knitting workshop tour of the US, which meant that we became her very first group of students on her US tour.  Ours was not a scheduled workshop, but something that my savvy friend was able to put together since she was housing Vivian on the first leg of her US tour.

So….how many years ago was that??  Vivian’s book Domino Knitting was new in the US, and she had copies with her to sell.  It was autumn, and I knitted my Zig Zag through that season and on into winter.  I remember specific knitting times when I was waiting in a physical therapy office, happily knitting, while my younger son was getting therapy for some long distance running injuries.  Yesterday I asked Christopher what year that might have been, and he thinks it was either his sophomore or junior year of high school.  That was a long time ago…..2002 or 2003.  And since I met Vivian a few months earlier in the fall of the previous year, I’m pretty certain that I started this pattern in fall of 2002.  Eleven years ago…..

What surprises me about how long it’s been since I set this project aside is that I have thought of this fun pattern every few months, planning to get back to it.  For over a decade I have told myself that I would pick up my Zig Zag right after I finish this or that other project…..and it’s now been 11 autumns.  Where does the time go??

Life Aboard

Once again, it’s the sailor’s life for me…..sailing down the Chesapeake, watching the season gently change to fall down here, getting back to knitting.

We spent a week getting to Hampton and Norfolk, Virginia, where we’ve been stalled for almost a week.  There is a lot to do here.  In Norfolk we visited the Nauticus Museum which includes the battleship Wisconsin which served in the Pacific in WWII as well as in the Korean War, Viet Nam and Desert Storm.  Long history.  Across the harbor from Norfolk is Portsmouth, and one night we went to see the movie “Captain Phillips” at a lovely restored theatre there.  I doubt there are many places more perfect for seeing this movie, with the harbor full of the same commercial and military ships that participated in those terrifying events.

I have found it rather depressing to see so much real estate and equipment devoted to war, but the alternative is equally depressing….  There is also a memorial to General MacArthur in Norfolk which we visited.

We have had a quick trip home to Connecticut to say goodbye to our favorite Uncle Dick, who has passed away after a long illness.  He spent much of the past two years in a hospital, which is tragic for anyone, but especially so for someone who was so full of spunk and life.  His funeral was probably the most upbeat funeral I will ever attend.  We celebrated his quirky sense of humor and remembered all the practical jokes he participated in during his 60-year marriage and the rearing of their five children. It was great to see all the cousins and their expanding families.  That is certainly the upside of losing someone….pulling in the long tethers of family and friends who are dispersed for so much of the time.

I spend some of each day knitting.  My sister and I are knitting sweaters for her two daughters.  They are matching sweaters, but each in its own colorway of Adriafil Knitcol yarn, so they look quite different!  It’s wonderful to be knitting with my sister again, even though it’s somewhat vicarious, through texts and phone calls, since we are not physically with each other.  The sweaters are Polly Macc’s Brother/Sister design, and they are turning out really cute! The short sequence, space dyed yarns are so much cuter than what was used for the cover of the pattern booklet!

 We each have enough yarn left over to make matching hats, and I’m thinking hard about a design that will have ear flaps and long ties, maybe pom poms on the ends of the ties….maybe with I-cord as a border… on the days when I have internet access I am enjoying searching for idea inspiration on Ravelry.

It’s raining this morning, so we are just sitting here having coffee, enjoying the internet.  Probably this afternoon we will venture back past Norfolk to enter the IntraCoastal Waterway for the final leg of the journey to Beaufort.  We should be there in about a week.  Then I’ll head home….

Alchemy

It’s that time of year again…..time to head south on Pandora.  But before I go back to living onboard there is SO much I want to do on land!

My small guild always has a natural dyeing workshop in October, and I’ve been looking forward to this all summer!  Bob and I made our plans to head south based on the date of this dyeing workshop.  My 4 lbs. of goldenrod was collected for this workshop, and I also planned to reconstitute my indigo vat.

Everything about natural dyeing seems like magic and alchemy…. The recipes are as old as civilization and some of the processes seem downright absurd!  Who figured out these strange concoctions and procedures??

I mordanted two 100 gram skeins of my handspun white alpaca with alum and cream of tartar.  I had two small hanks of fine linen (80/2) which will be for sampling bobbin lace designs (one for me and one for a friend), and I had a 100 gram skein of raw silk in the lovely natural color with black flecks.  I have not mordanted linen before, so that was my first challenge.  It requires some tannin along with alum.  Sure would have been great if I’d realized that in time to order tannic acid online.  Barring that I had to find something natural growing nearby or lying about.  My only option, since I didn’t find any oak galls on my trees, was to cut some sumac.  I’m not sure I’m ready to tell that story…. suffice it to say that henceforth, I will only cut sumac that is in flower so I can see that large red/brown flower stalk of the safe sumac. … ‘nuff said….

The dyeing workshop was fantastic!  It was held in Bozrah, Connecticut, a town I’d never even heard of before this event.  The drive there was stunning for an early October morning.  I drove along my side of the river for a bit, crossed the historic Haddam Bridge, and the drove along the east side of the river before turning northeastward toward Bozrah.  It was a beautiful morning with mist on the river burning off as the sun rose higher, and the trees almost at their most brilliant autumn color.

Our workshop was in the garden of a lovely rambling farmhouse with numerous outbuildings.  The gardens wound their way through the property giving privacy to each garden ‘room.’  The tables for the dye pots were set up on a slate terrace near the kitchen door.  The hostess uses one of the prettiest outbuildings for her weaving studio, and we all sighed and wished we could weave in such a bucolic setting!

Our dyes of the day were marigold, jewelweed, black walnut, onion skin, goldenrod, golden marguerite, indigo, and an orchil lichen.  Quite a nice selection!  I dropped one skein of alpaca into the onion skin bath and put the other one in my goldenrod.  When they were finished I had a wonderful combination of deep pumpkin from the onion and a beautiful gold from the goldenrod.  I wanted to get a green by dipping my goldenrod skein in indigo.

My indigo did not reconstitute, even with the addition of both thiourea dioxide and more dyestock.  It got the slightest bronze bloom but never turned yellow green.  It stayed blue.  When we dipped a trial piece in it the blue rinsed out completely.  Ugh.  One of the other women happened to bring a little indigo ‘kit’ and we mixed that up in an extra dyepot.  So I did get to dip my goldenrod-dyed alpaca to make a mysterious, very interesting green.  I can’t say that it coordinates as well as I’d hoped with my pumpkin colored onion dyed skein, but I love both colors!

The true excitement of the day for me was that lichen dye pot.  The woman who brought it has this particular lichen growing on rocks on her wooded property in Connecticut.  Lucky woman!  She is very careful not to take much of it, and the little she takes has lasted her for years.  I could not believe what a deep purple we got when we put in our various skeins of yarn.

 The lichen she uses is the one pictured at left on the cover of Casselman’s book.  It can be light green in wet weather or grey in dry weather, but the underside of the lichen is always a very dark almost-black.

Perhaps the lichen dyeing seemed the most like alchemy to me.  Sharon said that the fibers dyed with lichen need to stay wet for 24 hours and then dry in natural sunlight!  Doesn’t that sound magical?  Well, I certainly wasn’t going to tempt fate, so I brought my three lichen-dyed skeins with me down to the Chesapeake so they can get their sunlight under the dodger on Pandora. It’s been quite cloudy in the Chesapeake so I hope that won’t affect my color.

So… after my day of dyeing I returned home to throw some things in a bag in order to leave for Annapolis early the next morning.  I’ve been on board for a few days now, and we are heading south to Beaufort, North Carolina.  I will get off the boat there and Bob’s crew will drive my car to me so they can get onboard and I can drive home!

Annapolis is such a pretty city!…although I am reluctantly missing the beautiful fall colors of New England.  It was the last day of the boat show as we left the harbor.

We sailed to Solomon’s Island yesterday and on to a little creek just south of the Potomac River today.  We should be in Hampton, Virginia, by the weekend in order to participate in a big cruisers’ festival over the weekend.  We are already seeing many friends from our trip south last year.  It is such a small, small world….

This is the Thomas Point lighthouse that we passed on our way to Solomon’s Island.

The Wednesday Group

A perfect first week of October…. it started with the beautiful drive to Archie Brennan and Susan Martin Maffei’s studio along the Hudson River.  The drive takes me north into Massachusetts and then west through the Berkshires.  And although it was barely October the color was already reaching peak along parts of this drive! This month the Wednesday Group was quite large, 10 of us in all.  That can be a challenging number to fit into Archie and Susan’s studio, large as it is!  They have a generous enclosed porch that overlooks the Hudson, probably 40′ long with a wall of windows along that whole length.   The views are amazing and distracting! Large ships bearing gravel power by throughout the day and night, and there is pleasure boat traffic as well.

A couple of us are very lucky to stay right nearby at the house of a friend. Doing this means we get to have home cooked meals at night  and can bring homemade lunches to class.  We eat like royalty and enjoy evenings sitting out on the terrace watching life on the river amongst the herb garden and fruit trees.  This week the weather was warm and one evening, while having wine and cheese on the terrace we were entertained (and I was amazed!) by the loon-like call of a screech owl…..over and over…  it was idyllic!

 

 In spite of our numbers in class, we all seem to have gotten some good work done this month.  It’s great to be together, and a larger group ensures that there is plenty of inspiration and good vibes flowing.  I came home ready to get down to work!

….but WHAT work?  I am working on a sample for some lengthy text, an excerpt from the Robert Frost poem, “Mowing.”  This poem ends with:                    The fact is the sweetest dream that labor knows. 

  And I’m thinking about a photographic image that Christopher took from the passenger seat of our new car while facing backwards.  The photo was taken at dusk with with the fading light in the distance while cars are zooming along into the night, away from the light.  The image has a lot of motion and light and dark in it….it intrigues me.

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