ArgoKnot

Author name: ozweaver

It’s all about the Details

Area 4 of the Connecticut Guild of Handweavers is setting up a monumental weaving display in Old Lyme, at the Historical Society on Lyme Street.  This location is the old grange building.

One of our members, Stephanie, has temporarily brought a large Clements loom to the building in order to demonstrate weaving traditional coverlets for the next few months or longer.  It is a behemoth of a loom, with a 9-foot weaving width!  It takes four people to weave:  two people sit on the bench and coordinate working the two sets of treadles, while another two people have to stand at the sides of the loom to throw the shuttle, catch it, and send it back.  This will be a challenging exercise in team work!  I can’t wait to try it!

Right now we are winding a 9-ft. wide sectional warp of moderately fine cotton.  We have 54  2″ sections to wind.

Photo by Jody Brewer

As you can see, it takes a few of use to beam the warp as well.  It will certainly be a project that involves all of us helping out in various ways.  Several members plan to weave coverlets for themselves, and the rest of us will be needed to stand in as the team of four weavers.

Jody got a photo of me at the other end of the loom.  The loom is on a stage so there is terrific lighting.

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We are meeting on Tuesdays and Saturdays to work on this, and we plan to be weaving the first coverlet by the last week in July.  If you are in the area, stop by on one of those two days!

Meanwhile, at home, I have been working on an old Torchon lace project from a few years back.  I cut off about a yard of this lace a couple of years ago to embellish a linen tank top.  It’s a small lace edging that would be perfect on a baby garment. With the baby arriving in December, I need to churn out this lace, especially if I’m also making the garment to go with the it!

This has led me to time how long it takes me to make this little lace edging.  Two repeats of the pattern is one inch long.  I can do two repeats in about 25 minutes, give or take.  Hmmm… that amount of time sounded pretty discouraging to me until I then calculated that one yard of this edging would take about 15 hours to weave.  That sounds much better to me.  I’ve been working on it a couple of hours a day since Saturday at my monthly lace meeting.

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When I cut it off for my linen top a few years back I only left about four inches attached to the pillow.  Today I measured it and found that my efforts here and there over the past few days have advanced the edging to 20″!!  That should mean that I have less than eight hours to go!

Last Friday, when I attended Kathi Spangler’s funeral mass, I met three very intriguing women in Kathi’s life:  her daughter, her sister, and her mother.  I was moved by how much they looked like her, how much of her I could feel emanating from each of them.  It was quite comforting to know how she lives on in each of her close relatives.  Of course she lives on in each of us, but it shows in her female relatives because you can see Kathi looking out from their eyes–young Kathi in her daughter’s eyes, a very familiar Kathi in her sister’s, and the Kathi we will never get to know in her mother’s eyes.  These three women were wearing scarves Kathi  had made for each of them, and the women of our guild had a good showing of Kathi-inspired ‘surprise’ scarves.  It was a moving celebration.

One day last week, two friends stopped by my house for a bit.  Jody returned my little container of limpet shells that I collected in the Bahamas, and we spread them out on the kitchen island to pick out a few buttons for the first baby sweater I’ve knitted.  Here they are!

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The little limpets on the bonnet will be used to attach a ribbon on each side for tying.  I just need to find a good color of cream …or maybe one of the warm colors in the limpets…for the ribbon.

In my studio I have some yarns that Kathi shared with me that are waiting to become fabric.  I will enjoy thinking of her as I dress the loom and weave.  Right now I’m struggling to thread the pattern and wondering what has happened to my brain.  I’m making a LOT of mistakes in what should be a simple huck threading.  I’m hoping its just a temporary residual effect of anasthesia and not that I’m truly becoming feathery…

 

Remembering Kathi Spangler

Regret is an emotion I try not to nurture, but I almost named this post ‘regret’ — I’m fighting the urge to give into it.  I got the shocking news last night that one of my local area weaving friends died…. unexpectedly to me.  I did not even know she was sick.

Some of you know that I am a relative newcomer to this area, so I haven’t known the local weavers here for very long.  Some of them have been so generous in including me in local events and welcoming me into their magical circle of friendship.  Kathi has been that kind of friend to me.  In the small amount of time I have lived here, only four short partial years, Kathi has been a good friend, and I have seen first hand what a marvelous weaver she was.

In this photo she is wearing one of her handwoven scarves, which reminds me how she loved jewel tone colors like what she is wearing here.

Kathi SpanglerWhen Convergence was in Rhode Island, in 2014, she was in charge of setting up an exhibit that would greet visitors who entered one of the sites off the conference grounds.  It was the entrance to a building downtown Providence that, I believe, is part of URI.  The exhibit on display within the building was ATA’s small format tapestries, and all the windows at the entrance to this building were filled with various kinds of weaving done by Rhode Island guild members.  It was a visual feast and it let you know immediately that you had arrived at the right location.  It was a grassroots effort to get more weaving in public spaces, and it was beautiful.

One day last fall Kathi invited me to meet her in Rhode Island, where she lived.  We met for lunch and then she took me on tour of URI’s textile department at the Kingstown campus.  First she showed me the exhibit on display in the gallery, called “These are a Few of My Favorite Things,” which was a lavish collection of pieces chosen by the staff and the curator, Margaret Ordonez.

I hope Kathi realized how much I loved this entire experience.  The exhibit included so many amazing textiles from the past several centuries that included handwork from many cultures.  We met Norma Smayda there who was visiting with a few of her students.  When Kathi introduced to me Ms. Ordonez, we were treated to a tour of some of the textiles currently being restored by students and also took a look at some of the classrooms.  Boy, if I could do it again, I’d be a textile student at URI!

Kathi did a lot of work for the Connecticut state guild, and this is something I can barely record since she was involved long before I ever moved here.  While I have lived here she was the head of a committee to grant scholarships for weavers to attend various conferences around the country.

Last fall our local group had a long weekend workshop with Sarah Fortin.  We all brought handwoven yardage that we then assembled into jackets based on patterns that Sarah had developed over the years.  Kathi’s jacket was one of the most interesting.  She had woven a variety of twills on one warp using neutral creams, greys and blues.  Because she had changed her treadling throughout the yardage, she had quite an interesting mix of pieces to go into her jacket.  I kept hoping I’d see her wear it one day.  I never saw it finished.

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My local weaving group remembers Kathi for her easy going attitude and terrific sense of humor toward trying new techniques.  I was lucky to take two workshops led by Kathi where we made what she termed “Surprise Scaves.”  For these workshops Kathi brought a rainbow of ProChem MX dyes in little squirt bottles, a large pot black acid dye, and a pot of dye discharge.

The process she taught was folding silk chameuse scarves (dry!) in shibori style manner, and binding the folds with rubber bands.  We then used the squirt bottles to apply color to our folded scarves. We set the color on our dry scarves with vinegar from another squirt bottle  After that we put our folded scarves in the hot black acid pot.  Then we took off the rubber bands and readjusted them in a random way and dunked our scarves in the exhaust bath.  After removing and cooling a bit we undid our little bundles and everyone had a stunning scarf!  It was completely unpredictable and yet also magical!  I participated twice in this workshop, but but the time I joined this group this was already a popular workshop, so the group does it almost every summer.  In fact, we plan to do one in the near future in remembrance of Kathi.

This is not a great representation of her ‘Surprise Scarf’ technique.  I was looking for a photo of all of us happily squirting dye while scarves were drying on the racks, ruffling in the breeze….alas.  Maybe someone from the group will send me a photo.  Meanwhile:

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I know that Kathi was very active in both guilds in Rhode Island and Connecticut, so many of those members have far more memories of her than I do.  I regret that I will not get to know Kathi  longer.  She was one of my favorite friends, however new our friendship was, and she was also one of the most creative and experienced weavers I have known.  I am trying to focus on how lucky I am to have gotten to know her, however briefly.  Her funeral is Friday, and I intend to wear a surprise scarf to the service.

 

Knitting to the Rescue!

It’s sad for me to report that my looms are in the same condition as when I arrived home.  Life has gotten in the way of my plans…

While I was determining the most pleasing way to thread the pattern for the JOY (Just Our Yarn) yardage project, I had my semi-annual visit to the dermatologist and discovered that a worrisome spot on my arm had become melanoma.  I noticed this spot had changed to something of concern back in January, but I could not get to a doctor then since we had already sailed away to tropical waters.

Still, the news was a bit shocking to me.  I was already beyond Stage 1, so removal of lymph nodes was mandatory on top of removal of the offending spot which ended up being much bigger than what shows on the skin.  It’s all behind me now.  I got a consultation with a surgeon at Smilow Hospital at Yale, and the surgery was only a week later.  Whew!  Two weeks later I got the news that my lymph nodes are clear and that the surgeon got clear borders around the malignant cells.

Yet I’m still not weaving…. The long cut on my arm and the smaller incision in my underarm severed quite a few nerves, and regaining use of my arm is going to take longer than I imagined.  That’s a small price to pay for getting rid of the melanoma, and I can certainly knit and also do bobbin lace.  And every day I am doing arm motions to improve my dexterity.  Very strangely, I have all kinds of odd sensations in my arm all the way down to my hand:  burning, stinging, numbness.  It’s very strange.

Meanwhile,  back to talking about weaving.  Diane and Cathy from Just Our Yarns gave a program to the Connecticut weaving guild last November, in which they demonstrated using two completely different handpainted yarns for warp and weft.  One of the slides showed a scarf woven with a warp of one of their skeins painted from the cool side of the color wheel–mostly blues and purples.  The weft was a brilliant contrast of oranges, yellows and peaches.  You cannot always purchase colorways that you see and like in JOY yarns since they do not repeat any of their handpainted designs exactly.  But I found two contrasting handpainted that should give a similar effect.

I chose a twill weave structure called “Raku” by Carol Bodin from the book Sixy Scarves for Sixty Years from the Weavers’ Guild of Greater Baltimore.  Here is a partial view of my plan.

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The long warp and weft floats should show off the color contrast of the warp and weft nicely. My warp is mostly muted greys, purples and blues, while my weft is a blend of peaches and creams. The sett will be 35 epi so those floats won’t be too long.

Now, the BIG question:  Should I flip the threading at the center of the warp and have the second half of the threading lean the opposite way?  Should I flip every other repeat of the sequence??  Should I just thread the whole thing in one direction and cut the fabric and turn it as needed for whatever I end up making?

I’ve favored each of these ideas at different times, and at the moment I’ve come full circle back to leaving the threading alone.  It would certainly help if I already knew what I will make with the finished fabric.  Typical of me, I have focused on the intrigue of working with this yarn rather than what I might do with fabric.  The warp is 17″ wide on the loom and I plan to weave 5 yards.

Meanwhile, as I ponder what to do about that threading,  I’ve been knitting and doing some Idrija lace on a bolster pillow.  I don’t even have to prop up my right arm on pillows anymore in order to knit, so I’m definitely improving.  This baby blanket is moving along nicely.  Interestingly, after looking at innumerable lace patterns, I ended up choosing a Eugen Buegler pattern.  He has designed lace patterns for many years and you can see many of his designs at the link above and on ravelry, as well as in numerous books by XRX.  He designed the first lace shawl I ever knitted, over 20 years ago.  I actually went to the local knitting store as I felt myself coming down with the flu in order to make sure that I had something to knit while I would be stuck in bed.  I still have that shawl…. in butterscotch colored, fine merino yarn from Grignasco.

But back to knitting for little baby Ozzie.  Here is the baby blanket as shown on Ravlery. It is called “Lace Plumes Baby Blanket” and is available as a downloadable pattern from Fiber Trends. Thank you, Eugen!  I’m using “Sublime Baby Cashmere” which I ordered from Jimmy Bean’s Wool.

I’m now further along than this photo shows because I work on it almost every evening, and then I realize that evening is not a good time for getting a photo.

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Next up will be this adorable sweater from Little French Knits on Etsy.  It’s a bit feminine, but, since I am so smitten with this little gem, I am clinging to the fact that, should our little bundle of joy be a boy,  they have traditionally dressed in rather delicate clothes as newborns.  This is just too lovely to pass on. Oui?

I have not yet shown a photo of the first sweater I made for our future little one.  The pattern is a design by Sephanie Pearl McPhee called Nouveau-ne.  It is delicate and fun to knit without being overly feminine.  I used Plymouth Yarns “Perlina” which is 100% merino which I bought at my LYS, Saybrook Yarns. The pattern has a matching bonnet style hat that I have finished but did not photograph yet.  There are also booties which I have not yet started.

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I have little limpet shells from the Bahamas that I will use as buttons instead of what I’ve shown here.  I lent my stash of limpets to a friend, and as soon as I get them back I’ll pick out the tiniest ones for buttons on this sweater.  I think it will be wonderful to have a little embellishment from our travels on our grandchild’s first sweater.  Aren’t I clever??

And I turned my attention back to the little Idrija lace ‘doodah’ that I started at the lace retreat back in May.  This little organic shape reminds me of a fiddle head fern or some kind of sea creature.  I’ve decided to make this two more times in a combination of blue and green.

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Second fiddlehead doodah in progress.  As you can see, the piece is woven upside down. On the next version I will make the central ‘squiggle’ in green and the side ‘squiggles’ in blue.  Then I plan to attach them to one of my summer tops.  Hopefully soon!

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So the past month has been taken up with the excitement of a first grandchild and the fears of having cancer–cancer that managed to progress past stage 1 before I got diagnosed.  It’s been an emotional roller coaster, and as usual, handwork– mostly knitting– has saved the day.  It took a full month to get diagnosed, have an initial consult with a surgeon, have the surgery, and get the pathology reports.  Waiting may not be the hardest part of being sick, but it’s certainly not easy.  Making these little projects and dreaming about future projects is what kept me sane during those long weeks.

Today I stumbled on this book of animal themed pom-poms made by a Japanese woman. She has captured the essence of each animal. After making each pom-pom with a mix of colors to imitate the animal’s fur, she adds details with needle felting.  I looked for the book online, hoping to order it, but so far I only found it on Japanese Amazon with no ability to order from the US.  I shall try harder.

And here’s a video of the author making a bear and teaching others the technique.

Just another little idea for Baby Ozzie to tuck away.  I hope I can find the book!

Welcome Home Sweet Home!

Right now I can barely believe that less than a month ago I was still in Cuba.  All those hot colors, the tropical sun, the friendly people.  It was an experience I’ll never forget.  Now it’s also hard to believe that I’ve been home for almost a month.

Catching up at home means there has been very little time for putting down my thoughts.  It’s a beautiful spring in Connecticut.  Friends told me that for a full month before I got home it was cold and dreary. I guess I returned at exactly the right moment.

On one of my first outings with friends they told me was the first warm day of the spring.  The outing was a day trip to the Cloisters Museum in New York, part of the Metropolitan Museum of Art, for those of you who are not familiar with it. It houses an impressive array of medieval art and is composed of architectural pieces of various medieval cloisters from all over Europe. Some of my oldest friends, and almost all of my ‘sheep group’ treated me to this amazing day in honor of my 60th birthday back in January.  They arranged for a docent to take us through the museum, followed by lunch at New Leaf in the park.

Judy and Julie put some of their photos together to make this video, which can be seen here on facebook.  Since I cannot figure out how to post it here, I’ll just put a few photos from the day. The following photos are from Jody, Judy and Julie, my “J” friends!

A stunning spring day at the entrance to the Cloisters.

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The main reason for our trip!–  A chance for me to see the “Hunt for the Unicorn” series again after moving away four years ago.  I used to visit the Cloisters numerous times a year since I lived only about 1/2 hour from the museum–now it’s been 4 years since I’ve had the opportunity to just pop by and see what’s in bloom and visit the tapestries I love so much.

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No visit to the Cloisters is complete without enjoying the wonderful cloistered gardens.  Because of the protection from the elements of a cold New York winter, these gardens bloom earlier and stay in bloom later than the surrounding area.  This garden, the kitchen and dye garden, has been heavily rearranged since I was last here.

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After our tour we walked through the gardens of Fort Tryon Park to the New Leaf restaurant.  It’s a gem, with a slate terrace for dining outside amongst the azaleas and dogwoods on an early May afternoon.  For my special day there were beautiful flower arrangements on the table and a 3-course lunch.  I felt like royalty….where was my tiara??

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Everyone arriving at the restaurant and taking a seat.  Look at those flowers!

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A gathering of such dear friends, including two of my new weaving friends from Connecticut who joined me.

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And lunch was amazing!  Jody photographed my lunch salad.  There were two choices for each course, but now I only remember what I chose….which, of course, was amazing! Now you know I’ve totally lost it when I post photos of food, but really, a meal here is such an experience!

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Dessert was a mango panna cotta.

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I am still on such a high.  I’ll never forget it, and I won’t ever get over the thrill of it!

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While I was enjoying one of the best events of my life Bob was sailing home through some very challenging weather off the Eastern Seaboard.  One of the rewards for enduring those spring gales was a day of complete calm after the storm, with visits from both dolphins and a humpback whale.  I know you’ll want to see the video that Dave (one of Bob’s crew members for the trip home) got of the dolphins and the humpback whale they encountered during the trip!

The following weekend was the annual lace retreat for the New England Lace Guild, and I attended for the second year.  I managed to spend the whole weekend working on my project from last year’s Idrija lace class, until I finally gave up on it and started a new and simpler project in that lace.  I did not take any photos while there….I was too busy working! Everyone helped me, but especially Linda and Mary.  Thank you.  Here is a look at my simpler project.  It looks a bit like a sea creature.  I hope to find something useful to do with it…

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Just after Bob returned home, we took a trip down to Baltimore to visit our older son and his wife.  They surprised us two-fold: first by flying our younger son out from San Francisco to join us, and then announcing the wonderful news that our first grandchild will arrive in December.  So much happiness and such a wonderful few days together.  They announced the news by giving me this for Mother’s Day:

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When being home includes such wonderful time with family and friends, it’s very hard to ever think of going away again.

Returning home does involve a lot of house chores to get things up and running again, and a good bit of gardening too, Bob and I have managed to take some time for sightseeing in our lovely part of the world.

We took a little river cruise on Pandora one evening in the middle of this week, to a spot I just love, where we can watch the Chester Ferry crossing to Hadlyme.  From this vantage point the sun sets behind us as we watch the last rays hit Gillette Castle.  It is a magical place, hard to tell what century we’re in as long as we don’t look at the cars on the ferry!

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This is Memorial Day weekend, and yesterday we took a drive to visit Cato Corner Dairy Farm and Priam Winery on the eastern side of the river from where we live.

Look at the charming shop on the farm property!

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And inside we were greeted by an even more charming sight–a farm girl ready to serve us tastings and sell us cheese!

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We took our cheese selections with us to Priam Vineyards and tasted a few white wines before choosing the one we had with lunch!

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Once at home I baked a batch of sour dough bread…. what a great welcome home!

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Now it’s time to stop with all this wonderful nonsense and get to work on a loom!  Hopefully I’ll be talking about that in my next post!

Farewell to Cuba with a Surprise Stowaway

Our final day in Cuba – Pandora on the dock at Marina Hemingway. Isn’t it a lovely spot? Most days were a bit too hot, but our last day was picture perfect.

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We made plans to meet with a number of our new cruising friends for a goodbye drink—Anne and Christian aboard Tidom (France), Lars aboard Luna (Norwway), and the Trudel family (Silvain, Natali, Romane, Elisa, and Victor) aboard Masqueret (Quebec), and Addison and Pat aboard Three Penny Opera (Ontario). Some of us made plans to walk into Jaimanitas for dinner at a paladar that has a great reputation.

Jaimanitas has a section that is done in Gaudi-style mosaics, and it is a wonderfully colorful place. The mosaicist lives in the neighborhood and continues his homage to Gaudi with ongoing projects.

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The paladar was also wonderful. I did not get the name, shame on me! Beautiful ambience, room after room of open air seating and terrific food. Our two best meals of the trip took place here and at the paladar in Old Havana—Paladar los Mercederes.

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Early the next morning (April 29), we rose at 5.30 to head to the Guarda Frontera office to check out of Cuba. Bob took this photo of my exit interview with the Guarda Frontera before they warned him that photos are not permitted.

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What a sight to see the sunrise over Havana as we headed north for Florida in the early morning.  The odd shaped tower that gets a bit wider at the top on the right side of the photo is part of the sprawling Russian Embassy.

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It was a rough crossing, and I did not fare well. I had about 30 hours of mal de mer on the journey to Ft. Lauderdale, and that meant that poor Bob had to stay awake and do all the navigating during the trip. He was really tired when we finally arrived.

A couple of hours after leaving we noticed a snowy egret flying very close to us. He was very far from shore and was clearly getting tired. He made quite a few attempts to land, but he was having a lot of trouble landing onboard, both because he feet are not made for perching and the wind was quite strong.

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He tried several times to land on the lifelines near the stern of our boat, and he attempted to land on the dinghy up in davits a few times.

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Finally he made a successful landing up on the traveler, on the windward side. He stayed with us for the entire day, and luckily we stayed on the same starboard tack for most of the day. Whenever Bob adjusted the traveler or the sails the egret got very nervous, but he did not fly away. I felt terrible for him.

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Later, just a short time before sunset, we needed to tack to head up the coast of Florida. We knew it would startle our Cuban stowaway into taking flight, but we hoped he would return once the boat settled into its new course. The egret took flight and appeared to head right back for Cuba. He never even looked back. It was getting dark, and now Cuba was more than 60 miles away. As a wading bird, egrets cannot land on water. We had already watched him try to land and flounder a bit as he struggled to ascend again.

I had imagined that this bird, like all birds, must have some inborn navigation sense, and I thought there’d be a good chance that this bird knew we were sailing northeast. He might not know that there would be land to the northeast, but I was hoping he’d want to stick with us to find out. Certainly it would have been an easy trip for him if he could make peace with confined so close to us. But he headed right back to Cuba once we frightened him by changing tack. I was heartbroken by this. He had almost no chance of making it all the way back.

And speaking of stowaways…. as we left Marina Hemingway and entered the Straits of Florida, we heard the power yacht that had cleared out of Cuba just before we did, call Marina Hemingway to report what they thought were two boats in trouble:  a small fishing boat far offshore, and a small sailboat.  The sailor immediately answered the call to say that he was not in trouble.  No info on the fishing boat–most likely because they didn’t have a radio.  We saw a large Guarda Frontera cutter (possibly an ex-US Coast Guard cutter?) come out from the harbor to check things out.  Look at the gun on the bow!

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Moments later a bright red Donzi-type speed boat joined the cutter and both boats circled the small sailboat for quite some time.  The sailboat lowered its sails and drifted as the two Guarda Frontera vessels checked things out.  In the end, both Guarda Frontera boats went back to the harbor, which means they never did check out the report of a fishing boat in trouble.  Hmmm….

Clearing in with Customs and Immigration in Ft. Lauderdale was quite an experience. With the quickly changing rules about US citizens visiting Cuba, no one really knows what the procedure should be right now. We expected to be visited by the health department and immigration to check for stowaways and rum and cigars, and any forbidden food items in our fridge/freezer. When Bob called to find out where we should go, he was given numerous phone numbers and no one at the other end of the line at any of these numbers knew what to do with us! In fact one phone number gave us nothing but a recorded message saying that this office is now officially closed and no one would be checking messages henceforth! 24 hours after arriving we got a phone call from one of our previously called contacts asking us to present ourselves at the immigration office at the ship terminal. We only needed to present ourselves, not Pandora, so we rented a car to get there, which allowed us the ability to do some shopping and dining afterward. When we arrived they did not look at all the papers we brought with us— such as our Commerce Dept. form that allowed us to sail Pandora to Cuba. They only looked at our passports, and asked us if we had a good time in Cuba.

You bet! It has been an unbelievable experience!

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