ArgoKnot – Page 57 – A journal of my weaving, spinning, and knitting life

On the Road Again….

January 29, 2014 | Leave a Comment

We have slipped our land moorings and are on the road to our vagabond life on Pandora. I will miss my looms over the next few months, but I’ve brought some fun projects to keep me company….knitting (of course!), and this time some embroidery and a small tapestry loom. I’m intrigued with this image, and hope to play with it a bit. It will give me lots of practice with circles, won’t it? Circles are considered the hardest shape to weave…..I’ll deliberate on that while I weave a few dozen of them!

As you can imagine I’ve brought just about every color imaginable….small loom, big bin of yarn. I really wanted to design something with minimal colors, but my time was spent elsewhere over the past few months….and I’ve always been a sucker for color! It has been such a hectic fall and winter, and I have struggled to find a balance between weaving and designing while also enjoying the holidays and spending precious time with my husband’s parents during our last wonderful month’s with Bob’s dad. It was a tremendously moving time for both Bob and me. One week ago we moved Bob’s mother to her new assisted living facility, into a one bedroom apartment with magificent views of Long Island Sound. It was one of those days with gale force winter winds, and the views of the Sound were quite dramatic. She likes it! Her belongings look very pretty in her new place, and it already has a nice sense of home. On Saturday she told Bob that he has taken wonderful care of her since his father died, that she loves her new place, and that she felt he should take a well deserved, long vacation. So, although we hated to leave her so soon after such big changes in her life, we have hit the road for Florida where our boat Pandora has been waiting for us since November. Honestly, I was in no big hurry to return. I have grown quite complacent to be home in our quiet little town on the Connecticut River, even with the single digit temperatures and the snow. I got a fair amount of work done over the summer, and this most recent project is finished pretty much to my liking. Surprisingly, the first painted warp is the one I prefer. I could not have known this until I did the second one. I have made two braids that the piece will hang from, and I am happy with them as well.

Here is a detail of the braid….a fiddly process of making a tiny braid in the middle of the strands of silk, and then closing the braid into a loop and adding in more silk to continue with a bigger braid.

We have rushed down the East Coast in order to stay ahead of the ice and snow that has shut down Georgia and the Carolinas. We spent a wonderful night with Rob and Kandice in Baltimore before we hightailed it for Florida. We are in St. Augustine now, and although it is a nippy 40 degrees F with wind and drizzle, we don’t dare complain!

We are staying in this pretty little inn right in the historic district. Our balcony overlooks the Lightner Museum. We managed to sit out and enjoy the view for a few minutes before the chill drove us back inside. Here is a shot of our room with the railing outside of the large window and the little balcony for sitting just off to the right of it.

I am looking forward to dinner in the cozy, intimate dining room later today. Yesterday we enjoyed a glass of wine in the bar. A cocktail in the evening and a full breakfast in the mornings comes with the room.

Stocking up on a few luxuries for our time onboard, like blood orange infused olive oil and some good books from the used book shop!

Later we will visit the Lightner Museum and tomorrow we will do a little more touring before heading down to Ft. Pierce where Pandora awaits.

Round 2, Ready to Weave!

January 13, 2014 | Leave a Comment

Teacher knows best!!

Repeat like a mantra: Teacher Knows Best, Teacher Knows Best….

Yesterday, after painting the warp, Bob set up a heat lamp over the warp to keep the temperature as close to 70 degrees F as possible for its curing time and overnight drying period. It worked like a charm, so this morning I have wound the warp back onto the back beam, tugging the warp firmly after each revolution of the beam. There is no significant shifting! Hoodah! What a thrill to actually learn something from this process.

I now have two cardinal rules:
1. Always blot the warp before painting, even if I cannot see any excess water.
2. Always tug the warp when winding back on the loom.

I hope to complete the weaving today since it is only about a yard. I hope to paint the 3rd attempt tomorrow….. ever hopeful!

2nd Attempt

January 12, 2014 | 2 Comments

Well, my journey with warp painting continues with round two. Here is the list of what went wrong this time.

1. Warp was too wet. I got more bleeding in the knot area than I would have liked. Ugh…. (Note to self: in future blot the warp before painting!)

2. Mysterious faint smudges of pale blue that are no where near where I was painting. These blue smudges are behind the stencil and it was a brand new stencil that I cut since I was afraid any leftover dye on the first stencil might cause problems (unlikely, I now know, since the dye on that has lost its activation)….still, I was also afraid that the manilla folder’s cut edges might have gotten a little soggy from the first round of dyeing so I just thought it best to go with a new stencil. So, how on earth did these smudges get on the warp? There is no dye at all on the back of the stencil, and the smudges occured in an area that was covered by the plain, uncut part of the stencil. No clue….

See all those smudges above the beginning of the knot? Most of them will be in the hem, but not all. I am pretty bummed about this right now…. the blue warp that is in the lower left corner of the photo is my shadow…..not a blue warp!

I’ve been thinking about the kind of shifting I’m getting as I wind back on, and although the shifting has been quite different for each project, there is one thing that the two projects I did at home have in common that is different from the two projects done in class with Sarah Saulson.

Sarah insisted that we tug on our warps after every revolution of the warp beam. I hated doing that. I felt like I was losing the registration of what I’d painted when I grabbed the whole width of the warp in one hand and tugged. But I have to admit that the two scarves done with that technique have almost no shifting. I guess I will give that a try this time. Besides, I feel like this round is already a failure, so not much to lose.

Journeys

January 11, 2014 | 2 Comments

The word journey has been foremost in my mind for months now…. my father in law’s major journey (his life) has just ended. He led a beautiful life, and he was as much a father to me as he was to his three biological children. He was a great man in all the best ways possible…. devoted to his wife, his children, and a consumate volunteer which means he was devoted to all the causes he he championed.

Lately my own journey seems fraut with anxiety, too many deadlines, too many places to be in such a short time. I feel like I’ve just returned from our long journey down the Eastern seaboard of the US and across to the Bahamas, and now we are to leave again in just a couple of weeks. Where has the time gone?

Well, mostly we’ve been spending some very special time with Bob’s father. It hurts to know you are losing someone, but in the long run I feel it has been a gift to help Bob, Sr. through the last months and a gift that we could be with him as much as possible for our own needs…. I think this is far better than losing someone you love without any warning at all.

During this last summer/fall/winter of my father in law’s journey I’ve been thinking about the Moirae, whose names are Clotho (the spinner), Lachesis (the measurer), and Atropos (the one who holds the scissors and cuts the thread of life).

I love Sarah Swett’s rendition of these fates “The River Wyrd.” She has done a great job portraying them having a laugh at our small lives, our loves, our passions. At this moment in the grieving process, I’m much too bogged down in the sadness of missing him, and wonderful memories, and nostalgia and schmaltz…. to treat this subject with humor. And I am searching for a way to find voice for the respect and love I have for my father in law’s life.

So I’ve been rather focused on images of the thread of life. My father in law, the original “Bob” in the Osborn family, had a wonderfully long life, although not nearly long enough for all of us who loved him. He was connected to many people, a life long best friend with his brother who died just weeks ahead of him, and a life long friend of a surprising number of others. How many people do any of us know who can get together regularly with friends they’ve known since before a marriage of 60 years?

Anyway…. my own recent journey has been in trying to depict images of a beautiful, long life. I’m not there yet, but impatience led me to attempt a less than fully developed idea, with a technique I learned a couple of decades ago from Betty Vera and revisited this summer with Sarah Saulson.

The technique involves dressing a loom with a warp, then pulling out the warp onto a flat surface, under tension, and painting the warp with dyes thickened with printers’ paste, or sodium alginate. Here are some photos of my first attempt at this.

My warp is silk crepe which I wound onto two spools for easier handling.

I made a stencil of my design on a manilla folder.

Here is the warp after painting. The dye is ProChem blue #402 mixed for full saturation with a little “New Black” added. You can see the stencil brush I used in the lower left. It is a wonderful tool that I found at Long Ridge Farm’s booth at Rhinebeck one year. It is made of very tightly packed natural bristles, but I don’t know anything else about it since the attached tag is in Japanese, and Nancy Zeller did not have the information on her when I bought it.

The dye required four hours to set with moisture at a temperature of 70 degrees F. After that the plastic film is removed to allow the warp to dry before being wound back on to the loom.

In my haste to work on this project (I had envisioned this piece hanging from the lectern during Bob, Sr’s. funeral…pipe dream!) I did not take any photographs of the weaving process. My 8 shaft Baby Wolf was threaded with an undulating twill, and I used a natural colored, smoothly spun silk thread for the weft. I think both warp and weft are in the range of 20/2 silk, but neither of these silks, in my stash for decades, were labeled. I threaded the undulating twill at 30 ends per inch. The seredipitous surprise after weaving and wet finishing was the amazing sheen of the silk crepe! It glows.

Here is the finished piece. It shifted more than I expected when I wound it back on to the loom, which is when I discovered that some of the heddles were not oriented properly on the shafts. A number of heddles were upside down, and I think this opposite orientation caused a bit more drag on the threads which resulted in significant shifting. I tried repositioning these threads by adding a bar at the back of the loom with these threads pulled around it….but as you can see from my photo, it did not help.

This is not what I had envisioned for the finished piece, but I am not unhappy with it! Yesterday I made a new warp (and used up all the rest of my silk crepe!) and dressed the loom so that I will probably be ready to paint again tomorrow.

Weaving Adventures

December 3, 2013 | 4 Comments

I’ve neglected mentioning some of the events that have inspired me this fall. First would be the 18th century tapestry series titled “Weaving the Myth of Psyche” on display at the Wadsworth Atheneum.

There are some stunning images in these tapestries. Look at this donkey….

And the spinner….

And Cupid’s wing….isn’t that something? I am going to have some fun with this image!

The museum asked for some guild members to demonstrate tapestry that day, and three of us participated. Here one guild member is luring in the children with her spinning.

A couple of weeks later, the state guild meeting featured the boundweave work of Rebecca Arkenberg, called “Tales from the Loom.” Her boundweave figures are whimsical and creative, and it is obvious she is having a great time combining boundweave with a sense of humor. She said that people often can’t see what she is portraying, and she’s learned to let that go and just enjoy herself. What terrific advice!

Rebecca has a great knack for reducing world wide cultural images to the barest essentials.

This one is particularly fun! Navajo women, rugs, and Churro sheep!

And how about bunnies with angora tails sitting in rows of carrots and beets?

Cat and mouse….

A highlander in kilt!

The Scarlet Letter….

I had so much fun at this guild meeting and came away buoyed with ideas for returning to my own boundweave project that has been neglected for some time now!